ART APPRECIATION- LESSON 3

26問 • 2年前

問題一覧

It pertain to Filipino artworks that have developed in country from the beginning of its civilization up to the present era.

PHILIPPINE ARTS

It also known as Pre-Spanish era is the period of Philippine Art before the coming of Spaniards. Early evidence of ancient tools and other artifacts are found in the different islands of Philippines like Batangas, Cagayan, Central Luzon, Davao, and Palawan. Items discovered were described to be the crudest from the stone tools (flake tools)

PRE-COLONIAL PHILIPPINE ART

They used this which were containers fashioned to enclose and protect the bodies of their dead relatives.These were made from fibers and tree barks constructed into mats or they can also be made of leaves, wood, and bamboo.

RECEPTACLES

It is a rock art on the wall of a rockshelter in Rizal. A National Cultural Treasure and declared as the oldest known work of art in the Philippines. This was discovered in 1965 by the late renowned muralist and National Artist, Carlos "Botong" Francisco

ANGONO PETROGLYPHS

It is an ancient art form that remain in the Philippines today, with each ethnic group having their distinctive weaving techniques.

TEXTILE WEAVING

Preceding the Spanish colonization, the native Filipino of all genders, all social classes wore gold from gold necklaces, earrings, bracelets, armlets, even to their grave. Their love for gold to making a threaded belt and hilts of swords and daggers made of gold. T

JEWELRY

The burial practice of covering the eyes, nose, and mouth of the dead with sheets of gold is a custom practiced by a limited group of Filipinos. It is believed that when the face of the dead is covered with a gold mask, evil spirits cannot come into the body.

GOLD DEATH MASK

In the early days, these were transformed into tools, as well as ornaments. The oldest identified ornaments made from cone shells were found in the early 1960’s in the tomb of an adult male in Duyong Cave in Palawan

SHELL BRACELETS AND PENDANTS

Earthenware pots resembling human figures were found in Ayub Cave, in Pinol, Maitum, Saranggani Province. The jars used for secondary burial were dated to the Metal Age about 5 BC. - 225 A.D. Each of the twenty-nine jars recovered from the site is unique. The head-shaped covers portray different kinds of facial expressions like sadness, joy, contentment.

POTTERY

It is the description of the vessel’s body, the form of its mouth, the thickness of its lips, or the presence of ears, spouts and legs attached to its body.

SHAPE

It is how designs are applied on the body' ssurface. Decorative designs are either impressed or incised.

METHODS OF DECORATION

The ancient Filipinos had attained a high artistic level through pottery, jewelry, and wood carving.

SCULPTURE

It is regarded as the symbol of Philippine Prehistoric artifact. It was found in Palawan and is estimated to be from 890-710BCE. Figures representing spirits constituted most of the early Philippines representational sculpture. Some statues of Hindu gods and goddesses were also discovered all over the archipelago which proved that the early Filipinos with Hindu traders.

MUNUNGGUL JAR

These secondary burial jars have characteristics that belong to the Developed Metal Age Period in the Philippines calibrated date of 190 BC to 500 AD, these jars date back to the Metal Age. Two conventional dates calibrated date of AD 70 to 370 and calibrated date of 5 BC to 225 AD.

MAITUM JAR

It is built from bamboo and nipa which are the most available construction materials in the rural areas. The bahay-kubo is very functional in terms of comfort and affordability of materials.

BAHAY KUBO

It is so designed for the reason of the cold climate of the Mountain Province. The Ifugaos construct their houses for protection from the low temperature and the rainfall common in the Mountain Province.

IFUGAO HOUSE

It is an archaic-style house with a boat-like appearance. This description is primarily due to the existence of the panolong, carved beam that protrudes in the front of the house that support its flooring.

MARANAO HOUSE

It meshed with ethnic culture and produced a Filipino Muslim art that reflects the ethnic background and Islamic identity of the people.

MUSLIM ART

It is a general name for the colorful flowing designs which decorate any surface of the Muslim regions

OKIR

It is a depiction of an open-winged legendary bird which stands on a fish with another fish hanging from its beak. It is usually positioned atop bamboo poles at the center of Maranao villages among decorative flags during celebratory events.

SARIMANOK

It is a stylized dragon or serpent carved in grave markers or elaborately in plows.

NAGA

It is a design technique usually see in the Sulu Peninsula. Others consider it a variant of the okir. It is a decorative design that is used in carving, baskets, pottery and weaving. It is a pattern like Western style Arabesque and Art Noveau.

UKKIL

It is a best observed in the kabul and gadur. This is a jar-like container with covers that look a lot like the domes of their mosques.

MARANAO BRASS

A long sword, its handle akin to the open mouth of a naga, a wavy flame-like blade representing the body of a serpent; the barong, a leaf-like blade having the same geometric designs on its hilt.

KAMPILAN

It is a carved male figure made of narra is seated while its crossed arms rest on its raised knees. Believed to guard rice crops, this figure was traditionally bathed in pig’s or chicken’s blood during rice planting rituals in Ifugao.

BULUL

He is the first teacher, a mestizo whose talents impressed local authorities

DAMIAN DOMINGO

VITMOLOGY-PPT2

Anndrea S. Galupo · 22問 · 1年前

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