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Chapter 1 part 2
46問 • 1年前
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    問題一覧

  • 1

    the characteristic of surfaces which can be rough or smooth, fine or coarse, shiny or dull, plain or irregular.

    texture

  • 2

    is found in all the visual arts.

    texture

  • 3

    The ___ of texture lies first of all

    aesthetic value

  • 4

    it makes gradation of color possible.

    texture

  • 5

    gives a surface unevenness which causes the color of the surface to be broken into gradation of light and shade, giving it a charm of its own.

    texture

  • 6

    deals with the effect of distance upon the appearance of objects.

    perspective

  • 7

    It enables us to perceive distance and to see the position of objects in space.

    perspective

  • 8

    Kinds of Perspective:

    1. Linear Perspective 2. Aerial Perspective

  • 9

    is the representation of an appearance of distance by means of converging lines.

    Linear Perspective

  • 10

    Objects become smaller as they recede to the distance.

    Linear Perspective

  • 11

    is the representation of relative distances of objects by gradation of tone and color.

    Aerial Perspective

  • 12

    Objects become fainter in the distance due to the effect to the atmosphere.

    Aerial Perspective

  • 13

    is concerned with making all parts functional so that all parts of the work of art will contribute to make the whole a complete work.

    space

  • 14

    applies to the over-all design of the work of art.

    form

  • 15

    the amount of space occupied in three dimensions.

    volume

  • 16

    It therefore refers to solidity or thickness.

    volume

  • 17

    We perceive volume in two ways:

    lines or outlines, or shape of objects and by surface lights and shadows.

  • 18

    METHODS OF PRESENTING THE ART SUBJECTS:

    1. Realism 2. Abstraction

  • 19

    Subjects are depicted in the way they would normally appear in reality.

    realism

  • 20

    when the presentation and organization of details in the work seems so natural.

    realistic

  • 21

    is a common way of presenting the art subject.

    realism

  • 22

    Subjects are reorganized according to the artist creative expression.

    abstract

  • 23

    Abstract means___

    "to move away or separate.

  • 24

    moves away from showing things as they really are.

    abstract art

  • 25

    Abstraction is presented in the following ways:

    1. Distortion 2. Elongation 3. Fauvism 4. Abstract expressionism 5. Mangling 6. Symbolism 7. Futurism 8. Cubism 9. Expressionism 10. Dadaism 11. Surrealism

  • 26

    Subject is in misshapen condition, or the regular shape is twisted

    distortion

  • 27

    Subject is being lengthened.

    elongation

  • 28

    Subjects or objects are cut, lacerated, mutilated or hacked with repeated blows.

    Mangling

  • 29

    Forms are in basic geometrical like cone, cylinder, or sphere.

    cubism

  • 30

    It is characterized by the used of large canvasses, and a deliberate lack of refinement in the application of the paint.

    Abstract Expressionism

  • 31

    is a visible sign of something invisible such as an idea

    symbolism

  • 32

    It can be simply an emblem or sign.

    symbolism

  • 33

    tried to paint pictures of comfort, joy and pleasure.

    Fauvism

  • 34

    Artists used extremely bright colors.

    Fauvism

  • 35

    For example, tree trunks need not to be brown.

    Fauvism

  • 36

    It is playful, highly experimental, and nonsensical.

    dadaism

  • 37

    Dadaism. The term "___" is a ___ word which means ___

    dada french hobby horse

  • 38

    artists wanted their works to capture the speed and force of modern industrial society.

    futurism

  • 39

    Subjects included automobiles, motorcycles and railroad trains.

    Futurism

  • 40

    The subiects of this method expresses the explosive vitality of modern city.

    Futurism

  • 41

    Artist show what is inside man's mind as well as the appearance of his outside world.

    Surrealism.

  • 42

    declare that a magical world more beautiful than the real one can be created in art and literature.

    Surrealism

  • 43

    It could be describe as morbid, violent or chaotic and tragic. It sometimes portrays defeat.

    expressionism

  • 44

    believed in the necessity of a spiritual rebirth for man in an age that was fast becoming influenced by materialism.

    expressionism

  • 45

    It sometimes portrays defeat.

    expressionism

  • 46

    Strong color, uneven brush strokes and rough texture.

    abstract expressionism

  • MATH finals Module 8 Quantifiers and Negations

    MATH finals Module 8 Quantifiers and Negations

    ユーザ名非公開 · 7問 · 2年前

    MATH finals Module 8 Quantifiers and Negations

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    STS prelim module 1 (ancient) part 1

    STS prelim module 1 (ancient) part 1

    ユーザ名非公開 · 100問 · 1年前

    STS prelim module 1 (ancient) part 1

    STS prelim module 1 (ancient) part 1

    100問 • 1年前
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    STS prelim module 1 (ancient) part 2

    STS prelim module 1 (ancient) part 2

    ユーザ名非公開 · 26問 · 1年前

    STS prelim module 1 (ancient) part 2

    STS prelim module 1 (ancient) part 2

    26問 • 1年前
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    STS prelim module 1 (medieval)

    STS prelim module 1 (medieval)

    ユーザ名非公開 · 6問 · 1年前

    STS prelim module 1 (medieval)

    STS prelim module 1 (medieval)

    6問 • 1年前
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    STS prelim module 1 (modern)

    STS prelim module 1 (modern)

    ユーザ名非公開 · 20問 · 1年前

    STS prelim module 1 (modern)

    STS prelim module 1 (modern)

    20問 • 1年前
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    STS prelim phil

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    ユーザ名非公開 · 7問 · 1年前

    STS prelim phil

    STS prelim phil

    7問 • 1年前
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    Contemp Module 1 Prelim

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    ユーザ名非公開 · 38問 · 1年前

    Contemp Module 1 Prelim

    Contemp Module 1 Prelim

    38問 • 1年前
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    Lesson 1 Part 1

    Lesson 1 Part 1

    ユーザ名非公開 · 24問 · 1年前

    Lesson 1 Part 1

    Lesson 1 Part 1

    24問 • 1年前
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    Lesson 1 Part 2

    Lesson 1 Part 2

    ユーザ名非公開 · 29問 · 1年前

    Lesson 1 Part 2

    Lesson 1 Part 2

    29問 • 1年前
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    lesson2

    lesson2

    ユーザ名非公開 · 7問 · 1年前

    lesson2

    lesson2

    7問 • 1年前
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    environmental factors

    environmental factors

    ユーザ名非公開 · 5問 · 1年前

    environmental factors

    environmental factors

    5問 • 1年前
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    organizational factor

    organizational factor

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    organizational factor

    organizational factor

    5問 • 1年前
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    M1 Lesson 1

    M1 Lesson 1

    ユーザ名非公開 · 17問 · 1年前

    M1 Lesson 1

    M1 Lesson 1

    17問 • 1年前
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    M1 Lesson 2 Functions of Art

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    ユーザ名非公開 · 31問 · 1年前

    M1 Lesson 2 Functions of Art

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    31問 • 1年前
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    Yunit 2

    Yunit 2

    ユーザ名非公開 · 39問 · 1年前

    Yunit 2

    Yunit 2

    39問 • 1年前
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    retorika intro

    retorika intro

    ユーザ名非公開 · 44問 · 1年前

    retorika intro

    retorika intro

    44問 • 1年前
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    Module 1

    Module 1

    ユーザ名非公開 · 14問 · 1年前

    Module 1

    Module 1

    14問 • 1年前
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    Ancient World

    Ancient World

    ユーザ名非公開 · 100問 · 1年前

    Ancient World

    Ancient World

    100問 • 1年前
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    medieval/middle age

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    ユーザ名非公開 · 14問 · 1年前

    medieval/middle age

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    14問 • 1年前
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    問題一覧

  • 1

    the characteristic of surfaces which can be rough or smooth, fine or coarse, shiny or dull, plain or irregular.

    texture

  • 2

    is found in all the visual arts.

    texture

  • 3

    The ___ of texture lies first of all

    aesthetic value

  • 4

    it makes gradation of color possible.

    texture

  • 5

    gives a surface unevenness which causes the color of the surface to be broken into gradation of light and shade, giving it a charm of its own.

    texture

  • 6

    deals with the effect of distance upon the appearance of objects.

    perspective

  • 7

    It enables us to perceive distance and to see the position of objects in space.

    perspective

  • 8

    Kinds of Perspective:

    1. Linear Perspective 2. Aerial Perspective

  • 9

    is the representation of an appearance of distance by means of converging lines.

    Linear Perspective

  • 10

    Objects become smaller as they recede to the distance.

    Linear Perspective

  • 11

    is the representation of relative distances of objects by gradation of tone and color.

    Aerial Perspective

  • 12

    Objects become fainter in the distance due to the effect to the atmosphere.

    Aerial Perspective

  • 13

    is concerned with making all parts functional so that all parts of the work of art will contribute to make the whole a complete work.

    space

  • 14

    applies to the over-all design of the work of art.

    form

  • 15

    the amount of space occupied in three dimensions.

    volume

  • 16

    It therefore refers to solidity or thickness.

    volume

  • 17

    We perceive volume in two ways:

    lines or outlines, or shape of objects and by surface lights and shadows.

  • 18

    METHODS OF PRESENTING THE ART SUBJECTS:

    1. Realism 2. Abstraction

  • 19

    Subjects are depicted in the way they would normally appear in reality.

    realism

  • 20

    when the presentation and organization of details in the work seems so natural.

    realistic

  • 21

    is a common way of presenting the art subject.

    realism

  • 22

    Subjects are reorganized according to the artist creative expression.

    abstract

  • 23

    Abstract means___

    "to move away or separate.

  • 24

    moves away from showing things as they really are.

    abstract art

  • 25

    Abstraction is presented in the following ways:

    1. Distortion 2. Elongation 3. Fauvism 4. Abstract expressionism 5. Mangling 6. Symbolism 7. Futurism 8. Cubism 9. Expressionism 10. Dadaism 11. Surrealism

  • 26

    Subject is in misshapen condition, or the regular shape is twisted

    distortion

  • 27

    Subject is being lengthened.

    elongation

  • 28

    Subjects or objects are cut, lacerated, mutilated or hacked with repeated blows.

    Mangling

  • 29

    Forms are in basic geometrical like cone, cylinder, or sphere.

    cubism

  • 30

    It is characterized by the used of large canvasses, and a deliberate lack of refinement in the application of the paint.

    Abstract Expressionism

  • 31

    is a visible sign of something invisible such as an idea

    symbolism

  • 32

    It can be simply an emblem or sign.

    symbolism

  • 33

    tried to paint pictures of comfort, joy and pleasure.

    Fauvism

  • 34

    Artists used extremely bright colors.

    Fauvism

  • 35

    For example, tree trunks need not to be brown.

    Fauvism

  • 36

    It is playful, highly experimental, and nonsensical.

    dadaism

  • 37

    Dadaism. The term "___" is a ___ word which means ___

    dada french hobby horse

  • 38

    artists wanted their works to capture the speed and force of modern industrial society.

    futurism

  • 39

    Subjects included automobiles, motorcycles and railroad trains.

    Futurism

  • 40

    The subiects of this method expresses the explosive vitality of modern city.

    Futurism

  • 41

    Artist show what is inside man's mind as well as the appearance of his outside world.

    Surrealism.

  • 42

    declare that a magical world more beautiful than the real one can be created in art and literature.

    Surrealism

  • 43

    It could be describe as morbid, violent or chaotic and tragic. It sometimes portrays defeat.

    expressionism

  • 44

    believed in the necessity of a spiritual rebirth for man in an age that was fast becoming influenced by materialism.

    expressionism

  • 45

    It sometimes portrays defeat.

    expressionism

  • 46

    Strong color, uneven brush strokes and rough texture.

    abstract expressionism