fiction

93問 • 1年前

ユーザ名非公開

通報

問題一覧

PRODUCTS OF HUMAN IMAGINATION, THEREFORE LITERARY ELEMENTS THAT AN AUTHOR EMPLOYED IN A MASTERPIECE ARE NOT TRUE

fiction

IT AIMS TO ENTERTAIN AND AMUSE PEOPLE

fiction

PEOPLE WHO TAKE PART IN THE STORY

characters

THE CHIEF FIGURE WHO STRUGGLES AGAINST OPPOSING FORCES

protagonist

THE FORCE, MOST OFTEN ANOTHER CHARACTER, THAT OPPOSES THE PROTAGONIST

antagonist

IT IS A CHARACTER WHO UNDERGOES SIGNIFICANT INTERNAL CHANGE THROUGHOUT THE COURSE OF A STORY.

dynamic

IT IS ONE THAT DOES NOT UNDERGO INNER CHANGES, OR UNDERGOES A LITTLE CHANGE.

static

IT IS CHARACTER THAT DOES NOT DEVELOP OR GROW.

static

THESE ARE FULLY DEVELOPED PERSONALITIES THAT ARE AFFECTED BY THE STORY’S EVENTS, THEY CAN LEARN, GROW, OR DETERIORATE BY THE END OF THE STORY.

round

IS A TYPE OF CHARACTER IN FICTION THAT DOES NOT CHANGE TOO MUCH FROM THE START OF THE NARRATIVE TO ITS END. THEY ARE OFTEN SAID NOT TO HAVE ANY EMOTIONAL DEPTH.

flat

THE AUTHOR MAKES EXPLICIT STATEMENTS OR EXPLANATIONS ABOUT THE CHARACTER.

direct presentation

THE AUTHOR REVEALS THE CHARACTERS THROUGH ACTIONS AND DIALOGUES.

indirect presentation

GEOGRAPHICAL LOCATION

place

TIME OF THE DAY, YEAR, ETC OR HISTORICAL PERIOD

time

THE DAILY LIFE OF THE CHARACTERS

social conditions

FEELING CREATED TO THE READERS

mood or atmosphere

IT IS THE STRUGGLES OF COMPLICATION INVOLVING THE CHARACTER.

conflict

A CONFLICT WITHIN THE MIND OF THE CHARACTER

internal conflict

A CONFLICT BETWEEN A CHARACTER AND OUTSIDE FORCE

external conflict

A CONFLICT WITH THE ID OF THE CHARACTER

man vs self

TAKES PLACE BETWEEN TWO CHARACTERS

man vs man

TAKE PLACE BETWEEN MAN AND A FORCE OF NATURE

man vs nature

HAPPENS BETWEEN MAN AND THE LAWS WITHIN A COMMUNITY OR SOCIETY

man vs society

HAPPENS BETWEEN THE CHARACTER AND THE SITUATIONS AND EVENTS THAT HAPPEN IN HIM.

man vs circumstances

HAPPENS BETWEEN MAN AND THE UNKNOWN OR SCIENTIFICALLY UNEXPLAINED FORCE

man vs supernatural

HAPPEN BETWEEN MAN AND TECHNOLOGY OR A MACHINE

man vs technology

HAPPENS WHEN MAN IS TRAPPED BY AN ENVITABLE DESTINY

man vs fate

THE SEQUENCE OF EVENTS THAT MAKE UP A STORY.

plot

BEGINS AT A CERTAIN POINT, MOVES THROUGH A SERIES OF EVENTS TO A CLIMAX AND THEN ENDS UP AT ANOTHER POINT.

linear plot

IT IS A STORY THAT DOES NOT FOLLOW A LINEAR NARRATIVE.

modular plot

MADE UP OF A SERIES OF CHAPTERS OR STORIES LINKED TOGETHER BY THE SAME CHARACTER, PLACE, OR THEME BUT HELD APART BY THEIR INDIVIDUAL PLOT, PURPOSE, AND SUBTEXT

episodic plot

AT THE BEGINNING OF THE STORY, CHARACTERS, SETTING, AND THE MAIN CONFLICT ARE TYPICALLY INTRODUCED

exposition

THE MAIN CHARACTER IS IN CRISIS AND EVENTS LEADING UP TO FACING THE CONFLICT BEGIN TO UNFOLD. THE STORY BECOMES COMPLICATED.

rising action

AT THE PEAK OF THE STORY, A MAJOR EVENT OCCURS IN WHICH THE MAIN CHARACTER FACES A MAJOR ENEMY, FEAR, CHALLENGE, OR OTHER SOURCE OF CONFLICT.

climax

THE STORY BEGINS TO SLOW DOWN AND WORK TOWARDS ITS END, TYING UP LOOSE ENDS.

falling action

IT IS LIKE A CONCLUDING PARAGRAPH THAT RESOLVES ANY REMAINING ISSUES AND ENDS OF THE STORY

resolution

THE THEME IN A PIECE OF FICTION IS ITS CONTROLLING IDEA OR ITS CENTRAL INSIGHT. IT IS THE AUTHOR'S UNDERLYING MEANING OR MAIN IDEA THAT HE IS TRYING TO CONVEY.

theme

THE STORY IS TOLD BY THE PROTAGONIST OR A CHARACTER WHO INTERACTS CLOSELY WITH THE PROTAGONIST OR OTHER CHARACTERS. THE SPEAKER USES “I”, “ME”, AND “WE.

first person

THE STORY IS TOLD BY A NARRATOR WHO ADDRESSES THE READER OR SOME OTHER ASSUMED “YOU”. THE SPEAKER USES PRONOUNS “YOU”, “YOUR”, AND “YOURS”.

second person

THE STORY IS NOT TOLD BY A CHARACTER BUT BY AN “INVISIBLE AUTHOR,” USING THE THIRD PERSON PRONOUN (HE, SHE, OR IT) TO TELL THE STORY

third person

A NARRATOR WHO KNOWS EVERYTHING ABOUT THE CHARACTERS

omniscient

THE AUTHOR TELLS THE STORY IN THIRD PERSON (USING PRONOUNS THEY, SHE, HE, IT, ETC).

OMNISCIENT LIMITED

IT APPEARS A CAMERA IS FOLLOWING THE CHARACTERS, GOING ANYWHERE, AND RECORDING ONLY WHAT IS SEEN AND HEARD.

omniscient objective

It is a French word for "kind" or "sort is the term for any category of literature or other forms of art or entertainment, e.g.

genre

A story that is imaginative but could never really happen. The setting may be of another world.

fantasy

A story that takes place in a historically accurate time and setting.

historical fiction

A story that is typically set in the future or on other planets. It is based on the impact of actual, imagined, or potential science.

scientific fiction

literature whose stories focus on a puzzling crime, situation, or circumstance that needs to be solved.

mystery fiction

A story that seems real or could happen in real life. It is set in present day and includes modern day problems and events.

realistic fiction

explored themes related to death, demons, evil spirits, and the afterlife.

horror

story where a protagonist and other major characters and are placed in dangerous situations.

adventure

A brief story that is meant to tell a lesson or a moral. The characters are usually animals with human characteristics.

fable

A story that has magical elements.

fairy tale

story usually about a national or folk hero.

legend

A humorous story with extreme exaggerations.

tall tale

A story that is often based on a historical event that is meant to serve as an explanation for some phenomenon of nature or human behavior.

myth

it is writing that possesses literary merit, and language that foregrounds literariness

literature

play for theater told by character dialogue (talking)

drama

story that did not actually happen in real life

fiction

writing that is real and factual, or that actually happened

non fiction

writing using language and sounds in special ways to express ideas

poetry

A literary work like essays,biographies and autobiographies that are mainly based on fact, though it may contain fictional elements in certain cases.

non fictional prose

Holistically or partially imagined stories like novels and stories

fictional prose

A literary work that might be recorded or recounted, and which utilizes a significant number of the standard articulations found in oral custom. Models are legends and stories. Epics and Legends may be examples of this.

heroic prose

A literary work that shows poetic characteristics and nature and utilizing passionate impacts and elevated symbolism.

prose poetry

associated with both tragedy and humor

irony

Also known as tragic irony, this is when a writer lets their reader know something that a character does not

dramatic irony

This is when irony is used to comedic effect—such as in satire.

comic irony

This is at play when an expected outcome is subverted.

situational irony

This is a statement in which the speaker means something very different from what he or she is saying.

verbal irony

is a technique that shapes narrative to produce an effect on the reader.

literary device

It is an object, character or a concept introduced into the story by the author to introduce its plot

plot device

It is a technique used to focus the reader’s, but not the characters’ attention on an object, or location.

flashing arrow

It distracts the reader’s attention from the plot twist. It is used to maintain tension and uncertainty.

red herring

It is a device that the villain uses to try to kill the protagonist and satisfy his own sadistic desires.

death trap

It is a technique where the story begins at the end and works back toward the beginning.

reverse chronology

The narrative starts in the middle of the story instead of from its beginning. Other events are often introduced through a series of flashbacks.

in medias res

Characters share with the reader visions of the past or the future to explain a character’s motives. There are different types of visions in prose

vision

It refers to series of dreams which allows the character to see events that occur or have occurred in another time.

dream sequence

It prevents events from before the current time frame. It usually presented as characters’ memories and are used to explain their background.

analepsis

It presents events that will occur in the future.

prolepsis

It is often used in science fiction to underline their futuristic structures.

prophecy

It is a premonition, much like a flash-forward, but only hints at the future.

foreshadowing

It is an abrupt ending that leaves the plot incomplete.

cliff hanger

It is is an unexpected finale that gives an entirely new vision on the entire plot. It is a powerful technique but may leave the reader dissatisfied and frustrated.

twisit ending

It is a finale when everything ends in the best way for the hero.

happy ending

It is a plot dating back to ancient Greek theater, where the conflict is resolve through a means (god, or dues) that seem unrelated to the story.

deus ex machina

literatura/litteratura

writing formed with letters

dulce et utile

sweet and useful

IT IS THE TIME AND LOCATION WHERE THE STORY TAKES PLACE

setting

IT IS A STORY THAT DOES NOT FOLLOW A LINEAR NARRATIVE. THAT IS, IT DOESN’T MOVE IN A CHRONOLOGICAL ORDER, INSTEAD JUMPING AROUND WITHIN THE STORY OR BETWEEN DIFFERENT STORIES

modular plot

IT IS AN ANGLE FROM WHICH THE STORY IS TOLD.

pov

WE KNOW ONLY WHAT THE CHARACTER KNOWS AND WHAT THE AUTHOR ALLOWS HIM/HER TO TELL US. WE CAN SEE THE THOUGHTS AND FEELINGS OF CHARACTERS IF THE AUTHOR CHOOSES TO REVEAL THEM TO US.

omniscient limited

perdev

perdev

etech

etech

tnct

tnct

fiction 2

fiction 2

diass

diass

intertextuality

intertextuality

perdev 2nd Q

perdev 2nd Q

DANCE - HOPE 3

DANCE - HOPE 3

OBSERVING SAFETY PROTOCOLS - HOPE 3

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OBSERVING SAFETY PROTOCOLS - HOPE 3

11問 • 1年前

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CAREER OPPORTUNITIES - HOPE 3

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CAREER OPPORTUNITIES - HOPE 3

pr2 2nd Q

pr2 2nd Q

PPG Part 1

PPG Part 1

PPG Part 2

PPG Part 2

TNCT

TNCT

E-Tech

E-Tech

Lesson 10: Drama

Lesson 10: Drama

Lesson 10: Drama

Lesson 10: Drama

CREATIVE WRITING

CREATIVE WRITING

iii

iii

non fiction - lesson 1

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non fiction - lesson 1

non fic

non fic

non fic - elements of cnf

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non fic - elements of cnf

14問 • 1年前

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nonfic - writing process

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nonfic - writing process

23問 • 1年前

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CNF - 4th Quarter Lesson

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CNF - 4th Quarter Lesson

MIL - Types of Media

MIL - Types of Media

MIL - MEDIA & INFORMATION SOURCES

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MIL - MEDIA & INFORMATION SOURCES

20問 • 1年前

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MIL - MEDIA CODES AND CONVENTIONS

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MIL - MEDIA CODES AND CONVENTIONS

20問 • 1年前

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MIL - INTRODUCTION TO MEDIA AND INFO LITERACY

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MIL - INTRODUCTION TO MEDIA AND INFO LITERACY

17問 • 1年前

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MIL - THE EVOLUTION OF TRADITIONAL

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MIL - THE EVOLUTION OF TRADITIONAL

7問 • 1年前

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HOPE 4 - RECREATIONAL

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HOPE 4 - RECREATIONAL

12問 • 1年前

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HOPE 4 - SETTING FITT GOALS

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HOPE 4 - SETTING FITT GOALS

21問 • 1年前

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HOPE 4 - ENGAGING IN MODERATE TO VIGOROUS

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HOPE 4 - ENGAGING IN MODERATE TO VIGOROUS

17問 • 1年前

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CESC - IMPACT OF COMMUNITY ENGAGEMENT

ユーザ名非公開 · 5問 · 1年前

CESC - IMPACT OF COMMUNITY ENGAGEMENT

5問 • 1年前

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COMMUNITY ACTION MODALITIES

ユーザ名非公開 · 10問 · 1年前

COMMUNITY ACTION MODALITIES

community typologies

community typologies

cesc

cesc

CESC

CESC

IMMERSION

IMMERSION

cnf 4.2

cnf 4.2

work immer

work immer

問題一覧

PRODUCTS OF HUMAN IMAGINATION, THEREFORE LITERARY ELEMENTS THAT AN AUTHOR EMPLOYED IN A MASTERPIECE ARE NOT TRUE

fiction

IT AIMS TO ENTERTAIN AND AMUSE PEOPLE

fiction

PEOPLE WHO TAKE PART IN THE STORY

characters

THE CHIEF FIGURE WHO STRUGGLES AGAINST OPPOSING FORCES

protagonist

THE FORCE, MOST OFTEN ANOTHER CHARACTER, THAT OPPOSES THE PROTAGONIST

antagonist

IT IS A CHARACTER WHO UNDERGOES SIGNIFICANT INTERNAL CHANGE THROUGHOUT THE COURSE OF A STORY.

dynamic

IT IS ONE THAT DOES NOT UNDERGO INNER CHANGES, OR UNDERGOES A LITTLE CHANGE.

static

IT IS CHARACTER THAT DOES NOT DEVELOP OR GROW.

static

THESE ARE FULLY DEVELOPED PERSONALITIES THAT ARE AFFECTED BY THE STORY’S EVENTS, THEY CAN LEARN, GROW, OR DETERIORATE BY THE END OF THE STORY.

round

IS A TYPE OF CHARACTER IN FICTION THAT DOES NOT CHANGE TOO MUCH FROM THE START OF THE NARRATIVE TO ITS END. THEY ARE OFTEN SAID NOT TO HAVE ANY EMOTIONAL DEPTH.

flat

THE AUTHOR MAKES EXPLICIT STATEMENTS OR EXPLANATIONS ABOUT THE CHARACTER.

direct presentation

THE AUTHOR REVEALS THE CHARACTERS THROUGH ACTIONS AND DIALOGUES.

indirect presentation

GEOGRAPHICAL LOCATION

place

TIME OF THE DAY, YEAR, ETC OR HISTORICAL PERIOD

time

THE DAILY LIFE OF THE CHARACTERS

social conditions

FEELING CREATED TO THE READERS

mood or atmosphere

IT IS THE STRUGGLES OF COMPLICATION INVOLVING THE CHARACTER.

conflict

A CONFLICT WITHIN THE MIND OF THE CHARACTER

internal conflict

A CONFLICT BETWEEN A CHARACTER AND OUTSIDE FORCE

external conflict

A CONFLICT WITH THE ID OF THE CHARACTER

man vs self

TAKES PLACE BETWEEN TWO CHARACTERS

man vs man

TAKE PLACE BETWEEN MAN AND A FORCE OF NATURE

man vs nature

HAPPENS BETWEEN MAN AND THE LAWS WITHIN A COMMUNITY OR SOCIETY

man vs society

HAPPENS BETWEEN THE CHARACTER AND THE SITUATIONS AND EVENTS THAT HAPPEN IN HIM.

man vs circumstances

HAPPENS BETWEEN MAN AND THE UNKNOWN OR SCIENTIFICALLY UNEXPLAINED FORCE

man vs supernatural

HAPPEN BETWEEN MAN AND TECHNOLOGY OR A MACHINE

man vs technology

HAPPENS WHEN MAN IS TRAPPED BY AN ENVITABLE DESTINY

man vs fate

THE SEQUENCE OF EVENTS THAT MAKE UP A STORY.

plot

BEGINS AT A CERTAIN POINT, MOVES THROUGH A SERIES OF EVENTS TO A CLIMAX AND THEN ENDS UP AT ANOTHER POINT.

linear plot

IT IS A STORY THAT DOES NOT FOLLOW A LINEAR NARRATIVE.

modular plot

MADE UP OF A SERIES OF CHAPTERS OR STORIES LINKED TOGETHER BY THE SAME CHARACTER, PLACE, OR THEME BUT HELD APART BY THEIR INDIVIDUAL PLOT, PURPOSE, AND SUBTEXT

episodic plot

AT THE BEGINNING OF THE STORY, CHARACTERS, SETTING, AND THE MAIN CONFLICT ARE TYPICALLY INTRODUCED

exposition

THE MAIN CHARACTER IS IN CRISIS AND EVENTS LEADING UP TO FACING THE CONFLICT BEGIN TO UNFOLD. THE STORY BECOMES COMPLICATED.

rising action

AT THE PEAK OF THE STORY, A MAJOR EVENT OCCURS IN WHICH THE MAIN CHARACTER FACES A MAJOR ENEMY, FEAR, CHALLENGE, OR OTHER SOURCE OF CONFLICT.

climax

THE STORY BEGINS TO SLOW DOWN AND WORK TOWARDS ITS END, TYING UP LOOSE ENDS.

falling action

IT IS LIKE A CONCLUDING PARAGRAPH THAT RESOLVES ANY REMAINING ISSUES AND ENDS OF THE STORY

resolution

THE THEME IN A PIECE OF FICTION IS ITS CONTROLLING IDEA OR ITS CENTRAL INSIGHT. IT IS THE AUTHOR'S UNDERLYING MEANING OR MAIN IDEA THAT HE IS TRYING TO CONVEY.

theme

THE STORY IS TOLD BY THE PROTAGONIST OR A CHARACTER WHO INTERACTS CLOSELY WITH THE PROTAGONIST OR OTHER CHARACTERS. THE SPEAKER USES “I”, “ME”, AND “WE.

first person

THE STORY IS TOLD BY A NARRATOR WHO ADDRESSES THE READER OR SOME OTHER ASSUMED “YOU”. THE SPEAKER USES PRONOUNS “YOU”, “YOUR”, AND “YOURS”.

second person

THE STORY IS NOT TOLD BY A CHARACTER BUT BY AN “INVISIBLE AUTHOR,” USING THE THIRD PERSON PRONOUN (HE, SHE, OR IT) TO TELL THE STORY

third person

A NARRATOR WHO KNOWS EVERYTHING ABOUT THE CHARACTERS

omniscient

THE AUTHOR TELLS THE STORY IN THIRD PERSON (USING PRONOUNS THEY, SHE, HE, IT, ETC).

OMNISCIENT LIMITED

IT APPEARS A CAMERA IS FOLLOWING THE CHARACTERS, GOING ANYWHERE, AND RECORDING ONLY WHAT IS SEEN AND HEARD.

omniscient objective

It is a French word for "kind" or "sort is the term for any category of literature or other forms of art or entertainment, e.g.

genre

A story that is imaginative but could never really happen. The setting may be of another world.

fantasy

A story that takes place in a historically accurate time and setting.

historical fiction

A story that is typically set in the future or on other planets. It is based on the impact of actual, imagined, or potential science.

scientific fiction

literature whose stories focus on a puzzling crime, situation, or circumstance that needs to be solved.

mystery fiction

A story that seems real or could happen in real life. It is set in present day and includes modern day problems and events.

realistic fiction

explored themes related to death, demons, evil spirits, and the afterlife.

horror

story where a protagonist and other major characters and are placed in dangerous situations.

adventure

A brief story that is meant to tell a lesson or a moral. The characters are usually animals with human characteristics.

fable

A story that has magical elements.

fairy tale

story usually about a national or folk hero.

legend

A humorous story with extreme exaggerations.

tall tale

A story that is often based on a historical event that is meant to serve as an explanation for some phenomenon of nature or human behavior.

myth

it is writing that possesses literary merit, and language that foregrounds literariness

literature

play for theater told by character dialogue (talking)

drama

story that did not actually happen in real life

fiction

writing that is real and factual, or that actually happened

non fiction

writing using language and sounds in special ways to express ideas

poetry

A literary work like essays,biographies and autobiographies that are mainly based on fact, though it may contain fictional elements in certain cases.

non fictional prose

Holistically or partially imagined stories like novels and stories

fictional prose

heroic prose

A literary work that shows poetic characteristics and nature and utilizing passionate impacts and elevated symbolism.

prose poetry

associated with both tragedy and humor

irony

Also known as tragic irony, this is when a writer lets their reader know something that a character does not

dramatic irony

This is when irony is used to comedic effect—such as in satire.

comic irony

This is at play when an expected outcome is subverted.

situational irony

This is a statement in which the speaker means something very different from what he or she is saying.

verbal irony

is a technique that shapes narrative to produce an effect on the reader.

literary device

It is an object, character or a concept introduced into the story by the author to introduce its plot

plot device

It is a technique used to focus the reader’s, but not the characters’ attention on an object, or location.

flashing arrow

It distracts the reader’s attention from the plot twist. It is used to maintain tension and uncertainty.

red herring

It is a device that the villain uses to try to kill the protagonist and satisfy his own sadistic desires.

death trap

It is a technique where the story begins at the end and works back toward the beginning.

reverse chronology

The narrative starts in the middle of the story instead of from its beginning. Other events are often introduced through a series of flashbacks.

in medias res

Characters share with the reader visions of the past or the future to explain a character’s motives. There are different types of visions in prose

vision

It refers to series of dreams which allows the character to see events that occur or have occurred in another time.

dream sequence

It prevents events from before the current time frame. It usually presented as characters’ memories and are used to explain their background.

analepsis

It presents events that will occur in the future.

prolepsis

It is often used in science fiction to underline their futuristic structures.

prophecy

It is a premonition, much like a flash-forward, but only hints at the future.

foreshadowing

It is an abrupt ending that leaves the plot incomplete.

cliff hanger

It is is an unexpected finale that gives an entirely new vision on the entire plot. It is a powerful technique but may leave the reader dissatisfied and frustrated.

twisit ending

It is a finale when everything ends in the best way for the hero.

happy ending

It is a plot dating back to ancient Greek theater, where the conflict is resolve through a means (god, or dues) that seem unrelated to the story.

deus ex machina

literatura/litteratura

writing formed with letters

dulce et utile

sweet and useful

IT IS THE TIME AND LOCATION WHERE THE STORY TAKES PLACE

setting

IT IS A STORY THAT DOES NOT FOLLOW A LINEAR NARRATIVE. THAT IS, IT DOESN’T MOVE IN A CHRONOLOGICAL ORDER, INSTEAD JUMPING AROUND WITHIN THE STORY OR BETWEEN DIFFERENT STORIES

modular plot

IT IS AN ANGLE FROM WHICH THE STORY IS TOLD.

pov

WE KNOW ONLY WHAT THE CHARACTER KNOWS AND WHAT THE AUTHOR ALLOWS HIM/HER TO TELL US. WE CAN SEE THE THOUGHTS AND FEELINGS OF CHARACTERS IF THE AUTHOR CHOOSES TO REVEAL THEM TO US.

omniscient limited