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CREATIVE WRITING

CREATIVE WRITING
70問 • 1年前
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    問題一覧

  • 1

    a technique that shapes narrative to produce an effect on the reader. It is a literary or linguistic technique that produces a specific effect, esp. a figure of speech, narrative style, or plot mechanism.

    literary device

  • 2

    It is an object, character or aconcept introduced into the story by the author to introduce its plot.

    plot device

  • 3

    It refers to unexpected turn of the story that gives a new view on the entire topic.

    plot twist

  • 4

    It is a technique used to focus the reader's, but not the characters' attention on an object,

    flashing arrow

  • 5

    It distracts the reader's attention from the plot It is used to maintain tension and uncertainty.

    red herring

  • 6

    It is a device that the villain uses to try to kill the protagonist and satisfy his own sadistic desires.

    death trap

  • 7

    It is a technique where the story begins at the end and works back toward the beginning.

    reverse chronology

  • 8

    The narrative starts in the middle of the story instead of from its beginning.

    in medias res

  • 9

    Characters share with the reader visions of the past or the future to explain a character's motives. There are different types of visions in prose.

    vision

  • 10

    It refers to series of dreams which allows the character to see events that occur or have occurredin another time.

    dream sequence

  • 11

    It prevents events from before the current time frame. Flashbacks are usually presented as characters' memories and are used to explain their background.

    analepsis

  • 12

    It presents events that will occur in the future.

    prolepsis

  • 13

    It is often used in science fiction to underline their futuristic structures.

    prophecy

  • 14

    It is a premonition, much like a flash-forward, but only hints at the future

    foreshadowing

  • 15

    it refers to story endings

    ending

  • 16

    It is an abrupt ending that leaves the plot incomplete

    cliff hanger

  • 17

    It is is an unexpected finale that gives an entirely new vision on the entire plot.

    twist ending

  • 18

    It is a plot dating back to ancient Greek theater, where the conflict is resolve through a means (god, or dues) that seem unrelated to the story. This allows the author to end the story as desired without following the logic and continuity of the story.

    Deus Ex Machina

  • 19

    The portrayal of fictional and non-fictional events in theater, film,radio or television.

    drama

  • 20

    - The Greek muse of Tragedy, the other mask of drama.

    melphomene

  • 21

    The Greek muse of Comedy, depicted as one the two mask of drama.

    thalia

  • 22

    The most basic common element of drama used to stir emotions of the audience.

    dramatic tension

  • 23

    The humurous genre of drama intended to keep the audience laughing on the way to play's happy ending.

    comedy

  • 24

    The portrayal of darker subjects like death,disaster,betrayal, and human suffering.

    tragedy

  • 25

    - An "over the top" form of purposely over-acted and exaggerated comedy.

    farce

  • 26

    - The depiction of simple classic characters like heroes and villains dealing with sensational, romantic, and often perilous situations.

    melodrama

  • 27

    The artful combination of dialogue, music and dance to tell the grand stories of tragedy or comedy.

    opera

  • 28

    Historical or non fictional events portrayed in a dramatic tension

    docudrama

  • 29

    This refers to the words written by the playwright and spoken by the characters in the play.

    dialog

  • 30

    two or more people talking

    dialogue

  • 31

    one person talking

    monologue

  • 32

    one person speaking their thoughts out loud for the audience

    soliloquy

  • 33

    simply an introductory part that provides the background information needed to properly understand the story.

    exposition

  • 34

    the event that sets the action of the play in motion. It is what gets the story going

    conflict

  • 35

    series of events, including complications and discoveries, which follow the inciting incident and create the dramatic climax of a plot.

    rising action

  • 36

    is the turning point, or the peak, of a plot which holds an utmost emotional intensity of the play.

    climax

  • 37

    series of events following the climax that leads to the solution of the conflicts.

    falling action

  • 38

    serves as the conclusion of the plot in which the conflicts are unraveled. It is the ending scene of the drama.

    denouement

  • 39

    the message that is intended to be expressed through the story.

    theme

  • 40

    the place, together with other conditions, such as time and the environment, involved in which the events occur.

    setting

  • 41

    referring to the basic storyline of the play, is the structure of a play which tells what happens as the story goes.

    plot or dramatic structure

  • 42

    techniques and methods used by the playwright and director to create desired stylistic effect

    conventions

  • 43

    the type of play.

    genre

  • 44

    group of people who watch the play.

    audience

  • 45

    The theatrical equipment, such as curtains, flats, backdrops, or platforms, used in a dramatic production to communicate environment

    scenery/set

  • 46

    Clothing and accessories worn by actors to portray character and period.

    costumes

  • 47

    Short for properties; any article, except costume or scenery, used as part of a dramatic production; any moveable object that appears on stage during a performance.

    props

  • 48

    The placement, intensity, and color of lights to help communicate environment, mood, or feeling

    lights

  • 49

    The effects an audience hears during performance to communicate character, context, or environment.

    sound

  • 50

    Use of face, body, and voice to portray character

    acting

  • 51

    The reason or reasons for a character's behavior

    character motivation

  • 52

    the process used in evaluating how the elements in drama/play are used to create impact to the audience

    character analysis

  • 53

    poststructuralist, developed the term intertextuality, in the 1960's. Since then, this has been widely accepted by postmodern literary critics and theoreticians.

    julia kristeva

  • 54

    This is when an author or poet deliberately references another text in their work. The author intends to make the external references and intends the reader to understand something about the work that they are reading as a result.

    obligatory

  • 55

    a milder kind of interrelatedness. In this case, an author or poet may allude to another text to create another nonessential layer of meaning.

    optional

  • 56

    This third type of intertextuality happens when areader makes a connection that the authoror poet did not intend to make. This can happen when a reader has knowledge of texts that perhaps the author does not, or even when a reader creates links to a certain culture or to their personal experience.

    accidental

  • 57

    It happens when the author is borrowing an idea or phrase from someone else. It is about giving credit to the original author.

    citation

  • 58

    - it's when one text makes a deliberate, but subtle, reference to another.

    allusion

  • 59

    is an imitation of another text for satirical purpose; usually to mock.

    parody

  • 60

    A play that has only one act in it as opposed to the popular format involving three or more acts. - It is typically run between 15 minutes to an hour.

    one act play

  • 61

    Occurs when the reader knows a secret, but the characters in a play or work of fiction do not.

    dramatic irony

  • 62

    Is applied to justice, which comes about when an evil act brings about its own punishment and poetic justice prevails.

    nemesis

  • 63

    Is a device used to attract the reader's attention.

    paradox

  • 64

    - Is a device used by poets and writers whereby nature mirrors the political condition of society.

    pathetic fallacy

  • 65

    is a situation that elicits pity from the audience.

    pathos

  • 66

    A speech made by an actor DIRECTLY TO THE AUDIENCE, but seemingly to himself or herself. It is always a true reflection of the character's thoughts.

    aside

  • 67

    Is an ancient Greek theatre term meaning the error, frailty, mistaken judgment or misstep through which the fortunes of the hero of a tragedy are reversed. Hamartia must express itself through a definite action, or, failure to perform a definite action.

    hamartia

  • 68

    a waste of people and a waste of unrealized potential. Unrealized potential is the difference between a successful versus an unsuccessful quest.

    tragic hero

  • 69

    A type of drama of human conflict which ends in defeat and suffering.

    tragedy

  • 70

    Using images to describe or compare something, so that the reader forms a picture in his or her mind.

    imagery

  • perdev

    perdev

    ユーザ名非公開 · 39問 · 1年前

    perdev

    perdev

    39問 • 1年前
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    etech

    etech

    ユーザ名非公開 · 32問 · 1年前

    etech

    etech

    32問 • 1年前
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    tnct

    tnct

    ユーザ名非公開 · 72問 · 1年前

    tnct

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    72問 • 1年前
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    fiction 2

    fiction 2

    ユーザ名非公開 · 43問 · 1年前

    fiction 2

    fiction 2

    43問 • 1年前
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    diass

    diass

    ユーザ名非公開 · 5問 · 1年前

    diass

    diass

    5問 • 1年前
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    intertextuality

    intertextuality

    ユーザ名非公開 · 26問 · 1年前

    intertextuality

    intertextuality

    26問 • 1年前
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    perdev 2nd Q

    perdev 2nd Q

    ユーザ名非公開 · 62問 · 1年前

    perdev 2nd Q

    perdev 2nd Q

    62問 • 1年前
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    DANCE - HOPE 3

    DANCE - HOPE 3

    ユーザ名非公開 · 38問 · 1年前

    DANCE - HOPE 3

    DANCE - HOPE 3

    38問 • 1年前
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    OBSERVING SAFETY PROTOCOLS - HOPE 3

    ユーザ名非公開 · 11問 · 1年前

    OBSERVING SAFETY PROTOCOLS - HOPE 3

    OBSERVING SAFETY PROTOCOLS - HOPE 3

    11問 • 1年前
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    CAREER OPPORTUNITIES - HOPE 3

    CAREER OPPORTUNITIES - HOPE 3

    ユーザ名非公開 · 18問 · 1年前

    CAREER OPPORTUNITIES - HOPE 3

    CAREER OPPORTUNITIES - HOPE 3

    18問 • 1年前
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    pr2 2nd Q

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    ユーザ名非公開 · 37問 · 1年前

    pr2 2nd Q

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    37問 • 1年前
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    PPG Part 1

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    ユーザ名非公開 · 34問 · 1年前

    PPG Part 1

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    34問 • 1年前
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    PPG Part 2

    PPG Part 2

    ユーザ名非公開 · 39問 · 1年前

    PPG Part 2

    PPG Part 2

    39問 • 1年前
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    TNCT

    TNCT

    ユーザ名非公開 · 51問 · 1年前

    TNCT

    TNCT

    51問 • 1年前
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    E-Tech

    E-Tech

    ユーザ名非公開 · 23問 · 1年前

    E-Tech

    E-Tech

    23問 • 1年前
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    Lesson 10: Drama

    Lesson 10: Drama

    ユーザ名非公開 · 35問 · 1年前

    Lesson 10: Drama

    Lesson 10: Drama

    35問 • 1年前
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    Lesson 10: Drama

    Lesson 10: Drama

    ユーザ名非公開 · 15問 · 1年前

    Lesson 10: Drama

    Lesson 10: Drama

    15問 • 1年前
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    fiction

    fiction

    ユーザ名非公開 · 93問 · 1年前

    fiction

    fiction

    93問 • 1年前
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    iii

    iii

    ユーザ名非公開 · 5問 · 1年前

    iii

    iii

    5問 • 1年前
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    non fiction - lesson 1

    non fiction - lesson 1

    ユーザ名非公開 · 23問 · 1年前

    non fiction - lesson 1

    non fiction - lesson 1

    23問 • 1年前
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    non fic

    non fic

    ユーザ名非公開 · 10問 · 1年前

    non fic

    non fic

    10問 • 1年前
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    non fic - elements of cnf

    non fic - elements of cnf

    ユーザ名非公開 · 14問 · 1年前

    non fic - elements of cnf

    non fic - elements of cnf

    14問 • 1年前
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    nonfic - writing process

    nonfic - writing process

    ユーザ名非公開 · 23問 · 1年前

    nonfic - writing process

    nonfic - writing process

    23問 • 1年前
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    CNF - 4th Quarter Lesson

    CNF - 4th Quarter Lesson

    ユーザ名非公開 · 15問 · 1年前

    CNF - 4th Quarter Lesson

    CNF - 4th Quarter Lesson

    15問 • 1年前
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    MIL - Types of Media

    MIL - Types of Media

    ユーザ名非公開 · 23問 · 1年前

    MIL - Types of Media

    MIL - Types of Media

    23問 • 1年前
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    MIL - MEDIA & INFORMATION SOURCES

    MIL - MEDIA & INFORMATION SOURCES

    ユーザ名非公開 · 20問 · 1年前

    MIL - MEDIA & INFORMATION SOURCES

    MIL - MEDIA & INFORMATION SOURCES

    20問 • 1年前
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    MIL - MEDIA CODES AND CONVENTIONS

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    ユーザ名非公開 · 20問 · 1年前

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    MIL - MEDIA CODES AND CONVENTIONS

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    ユーザ名非公開 · 17問 · 1年前

    MIL - INTRODUCTION TO MEDIA AND INFO LITERACY

    MIL - INTRODUCTION TO MEDIA AND INFO LITERACY

    17問 • 1年前
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    MIL - THE EVOLUTION OF TRADITIONAL

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    ユーザ名非公開 · 7問 · 1年前

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    7問 • 1年前
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    HOPE 4 - RECREATIONAL

    HOPE 4 - RECREATIONAL

    ユーザ名非公開 · 12問 · 1年前

    HOPE 4 - RECREATIONAL

    HOPE 4 - RECREATIONAL

    12問 • 1年前
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    HOPE 4 - SETTING FITT GOALS

    ユーザ名非公開 · 21問 · 1年前

    HOPE 4 - SETTING FITT GOALS

    HOPE 4 - SETTING FITT GOALS

    21問 • 1年前
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    HOPE 4 - ENGAGING IN MODERATE TO VIGOROUS

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    ユーザ名非公開 · 17問 · 1年前

    HOPE 4 - ENGAGING IN MODERATE TO VIGOROUS

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    CESC - IMPACT OF COMMUNITY ENGAGEMENT

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    ユーザ名非公開 · 5問 · 1年前

    CESC - IMPACT OF COMMUNITY ENGAGEMENT

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    COMMUNITY ACTION MODALITIES

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    ユーザ名非公開 · 10問 · 1年前

    COMMUNITY ACTION MODALITIES

    COMMUNITY ACTION MODALITIES

    10問 • 1年前
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    community typologies

    community typologies

    ユーザ名非公開 · 16問 · 1年前

    community typologies

    community typologies

    16問 • 1年前
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    cesc

    cesc

    ユーザ名非公開 · 35問 · 1年前

    cesc

    cesc

    35問 • 1年前
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    CESC

    CESC

    ユーザ名非公開 · 16問 · 1年前

    CESC

    CESC

    16問 • 1年前
    ユーザ名非公開

    IMMERSION

    IMMERSION

    ユーザ名非公開 · 15問 · 1年前

    IMMERSION

    IMMERSION

    15問 • 1年前
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    cnf 4.2

    cnf 4.2

    ユーザ名非公開 · 38問 · 1年前

    cnf 4.2

    cnf 4.2

    38問 • 1年前
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    work immer

    work immer

    ユーザ名非公開 · 8問 · 1年前

    work immer

    work immer

    8問 • 1年前
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    問題一覧

  • 1

    a technique that shapes narrative to produce an effect on the reader. It is a literary or linguistic technique that produces a specific effect, esp. a figure of speech, narrative style, or plot mechanism.

    literary device

  • 2

    It is an object, character or aconcept introduced into the story by the author to introduce its plot.

    plot device

  • 3

    It refers to unexpected turn of the story that gives a new view on the entire topic.

    plot twist

  • 4

    It is a technique used to focus the reader's, but not the characters' attention on an object,

    flashing arrow

  • 5

    It distracts the reader's attention from the plot It is used to maintain tension and uncertainty.

    red herring

  • 6

    It is a device that the villain uses to try to kill the protagonist and satisfy his own sadistic desires.

    death trap

  • 7

    It is a technique where the story begins at the end and works back toward the beginning.

    reverse chronology

  • 8

    The narrative starts in the middle of the story instead of from its beginning.

    in medias res

  • 9

    Characters share with the reader visions of the past or the future to explain a character's motives. There are different types of visions in prose.

    vision

  • 10

    It refers to series of dreams which allows the character to see events that occur or have occurredin another time.

    dream sequence

  • 11

    It prevents events from before the current time frame. Flashbacks are usually presented as characters' memories and are used to explain their background.

    analepsis

  • 12

    It presents events that will occur in the future.

    prolepsis

  • 13

    It is often used in science fiction to underline their futuristic structures.

    prophecy

  • 14

    It is a premonition, much like a flash-forward, but only hints at the future

    foreshadowing

  • 15

    it refers to story endings

    ending

  • 16

    It is an abrupt ending that leaves the plot incomplete

    cliff hanger

  • 17

    It is is an unexpected finale that gives an entirely new vision on the entire plot.

    twist ending

  • 18

    It is a plot dating back to ancient Greek theater, where the conflict is resolve through a means (god, or dues) that seem unrelated to the story. This allows the author to end the story as desired without following the logic and continuity of the story.

    Deus Ex Machina

  • 19

    The portrayal of fictional and non-fictional events in theater, film,radio or television.

    drama

  • 20

    - The Greek muse of Tragedy, the other mask of drama.

    melphomene

  • 21

    The Greek muse of Comedy, depicted as one the two mask of drama.

    thalia

  • 22

    The most basic common element of drama used to stir emotions of the audience.

    dramatic tension

  • 23

    The humurous genre of drama intended to keep the audience laughing on the way to play's happy ending.

    comedy

  • 24

    The portrayal of darker subjects like death,disaster,betrayal, and human suffering.

    tragedy

  • 25

    - An "over the top" form of purposely over-acted and exaggerated comedy.

    farce

  • 26

    - The depiction of simple classic characters like heroes and villains dealing with sensational, romantic, and often perilous situations.

    melodrama

  • 27

    The artful combination of dialogue, music and dance to tell the grand stories of tragedy or comedy.

    opera

  • 28

    Historical or non fictional events portrayed in a dramatic tension

    docudrama

  • 29

    This refers to the words written by the playwright and spoken by the characters in the play.

    dialog

  • 30

    two or more people talking

    dialogue

  • 31

    one person talking

    monologue

  • 32

    one person speaking their thoughts out loud for the audience

    soliloquy

  • 33

    simply an introductory part that provides the background information needed to properly understand the story.

    exposition

  • 34

    the event that sets the action of the play in motion. It is what gets the story going

    conflict

  • 35

    series of events, including complications and discoveries, which follow the inciting incident and create the dramatic climax of a plot.

    rising action

  • 36

    is the turning point, or the peak, of a plot which holds an utmost emotional intensity of the play.

    climax

  • 37

    series of events following the climax that leads to the solution of the conflicts.

    falling action

  • 38

    serves as the conclusion of the plot in which the conflicts are unraveled. It is the ending scene of the drama.

    denouement

  • 39

    the message that is intended to be expressed through the story.

    theme

  • 40

    the place, together with other conditions, such as time and the environment, involved in which the events occur.

    setting

  • 41

    referring to the basic storyline of the play, is the structure of a play which tells what happens as the story goes.

    plot or dramatic structure

  • 42

    techniques and methods used by the playwright and director to create desired stylistic effect

    conventions

  • 43

    the type of play.

    genre

  • 44

    group of people who watch the play.

    audience

  • 45

    The theatrical equipment, such as curtains, flats, backdrops, or platforms, used in a dramatic production to communicate environment

    scenery/set

  • 46

    Clothing and accessories worn by actors to portray character and period.

    costumes

  • 47

    Short for properties; any article, except costume or scenery, used as part of a dramatic production; any moveable object that appears on stage during a performance.

    props

  • 48

    The placement, intensity, and color of lights to help communicate environment, mood, or feeling

    lights

  • 49

    The effects an audience hears during performance to communicate character, context, or environment.

    sound

  • 50

    Use of face, body, and voice to portray character

    acting

  • 51

    The reason or reasons for a character's behavior

    character motivation

  • 52

    the process used in evaluating how the elements in drama/play are used to create impact to the audience

    character analysis

  • 53

    poststructuralist, developed the term intertextuality, in the 1960's. Since then, this has been widely accepted by postmodern literary critics and theoreticians.

    julia kristeva

  • 54

    This is when an author or poet deliberately references another text in their work. The author intends to make the external references and intends the reader to understand something about the work that they are reading as a result.

    obligatory

  • 55

    a milder kind of interrelatedness. In this case, an author or poet may allude to another text to create another nonessential layer of meaning.

    optional

  • 56

    This third type of intertextuality happens when areader makes a connection that the authoror poet did not intend to make. This can happen when a reader has knowledge of texts that perhaps the author does not, or even when a reader creates links to a certain culture or to their personal experience.

    accidental

  • 57

    It happens when the author is borrowing an idea or phrase from someone else. It is about giving credit to the original author.

    citation

  • 58

    - it's when one text makes a deliberate, but subtle, reference to another.

    allusion

  • 59

    is an imitation of another text for satirical purpose; usually to mock.

    parody

  • 60

    A play that has only one act in it as opposed to the popular format involving three or more acts. - It is typically run between 15 minutes to an hour.

    one act play

  • 61

    Occurs when the reader knows a secret, but the characters in a play or work of fiction do not.

    dramatic irony

  • 62

    Is applied to justice, which comes about when an evil act brings about its own punishment and poetic justice prevails.

    nemesis

  • 63

    Is a device used to attract the reader's attention.

    paradox

  • 64

    - Is a device used by poets and writers whereby nature mirrors the political condition of society.

    pathetic fallacy

  • 65

    is a situation that elicits pity from the audience.

    pathos

  • 66

    A speech made by an actor DIRECTLY TO THE AUDIENCE, but seemingly to himself or herself. It is always a true reflection of the character's thoughts.

    aside

  • 67

    Is an ancient Greek theatre term meaning the error, frailty, mistaken judgment or misstep through which the fortunes of the hero of a tragedy are reversed. Hamartia must express itself through a definite action, or, failure to perform a definite action.

    hamartia

  • 68

    a waste of people and a waste of unrealized potential. Unrealized potential is the difference between a successful versus an unsuccessful quest.

    tragic hero

  • 69

    A type of drama of human conflict which ends in defeat and suffering.

    tragedy

  • 70

    Using images to describe or compare something, so that the reader forms a picture in his or her mind.

    imagery