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chap 8. part 2
49問 • 1年前
  • Lydster Joy Baquero Alonzo
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    問題一覧

  • 1

    The ___ work is fulfilled when his drama is staged.

    Playwright's

  • 2

    the ones who portray the characters in a play.

    Performers / Actors

  • 3

    To become a good performer, one must go beyond role playing.

    Performers / Actors

  • 4

    He must be able to present the character by giving him a live body and soul that will make him believable and enabling him to relate to the audience

    Performers / Actors

  • 5

    works with the playwright to present the play which is interpreted and translated into dramatic action.

    Director

  • 6

    The interpretation must be clear, interesting and enjoyable for the play to be a success.

    Director

  • 7

    includes the scenery, props, make-up, costumes, lights, music, sound and all other special effects used in a theater production.

    Production design

  • 8

    It is the collaborative effort of the stage, make-up and technical artists to translate into images the vision of the director.

    Production design

  • 9

    Needless to say, __ is responsible for creating spectacle in the whole production of the play.

    Production design

  • 10

    The presentation of the __ creativity is called the play.

    Playwright's

  • 11

    to work out the plot in terms of the actual actions to be performed and dialogue to be spoken by actors within the limited facilities of the stage.

    Playwright's

  • 12

    Its magic begins when the curtains are raised and the stage lights go on.

    Theater art

  • 13

    Its performance is immediate and once performed cannot be undone.

    Theater art

  • 14

    performed live.

    Theater art

  • 15

    Presentations are repeated and oftentimes travel to places, thus, ensuring its continued existence.

    Theatrical presentations

  • 16

    This is a combined art that mostly includes music, dance, painting, sculpture, and architecture (for costume and stage design).

    Theatrical presentations

  • 17

    not only of the story in the drama but are a combination of almost all of the art forms.

    Theatrical presentations

  • 18

    As an art form, ___ underwent great evolution which began in the amphitheaters of Athens of Ancient Greece.

    Drama

  • 19

    Once the __ is performed then it becomes a theatrical presentation.

    Drama

  • 20

    ___ a genre of literature that is intended to be acted-out or performed on stage in front of an audience.

    Drama

  • 21

    a light humorous play in which the emphasis is on jokes, humorous physical action, exaggerated situations and improbable characters.

    Farce

  • 22

    seen as more entertaining, enlightening and favorable to the taste of the audience.

    romantic comedy

  • 23

    It is more accepting of the adversities of human behavior.

    romantic comedy

  • 24

    ___ portray human weakness in a more subtle way.

    romantic comedy

  • 25

    portrays human weakness and criticizes human behavior to pave the path to some form of salvation for human actions.

    satire

  • 26

    It also shows their understanding and acceptance of themselves as beings with limitations and inferiorities.

    Comedy

  • 27

    The laughter evoked from the audience is evidence that they are able to relate to the drama.

    Comedy

  • 28

    ___ portray human weakness and limitations.

    Comedy

  • 29

    ____ portray power and abuse of power

    Tragedy

  • 30

    For instance, in tragedy, the hero is wealthy, handsome and educated; in comedy, the hero could be anybody who is poor, ordinary and average.

    Comedy

  • 31

    drama that is the exact opposite of a tragedy. Tragedies and ___ are similar components but differ in the characteristics of each one.

    Comedy

  • 32

    The audience can usually predict the flow of the story in a ___ (i.e. the villain is punished and the hero is saved and lives happily with his heroine - end)

    Melodrama

  • 33

    Other characters are added which makes this drama more interesting.

    Melodrama

  • 34

    ____ make use of stereotyped characters like a hero, his heroine, and a villain.

    Melodrama

  • 35

    type of drama that emphasizes the never ending battle between good and evil wherein good always wins.

    Melodrama

  • 36

    The audience should see in the presentation this flow from cause to effect. If the cause and effect relationship is clear, the audience leaves the theater not feeling sad or confused but relieved and satisfied.

    Tragedy

  • 37

    This character flaw is the reason why he comes to some sad or disastrous end. But, before the end comes for the hero, however, there is realization that for him, such an end is necessary because it is justified.

    Tragedy

  • 38

    the central character, the hero (or heroine) who is admired in the first part, later becomes arrogant and not worthy at all.

    Tragedy

  • 39

    It is a drama that presents life as solemn and serious.

    Tragedy

  • 40

    one of literature's greatest dramatic genres.

    Tragedy

  • 41

    When a person goes to the theater to watch a play, a knowledge of the genre to which the play belongs to will give the viewer an idea of what to expect. For instance, a comedy will be funny and a tragedy will have a bad ending.

    Drama

  • 42

    Just like life, the story may be happy, sad, terrifying or intriguing. Just like life, the characters may be good, evil, confused, weak or powerful. But unlike life, the audience experiences the story in its totality, from beginning to end.

    Drama

  • 43

    life presented on stage.

    Drama

  • 44

    They may seem real to the audience depending on how the playwright structures the dialogues to make the __ come to life.

    Characters

  • 45

    the words uttered by characters in the story.

    Dialogue

  • 46

    It is what the characters use when conversing with each other or when expressing his thoughts and emotions.

    Dialogue

  • 47

    ___ let the audience know the kind of character that the actor is portraying.

    Dialogue

  • 48

    There are, however, plays with no dialogues.

    True

  • 49

    Pantomimes rely heavily on actions, gestures, facial expressions and sound effects.

    Dialogue

  • exam

    exam

    Lydster Joy Baquero Alonzo · 24問 · 1年前

    exam

    exam

    24問 • 1年前
    Lydster Joy Baquero Alonzo

    exam..

    exam..

    Lydster Joy Baquero Alonzo · 21問 · 1年前

    exam..

    exam..

    21問 • 1年前
    Lydster Joy Baquero Alonzo

    exam...

    exam...

    Lydster Joy Baquero Alonzo · 24問 · 1年前

    exam...

    exam...

    24問 • 1年前
    Lydster Joy Baquero Alonzo

    lesson 8

    lesson 8

    Lydster Joy Baquero Alonzo · 20問 · 1年前

    lesson 8

    lesson 8

    20問 • 1年前
    Lydster Joy Baquero Alonzo

    noli me

    noli me

    Lydster Joy Baquero Alonzo · 31問 · 1年前

    noli me

    noli me

    31問 • 1年前
    Lydster Joy Baquero Alonzo

    el fili

    el fili

    Lydster Joy Baquero Alonzo · 20問 · 1年前

    el fili

    el fili

    20問 • 1年前
    Lydster Joy Baquero Alonzo

    exam

    exam

    Lydster Joy Baquero Alonzo · 24問 · 1年前

    exam

    exam

    24問 • 1年前
    Lydster Joy Baquero Alonzo

    exam.

    exam.

    Lydster Joy Baquero Alonzo · 14問 · 1年前

    exam.

    exam.

    14問 • 1年前
    Lydster Joy Baquero Alonzo

    exam....

    exam....

    Lydster Joy Baquero Alonzo · 20問 · 1年前

    exam....

    exam....

    20問 • 1年前
    Lydster Joy Baquero Alonzo

    p.e.

    p.e.

    Lydster Joy Baquero Alonzo · 37問 · 1年前

    p.e.

    p.e.

    37問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 6

    chap 6

    Lydster Joy Baquero Alonzo · 7問 · 1年前

    chap 6

    chap 6

    7問 • 1年前
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    chap 6

    chap 6

    Lydster Joy Baquero Alonzo · 18問 · 1年前

    chap 6

    chap 6

    18問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 9

    chap 9

    Lydster Joy Baquero Alonzo · 33問 · 1年前

    chap 9

    chap 9

    33問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 7

    chap 7

    Lydster Joy Baquero Alonzo · 9問 · 1年前

    chap 7

    chap 7

    9問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 7

    chap 7

    Lydster Joy Baquero Alonzo · 54問 · 1年前

    chap 7

    chap 7

    54問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 8

    chap 8

    Lydster Joy Baquero Alonzo · 60問 · 1年前

    chap 8

    chap 8

    60問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 9

    chap 9

    Lydster Joy Baquero Alonzo · 44問 · 1年前

    chap 9

    chap 9

    44問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 10

    chap 10

    Lydster Joy Baquero Alonzo · 30問 · 1年前

    chap 10

    chap 10

    30問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 7

    chap 7

    Lydster Joy Baquero Alonzo · 32問 · 1年前

    chap 7

    chap 7

    32問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 8

    chap 8

    Lydster Joy Baquero Alonzo · 46問 · 1年前

    chap 8

    chap 8

    46問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 9

    chap 9

    Lydster Joy Baquero Alonzo · 34問 · 1年前

    chap 9

    chap 9

    34問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 9

    chap 9

    Lydster Joy Baquero Alonzo · 24問 · 1年前

    chap 9

    chap 9

    24問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 10

    chap 10

    Lydster Joy Baquero Alonzo · 27問 · 1年前

    chap 10

    chap 10

    27問 • 1年前
    Lydster Joy Baquero Alonzo

    chap11

    chap11

    Lydster Joy Baquero Alonzo · 26問 · 1年前

    chap11

    chap11

    26問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 8

    chap 8

    Lydster Joy Baquero Alonzo · 19問 · 1年前

    chap 8

    chap 8

    19問 • 1年前
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    oba

    oba

    Lydster Joy Baquero Alonzo · 30問 · 1年前

    oba

    oba

    30問 • 1年前
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    obaa

    obaa

    Lydster Joy Baquero Alonzo · 12問 · 1年前

    obaa

    obaa

    12問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 4

    chap 4

    Lydster Joy Baquero Alonzo · 15問 · 1年前

    chap 4

    chap 4

    15問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 4.1

    chap 4.1

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    chap 4.1

    chap 4.1

    24問 • 1年前
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    chap3

    chap3

    Lydster Joy Baquero Alonzo · 46問 · 1年前

    chap3

    chap3

    46問 • 1年前
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    chap 4

    chap 4

    Lydster Joy Baquero Alonzo · 25問 · 1年前

    chap 4

    chap 4

    25問 • 1年前
    Lydster Joy Baquero Alonzo

    chap 5

    chap 5

    Lydster Joy Baquero Alonzo · 18問 · 1年前

    chap 5

    chap 5

    18問 • 1年前
    Lydster Joy Baquero Alonzo

    問題一覧

  • 1

    The ___ work is fulfilled when his drama is staged.

    Playwright's

  • 2

    the ones who portray the characters in a play.

    Performers / Actors

  • 3

    To become a good performer, one must go beyond role playing.

    Performers / Actors

  • 4

    He must be able to present the character by giving him a live body and soul that will make him believable and enabling him to relate to the audience

    Performers / Actors

  • 5

    works with the playwright to present the play which is interpreted and translated into dramatic action.

    Director

  • 6

    The interpretation must be clear, interesting and enjoyable for the play to be a success.

    Director

  • 7

    includes the scenery, props, make-up, costumes, lights, music, sound and all other special effects used in a theater production.

    Production design

  • 8

    It is the collaborative effort of the stage, make-up and technical artists to translate into images the vision of the director.

    Production design

  • 9

    Needless to say, __ is responsible for creating spectacle in the whole production of the play.

    Production design

  • 10

    The presentation of the __ creativity is called the play.

    Playwright's

  • 11

    to work out the plot in terms of the actual actions to be performed and dialogue to be spoken by actors within the limited facilities of the stage.

    Playwright's

  • 12

    Its magic begins when the curtains are raised and the stage lights go on.

    Theater art

  • 13

    Its performance is immediate and once performed cannot be undone.

    Theater art

  • 14

    performed live.

    Theater art

  • 15

    Presentations are repeated and oftentimes travel to places, thus, ensuring its continued existence.

    Theatrical presentations

  • 16

    This is a combined art that mostly includes music, dance, painting, sculpture, and architecture (for costume and stage design).

    Theatrical presentations

  • 17

    not only of the story in the drama but are a combination of almost all of the art forms.

    Theatrical presentations

  • 18

    As an art form, ___ underwent great evolution which began in the amphitheaters of Athens of Ancient Greece.

    Drama

  • 19

    Once the __ is performed then it becomes a theatrical presentation.

    Drama

  • 20

    ___ a genre of literature that is intended to be acted-out or performed on stage in front of an audience.

    Drama

  • 21

    a light humorous play in which the emphasis is on jokes, humorous physical action, exaggerated situations and improbable characters.

    Farce

  • 22

    seen as more entertaining, enlightening and favorable to the taste of the audience.

    romantic comedy

  • 23

    It is more accepting of the adversities of human behavior.

    romantic comedy

  • 24

    ___ portray human weakness in a more subtle way.

    romantic comedy

  • 25

    portrays human weakness and criticizes human behavior to pave the path to some form of salvation for human actions.

    satire

  • 26

    It also shows their understanding and acceptance of themselves as beings with limitations and inferiorities.

    Comedy

  • 27

    The laughter evoked from the audience is evidence that they are able to relate to the drama.

    Comedy

  • 28

    ___ portray human weakness and limitations.

    Comedy

  • 29

    ____ portray power and abuse of power

    Tragedy

  • 30

    For instance, in tragedy, the hero is wealthy, handsome and educated; in comedy, the hero could be anybody who is poor, ordinary and average.

    Comedy

  • 31

    drama that is the exact opposite of a tragedy. Tragedies and ___ are similar components but differ in the characteristics of each one.

    Comedy

  • 32

    The audience can usually predict the flow of the story in a ___ (i.e. the villain is punished and the hero is saved and lives happily with his heroine - end)

    Melodrama

  • 33

    Other characters are added which makes this drama more interesting.

    Melodrama

  • 34

    ____ make use of stereotyped characters like a hero, his heroine, and a villain.

    Melodrama

  • 35

    type of drama that emphasizes the never ending battle between good and evil wherein good always wins.

    Melodrama

  • 36

    The audience should see in the presentation this flow from cause to effect. If the cause and effect relationship is clear, the audience leaves the theater not feeling sad or confused but relieved and satisfied.

    Tragedy

  • 37

    This character flaw is the reason why he comes to some sad or disastrous end. But, before the end comes for the hero, however, there is realization that for him, such an end is necessary because it is justified.

    Tragedy

  • 38

    the central character, the hero (or heroine) who is admired in the first part, later becomes arrogant and not worthy at all.

    Tragedy

  • 39

    It is a drama that presents life as solemn and serious.

    Tragedy

  • 40

    one of literature's greatest dramatic genres.

    Tragedy

  • 41

    When a person goes to the theater to watch a play, a knowledge of the genre to which the play belongs to will give the viewer an idea of what to expect. For instance, a comedy will be funny and a tragedy will have a bad ending.

    Drama

  • 42

    Just like life, the story may be happy, sad, terrifying or intriguing. Just like life, the characters may be good, evil, confused, weak or powerful. But unlike life, the audience experiences the story in its totality, from beginning to end.

    Drama

  • 43

    life presented on stage.

    Drama

  • 44

    They may seem real to the audience depending on how the playwright structures the dialogues to make the __ come to life.

    Characters

  • 45

    the words uttered by characters in the story.

    Dialogue

  • 46

    It is what the characters use when conversing with each other or when expressing his thoughts and emotions.

    Dialogue

  • 47

    ___ let the audience know the kind of character that the actor is portraying.

    Dialogue

  • 48

    There are, however, plays with no dialogues.

    True

  • 49

    Pantomimes rely heavily on actions, gestures, facial expressions and sound effects.

    Dialogue