問題一覧
1
is measured motion of flow, characterized by basically regular recurrence of elements or features as beats, sounds or accents.
RHYTHM
2
is a term which denotes an aspect of a quality of movement that is sometimes thought of a dance. When an individual moves in response to a particular rhythm or music we call the movements as rhythmic movements or rhythms.
RHYTHM
3
The steady continuous sound that is heard or felt throughout any rhythmical sequence.
UNDERLYING BEAT
4
This constant steady pulsation is sometimes called ___
PULSE BEAT
5
a series of notes and rests repeats, it forms a _____. In addition to indicating when notes are played, musical rhythm also stipulates how long they are played and with what intensity.
RHYTHMIC PATTERN
6
we can move slowly, moderately, or fast. This is called ___ and relates to the speed of our movements
TEMPO
7
a movement or shape performed in such a way as to give emphasis. ___ can be in music or dance. ___ may take place on a particular beat or melodic detail. An example of an __ might be a louder note or beat in a song, but this is not the only way to create an ___
ACCENT
8
refers to the matching of the figures of the dance to the ___ of the music. Commonly, the ___ of the dance corresponds to the ___ of the music Country dance music is extraordinarily regular, consisting of eight-bar ___ which can be further broken down into four-bar units
PHRASING
9
depends on the type of dance you choose. Fast-moving dance styles like hip hop and salsa are more intense than slower dances like the tango or waltz. All of them will use your whole body and will challenge your brain as you learn the choreography and form.
INTENSITY
10
involves moving the body rhythmically, often in a choreographed way and usually to music.
Dance
11
can express aesthetic ideas and emotions as a form of performance art presented to an audience.
Dance
12
People also dance in nonperformance situations to release energy, express emotion, connect with other people, or just enjoy the feeling of movement.
True
13
The art of dance varies across history and cultures, it exists in all cultures. In many cultures, both highly trained professionals and amateurs of all ages dance.
True
14
Beats are grouped into measures or bars. The first beat is usually the strongest, and in most music, most of the bars have the same number of beats.
MEASURE
15
The earliest historical records showing the origins of dance are __ ___ in India dating to about 8000 BCE.
cave paintings
16
Egyptian __ ___ also depict dance in about 3300 BCE.
tomb paintings
17
The earliest historical records showing the origins of dance are cave paintings in ___ dating to about 8000 BCE.
India
18
___ tomb paintings also depict dance in about 3300 BCE.
Egyptian
19
These early dances may have been religious in nature, and by the era of ancient Greece, people were incorporating dance into celebrations of the ____ (and later the Roman god Bacchus) and into ritual dances at the ancient Greek Olympic Games.
wine god Dionysus
20
These early dances may have been religious in nature, and by the era of ancient Greece, people were incorporating dance into celebrations of the wine god Dionysus (and later the ___) and into ritual dances at the ancient Greek Olympic Games.
Roman god Bacchus)
21
Early people danced for enjoyment, seduction, and entertainment.
True
22
Dance throughout Asia has a rich history
True
23
Hindu dancing in India has a __ performance history going back millennia, in the late 1700s, dance was restricted by British colonists, who considered the dances immoral.
rich
24
____ in India has a rich performance history going back millennia, in the late 1700s, dance was restricted by British colonists, who considered the dances immoral.
Hindu dancing
25
Once India gained its freedom from Great Britain, the country revived its ____.
classical dance traditions
26
Chinese dance dates back at least 3,000 years, with __ __ _ __ __ adapted for performance at court.
ceremonial dances and folk dances
27
To this day, celebrations still include traditional dances such as the __ __ _ __ __.
dragon dance and lion dance
28
To this day, celebrations still include __ __ such as the dragon dance and lion dance.
traditional dances
29
___ in most parts of the world grew out of folk dances, many of which were simple and repetitive.
Social dancing
30
In Europe, the folk dances of the Middle Ages turned into formal ___ ___.
ballroom dancing
31
These dances moved into royal courts beginning in the Renaissance, becoming popular as ___ ___ taught upper classes the proper steps for court dances.
dancing masters
32
As women's clothing allowed more freedom of movement in the ___ ___, social dancing became more lively.
nineteenth century
33
The ___, in particular, swept around the world as a major dance craze in the mid-nineteenth century, and social dances began to focus on two-person dancing in the early twentieth century.
waltz
34
Much of the dance created by choreographers and composers and performed as professional entertainment today has its roots in __, which, in turn, dates back to the Renaissance.
ballet
35
___ ___ became an art in the eighteenth century, when ballet companies sprang up around the world, telling entire stories through the emotional movements of the ballet dancers.
Ballet dance
36
As shoes and costumes changed, dancers gained greater expressive freedom, but some ballet dancers found the rules, ( __ ) of classical ballet restrictive.
pointe shoes
37
In the twentieth century, modern dancers and choreographers such as George Balanchine and Martha Graham began to deconstruct ballet to create new forms of performance dance
George Balanchine and Martha Graham