Pauls Exams - 3 A
問題一覧
1
Combining multiple sine waves (harmonics) at different frequencies/amplitudes to create complex sounds.
2
The Hammond organ (91 spinning discs generating sine waves).
3
The fundamental frequency of the note.
4
Fairlight CMI (32 partials) and Synclavier.
5
Oscillator → Filter → Amplifier → Output.
6
Modulates parameters (pitch, filter cutoff, amplitude) for movement.
7
Minimoog, ARP Odyssey.
8
John Chowning (Stanford); licensed to Yamaha (DX7).
9
Carrier: Audible sound, Modulator: Alters the carrier's frequency to create sidebands.
10
The modulator's frequency is double the carrier's, creating complex harmonics.
11
A tiny slice of audio (1-100ms) that can be pitch/time-stretched.
12
Iannis Xenakis (1950s) and Curtis Roads (computer granular, 1970s).
13
Grain size (duration), Rate (spacing between grains), Position (start point).
14
Morphs between pre-recorded digital waveforms (not filtering).
15
PPG Wave (1970s, 32 wavetables with 64 waveforms each).
16
Xfer Serum, Ableton Wavetable.
17
Recording a sound at multiple pitches to avoid unnatural pitch-shifting.
18
Akai MPC60 (introduced crossfade looping/time-stretch).
19
Computer Music Melodian (1976, monophonic, 12-bit).
20
Pitch (vibrato), filter cutoff (wah), amplitude (tremolo).
21
Leslie speaker (fast/slow speeds for chorale/tremolo).
22
Chorus: Longer delays (15-35ms). Flanger: Shorter delays (<15ms).
23
Feet (footsteps), movement (cloth rustling), specifics (door creaks).
24
Enhances realism (e.g., footsteps sync to picture).
25
Oscillator, filter, amplifier, LFO.
26
Attack, Decay, Sustain, Release (envelope stages).
27
KEYBOARD SYNTHESIS - PROCESS OF GENERATING AND MANIPULATING SOUND USING AN ELECTRONIC KEYBOARD OR A SYNTHESIZER. SYNTHESIZERS (SYNTHS) - CREATE SOUND BY GENERATING WAVEFORMS THROUGH METHODS, SUCH AS SUBTRACTIVE, ADDITIVE, AND FREQUENCY MODULATION (FM)
28
The Telhamonium (1897)
29
Sine, Square, Triangle, Sawtooth
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12問 • 11ヶ月前問題一覧
1
Combining multiple sine waves (harmonics) at different frequencies/amplitudes to create complex sounds.
2
The Hammond organ (91 spinning discs generating sine waves).
3
The fundamental frequency of the note.
4
Fairlight CMI (32 partials) and Synclavier.
5
Oscillator → Filter → Amplifier → Output.
6
Modulates parameters (pitch, filter cutoff, amplitude) for movement.
7
Minimoog, ARP Odyssey.
8
John Chowning (Stanford); licensed to Yamaha (DX7).
9
Carrier: Audible sound, Modulator: Alters the carrier's frequency to create sidebands.
10
The modulator's frequency is double the carrier's, creating complex harmonics.
11
A tiny slice of audio (1-100ms) that can be pitch/time-stretched.
12
Iannis Xenakis (1950s) and Curtis Roads (computer granular, 1970s).
13
Grain size (duration), Rate (spacing between grains), Position (start point).
14
Morphs between pre-recorded digital waveforms (not filtering).
15
PPG Wave (1970s, 32 wavetables with 64 waveforms each).
16
Xfer Serum, Ableton Wavetable.
17
Recording a sound at multiple pitches to avoid unnatural pitch-shifting.
18
Akai MPC60 (introduced crossfade looping/time-stretch).
19
Computer Music Melodian (1976, monophonic, 12-bit).
20
Pitch (vibrato), filter cutoff (wah), amplitude (tremolo).
21
Leslie speaker (fast/slow speeds for chorale/tremolo).
22
Chorus: Longer delays (15-35ms). Flanger: Shorter delays (<15ms).
23
Feet (footsteps), movement (cloth rustling), specifics (door creaks).
24
Enhances realism (e.g., footsteps sync to picture).
25
Oscillator, filter, amplifier, LFO.
26
Attack, Decay, Sustain, Release (envelope stages).
27
KEYBOARD SYNTHESIS - PROCESS OF GENERATING AND MANIPULATING SOUND USING AN ELECTRONIC KEYBOARD OR A SYNTHESIZER. SYNTHESIZERS (SYNTHS) - CREATE SOUND BY GENERATING WAVEFORMS THROUGH METHODS, SUCH AS SUBTRACTIVE, ADDITIVE, AND FREQUENCY MODULATION (FM)
28
The Telhamonium (1897)
29
Sine, Square, Triangle, Sawtooth