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65問 • 2年前
  • Guillermo, Rizchel Anne B.
  • 通報

    問題一覧

  • 1

    IMPRESSIONISM -began with a group of — whose INDEPENDENT exhibits brought them to fame.

    19th century Paris-based artists

  • 2

    the term IMPRESSIONISM derived from —

    Claude Monet’s Impression, Sunrise.

  • 3

    IMPRESSIONISM -At first, Impressionist faced harsh opposition from the — but were soon followed by similar styles in other media like Impressionist music and Impressionist literature.

    conventional art community in France

  • 4

    Impressionist art believed that the color of — was affected by the surrounding hues, and hence should — onto the scene and flow through the — in the painting.

    shade filter and shine objects

  • 5

    IMPRESSIONISM -they focus on the “—” like daily ordinary people in the city, which is significant as compared to the — of earlier painters

    here and now majestic subjects

  • 6

    -their emphasis on — causes a — effect of atmosphere and movement.

    light and time transitional

  • 7

    Changes are shown in — caused by the light at different times of the day.

    color and shape

  • 8

    WELL KNOWN IMPRESSIONIST

    Claude Monet Pierre-Auguste Renoir

  • 9

    -He was the leader of the Impressionist, and he had a long-lasting fascination with observing and painting — and —

    CLAUDE MONET light and nature.

  • 10

    CLAUDE MONET He used to always ask himself:

    “What do I see and how do I capture it in painting?”

  • 11

    CLAUDE MONET -many of his beautiful paintings show places in the — he created for himself and his wife

    garden

  • 12

    -liked to paint active groups of figures.

    PIERRE-AUGUSTE RENOIR

  • 13

    -his pictures were full of — of color and —

    sketchy patches contrasts of light and shade.

  • 14

    PIERRE-AUGUSTE RENOIR -he painted more than — paintings.

    6,000

  • 15

    POERRE-AUGUSTE RENOIR even when he became — in old age, he carried on the painting by wedging brushes between his —

    crippled twisted fingers.

  • 16

    POST-IMPRESSIONISM style was led by –4

    Cezanne, Gaugin, Van Gogh, and Seurat.

  • 17

    was the reaction against IMPRESSIONISM

    POST-IMPRESSIONISM

  • 18

    Who painted THE STARRY NIGHT

    Vincent Van Gogh

  • 19

    THE STARRY NIGHT (VINCENT VAN GOGH) -while he was at the peak of his —.

    depression

  • 20

    STARRY NIGHT the landscape was the view from his window in

    Saint Remy, France.

  • 21

    his art was unappreciated at that time

    Vincent Van Gogh, Starry Nigjt

  • 22

    STARRY NIGHT —4

    sloppy, unrefined, childish, and unrealistic

  • 23

    FAMOUS FILIPINO IMPRESSIONIST

    Juan Luna Fernando Amorsolo

  • 24

    -despite being identified as a master of classical style, he tried his hand at Impressionism

    JUAN LUNA

  • 25

    -first National Artist of the Philippines

    FERNANDO AMORSOLO

  • 26

    FERNANDO AMORSOLO is known to catch the quality of “—”

    sunlight at high noon

  • 27

    -art must have a more intimate and emotional view of life.

    EXPRESSIONISM

  • 28

    an art movement conveyed strong emotional feelings.

    EXPRESSIONISM

  • 29

    expressionist movement initially started in poetry and extended to —6

    architecture, literature, theater, dance, film, and music.

  • 30

    EXPRESSIONISM it “expresses” the meaning of — rather than —

    emotional experience physical reality.

  • 31

    FAMOUS EXPRESSIONISTS ARTIST

    Edward Munch Ernst Kirchner

  • 32

    -forerunner of Expressionism.

    EDVARD MUNCH

  • 33

    his early life was tortured by sickness, death, insanity, unhappy love affairs, and guilt.

    Edward Munch

  • 34

    EDWARD MUNCH has rare ability to portray — in beautiful paintings.

    anxiety and fear

  • 35

    Who painted the MUNCH

    Edward Munch

  • 36

    ERNST KIRCHNER -suffered a breakdown as a

    soldier in World War 1.

  • 37

    ERNST KIRCHNER his paintings showed fears about — in the modern world. -his works were destroyed or sold by the —.

    humanity’s place Nazis

  • 38

    ARTILLERYMEN IN THE SHOWER

    Kirchner

  • 39

    -realized that — and — on seeing the world were what Philippine art needed.

    VICTORIO EDADES modernist experimentation and a new perspective

  • 40

    -”The Builders”

    Victorio Edades

  • 41

    its use of overstressed features, dark hues, and thick brush strokes to express extreme feelings.

    THE BUILDERS

  • 42

    -an art style characterized by the reconstruction of objects based on geometric figures.

    CUBISM

  • 43

    CUBISM from the word “—”, it uses shapes to form the subject matter of the painting.

    cube

  • 44

    PABLO PICASSO WORKS

    Mandolin and zguitar Weeping Wooman

  • 45

    GEORGES BRAQUE WORKS

    The Studio Houses at I’estaque

  • 46

    CUBISM ARTIST

    Pablo Picasso Georges Braque

  • 47

    VICENTE MANANSALA -hardly — the image into pieces like many — the way Picasso and Braque did in their works.

    tore jigsaw fragments

  • 48

    VICENTE MANANSALA he had his own “—” kind of cubism : — which he claimed he developed all by himself.

    easy to understand “Transparent” Cubism

  • 49

    FILIPINO CUBIST

    Vicente Manansala

  • 50

    DADAISM -”—”

    What is art’s role in today’s modern age?

  • 51

    -furious with what was happening.

    DADAISM

  • 52

    DADAISM using —, they protested against the modern society of war, capitalism, and the degradation of art.

    art expression

  • 53

    -the most well-known Dadaist.

    MARCEL DUCHAMP

  • 54

    MARCEL DUCHAMP -his works were ordinary, selected, and with little or no alteration. -he believed that art can be made from —.

    anything

  • 55

    Fountain

    Marcel Duchamp

  • 56

    Blood and Iron

    John Heartfield

  • 57

    SURREALISM -in art means showing the image of the —

    subconscious mind.

  • 58

    Surrealists wanted to tap into “— than what the eye —

    higher reality” sees in the world.

  • 59

    SURREALISM channeled the unconscious as a means to unlock the — As a result, they produced — and — IMAGERY

    power of human imagination. surprising and unexpected imagery.

  • 60

    SURREALIST believed that the — represented the power of imagination.

    rational mind

  • 61

    SURREALISTS found — in the unexpected, strange, mysterious, creepy, or supernatural.

    magic and strange beauty

  • 62

    used “—” (—) in drawing to unlock ideas and images.

    automatism unconscious or involuntary act

  • 63

    -among the most versatile and prolific artists of the 20th century

    SALVADOR DALI

  • 64

    INFLUENCE IN PHILIPPINE ART -Surrealist attracted a number of — and gave the artistic direction to what — were looking for.

    adherents Filipino modernists

  • 65

    PIONEERS OF SURREALISM IN THE PHILIPPINES

    GALO OCAMPO HERNANDO OCAMPO

  • KEY TERMS

    KEY TERMS

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    KEY TERMS

    KEY TERMS

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    TLE KEY TERMS

    TLE KEY TERMS

    Guillermo, Rizchel Anne B. · 18問 · 2年前

    TLE KEY TERMS

    TLE KEY TERMS

    18問 • 2年前
    Guillermo, Rizchel Anne B.

    TLE CLASSIFICATION OF PROGRAMMING LANGUAGE, PROGRAM DEVELOPMENT PROCESS

    TLE CLASSIFICATION OF PROGRAMMING LANGUAGE, PROGRAM DEVELOPMENT PROCESS

    Guillermo, Rizchel Anne B. · 59問 · 2年前

    TLE CLASSIFICATION OF PROGRAMMING LANGUAGE, PROGRAM DEVELOPMENT PROCESS

    TLE CLASSIFICATION OF PROGRAMMING LANGUAGE, PROGRAM DEVELOPMENT PROCESS

    59問 • 2年前
    Guillermo, Rizchel Anne B.

    ALGORITHM/FLOW CHART

    ALGORITHM/FLOW CHART

    Guillermo, Rizchel Anne B. · 33問 · 2年前

    ALGORITHM/FLOW CHART

    ALGORITHM/FLOW CHART

    33問 • 2年前
    Guillermo, Rizchel Anne B.

    AP ARTICLES. UDHR Universal Declaration Of HumanRights

    AP ARTICLES. UDHR Universal Declaration Of HumanRights

    Guillermo, Rizchel Anne B. · 30問 · 2年前

    AP ARTICLES. UDHR Universal Declaration Of HumanRights

    AP ARTICLES. UDHR Universal Declaration Of HumanRights

    30問 • 2年前
    Guillermo, Rizchel Anne B.

    1-10 ARTICLES (UDHR)

    1-10 ARTICLES (UDHR)

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    1-10 ARTICLES (UDHR)

    1-10 ARTICLES (UDHR)

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    11-20 ARTICLES (UDHR)

    11-20 ARTICLES (UDHR)

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    11-20 ARTICLES (UDHR)

    11-20 ARTICLES (UDHR)

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    21-30 ARTICLES (UDHR)

    21-30 ARTICLES (UDHR)

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    21-30 ARTICLES (UDHR)

    21-30 ARTICLES (UDHR)

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    LESSON 8

    LESSON 8

    Guillermo, Rizchel Anne B. · 23問 · 2年前

    LESSON 8

    LESSON 8

    23問 • 2年前
    Guillermo, Rizchel Anne B.

    DDL

    DDL

    Guillermo, Rizchel Anne B. · 22問 · 2年前

    DDL

    DDL

    22問 • 2年前
    Guillermo, Rizchel Anne B.

    SQL

    SQL

    Guillermo, Rizchel Anne B. · 38問 · 2年前

    SQL

    SQL

    38問 • 2年前
    Guillermo, Rizchel Anne B.

    BILL RIGHTS 1-11

    BILL RIGHTS 1-11

    Guillermo, Rizchel Anne B. · 11問 · 2年前

    BILL RIGHTS 1-11

    BILL RIGHTS 1-11

    11問 • 2年前
    Guillermo, Rizchel Anne B.

    CREATING, ALTERING AND DELETING DATABASES

    CREATING, ALTERING AND DELETING DATABASES

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    CREATING, ALTERING AND DELETING DATABASES

    CREATING, ALTERING AND DELETING DATABASES

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    DML

    DML

    Guillermo, Rizchel Anne B. · 23問 · 2年前

    DML

    DML

    23問 • 2年前
    Guillermo, Rizchel Anne B.

    BILL OF RIGHTS 12-22

    BILL OF RIGHTS 12-22

    Guillermo, Rizchel Anne B. · 12問 · 2年前

    BILL OF RIGHTS 12-22

    BILL OF RIGHTS 12-22

    12問 • 2年前
    Guillermo, Rizchel Anne B.

    BOWC

    BOWC

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    BOWC

    BOWC

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    Sektor ng Paglilingkod

    Sektor ng Paglilingkod

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    Sektor ng Paglilingkod

    Sektor ng Paglilingkod

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    MERCHANT OF VENICE

    MERCHANT OF VENICE

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    MERCHANT OF VENICE

    MERCHANT OF VENICE

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    Impormal na sektor

    Impormal na sektor

    Guillermo, Rizchel Anne B. · 9問 · 2年前

    Impormal na sektor

    Impormal na sektor

    9問 • 2年前
    Guillermo, Rizchel Anne B.

    MUSIC

    MUSIC

    Guillermo, Rizchel Anne B. · 34問 · 2年前

    MUSIC

    MUSIC

    34問 • 2年前
    Guillermo, Rizchel Anne B.

    ARTS

    ARTS

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    ARTS

    ARTS

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    HEALTH

    HEALTH

    Guillermo, Rizchel Anne B. · 26問 · 2年前

    HEALTH

    HEALTH

    26問 • 2年前
    Guillermo, Rizchel Anne B.

    IMPORMAL NA SEKTOR

    IMPORMAL NA SEKTOR

    Guillermo, Rizchel Anne B. · 40問 · 2年前

    IMPORMAL NA SEKTOR

    IMPORMAL NA SEKTOR

    40問 • 2年前
    Guillermo, Rizchel Anne B.

    THERMODYNAMICS

    THERMODYNAMICS

    Guillermo, Rizchel Anne B. · 40問 · 2年前

    THERMODYNAMICS

    THERMODYNAMICS

    40問 • 2年前
    Guillermo, Rizchel Anne B.

    DRAMATIC ELEMENTS

    DRAMATIC ELEMENTS

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    DRAMATIC ELEMENTS

    DRAMATIC ELEMENTS

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    20

    20

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    20

    20

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    Work Power Energy

    Work Power Energy

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    Work Power Energy

    Work Power Energy

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    A6 - Kalakalang Panlabas

    A6 - Kalakalang Panlabas

    Guillermo, Rizchel Anne B. · 41問 · 2年前

    A6 - Kalakalang Panlabas

    A6 - Kalakalang Panlabas

    41問 • 2年前
    Guillermo, Rizchel Anne B.

    A6 - APEC and Presidents

    A6 - APEC and Presidents

    Guillermo, Rizchel Anne B. · 22問 · 2年前

    A6 - APEC and Presidents

    A6 - APEC and Presidents

    22問 • 2年前
    Guillermo, Rizchel Anne B.

    4D - MUSIC

    4D - MUSIC

    Guillermo, Rizchel Anne B. · 9問 · 2年前

    4D - MUSIC

    4D - MUSIC

    9問 • 2年前
    Guillermo, Rizchel Anne B.

    4D - ARTS

    4D - ARTS

    Guillermo, Rizchel Anne B. · 46問 · 2年前

    4D - ARTS

    4D - ARTS

    46問 • 2年前
    Guillermo, Rizchel Anne B.

    4D - PE

    4D - PE

    Guillermo, Rizchel Anne B. · 8問 · 2年前

    4D - PE

    4D - PE

    8問 • 2年前
    Guillermo, Rizchel Anne B.

    4D - HEALTH

    4D - HEALTH

    Guillermo, Rizchel Anne B. · 15問 · 2年前

    4D - HEALTH

    4D - HEALTH

    15問 • 2年前
    Guillermo, Rizchel Anne B.

    Electricity and Magnetism

    Electricity and Magnetism

    Guillermo, Rizchel Anne B. · 51問 · 2年前

    Electricity and Magnetism

    Electricity and Magnetism

    51問 • 2年前
    Guillermo, Rizchel Anne B.

    William

    William

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    William

    William

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    Magnetism

    Magnetism

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    Magnetism

    Magnetism

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    DML COMMANDS

    DML COMMANDS

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    DML COMMANDS

    DML COMMANDS

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    21

    21

    Guillermo, Rizchel Anne B. · 7問 · 2年前

    21

    21

    7問 • 2年前
    Guillermo, Rizchel Anne B.

    MP1

    MP1

    Guillermo, Rizchel Anne B. · 55問 · 2年前

    MP1

    MP1

    55問 • 2年前
    Guillermo, Rizchel Anne B.

    1.1 Kontemporaryong Isyu

    1.1 Kontemporaryong Isyu

    Guillermo, Rizchel Anne B. · 32問 · 2年前

    1.1 Kontemporaryong Isyu

    1.1 Kontemporaryong Isyu

    32問 • 2年前
    Guillermo, Rizchel Anne B.

    PP1 - Health Related

    PP1 - Health Related

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    PP1 - Health Related

    PP1 - Health Related

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    PP1- Skill Related

    PP1- Skill Related

    Guillermo, Rizchel Anne B. · 18問 · 2年前

    PP1- Skill Related

    PP1- Skill Related

    18問 • 2年前
    Guillermo, Rizchel Anne B.

    AGENCIES

    AGENCIES

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    AGENCIES

    AGENCIES

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    MP1

    MP1

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    MP1

    MP1

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    APD1

    APD1

    Guillermo, Rizchel Anne B. · 42問 · 2年前

    APD1

    APD1

    42問 • 2年前
    Guillermo, Rizchel Anne B.

    ARGUMENTATIVE ESSAY

    ARGUMENTATIVE ESSAY

    Guillermo, Rizchel Anne B. · 28問 · 2年前

    ARGUMENTATIVE ESSAY

    ARGUMENTATIVE ESSAY

    28問 • 2年前
    Guillermo, Rizchel Anne B.

    LOGICAL FALLACIES

    LOGICAL FALLACIES

    Guillermo, Rizchel Anne B. · 42問 · 2年前

    LOGICAL FALLACIES

    LOGICAL FALLACIES

    42問 • 2年前
    Guillermo, Rizchel Anne B.

    CASE PRONOUNS

    CASE PRONOUNS

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    CASE PRONOUNS

    CASE PRONOUNS

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    AP

    AP

    Guillermo, Rizchel Anne B. · 55問 · 2年前

    AP

    AP

    55問 • 2年前
    Guillermo, Rizchel Anne B.

    PP

    PP

    Guillermo, Rizchel Anne B. · 41問 · 2年前

    PP

    PP

    41問 • 2年前
    Guillermo, Rizchel Anne B.

    FALL OF TROY

    FALL OF TROY

    Guillermo, Rizchel Anne B. · 9問 · 2年前

    FALL OF TROY

    FALL OF TROY

    9問 • 2年前
    Guillermo, Rizchel Anne B.

    HP

    HP

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    HP

    HP

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    BASIC SENTENCE PATTERNS

    BASIC SENTENCE PATTERNS

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    BASIC SENTENCE PATTERNS

    BASIC SENTENCE PATTERNS

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    PRONOUN-Antecedent

    PRONOUN-Antecedent

    Guillermo, Rizchel Anne B. · 24問 · 2年前

    PRONOUN-Antecedent

    PRONOUN-Antecedent

    24問 • 2年前
    Guillermo, Rizchel Anne B.

    COLLABORATION!

    COLLABORATION!

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    COLLABORATION!

    COLLABORATION!

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    TEAM STRUCTURE AND DYNAMICS FOR ICT CONTENT

    TEAM STRUCTURE AND DYNAMICS FOR ICT CONTENT

    Guillermo, Rizchel Anne B. · 11問 · 2年前

    TEAM STRUCTURE AND DYNAMICS FOR ICT CONTENT

    TEAM STRUCTURE AND DYNAMICS FOR ICT CONTENT

    11問 • 2年前
    Guillermo, Rizchel Anne B.

    ONLINE COLLABORATIVE TOOLS

    ONLINE COLLABORATIVE TOOLS

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    ONLINE COLLABORATIVE TOOLS

    ONLINE COLLABORATIVE TOOLS

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    BENEVOLENCE STORIES

    BENEVOLENCE STORIES

    Guillermo, Rizchel Anne B. · 47問 · 2年前

    BENEVOLENCE STORIES

    BENEVOLENCE STORIES

    47問 • 2年前
    Guillermo, Rizchel Anne B.

    a def pt 2

    a def pt 2

    Guillermo, Rizchel Anne B. · 34問 · 2年前

    a def pt 2

    a def pt 2

    34問 • 2年前
    Guillermo, Rizchel Anne B.

    GLOBALISASYON

    GLOBALISASYON

    Guillermo, Rizchel Anne B. · 42問 · 2年前

    GLOBALISASYON

    GLOBALISASYON

    42問 • 2年前
    Guillermo, Rizchel Anne B.

    KASAYSAYAN

    KASAYSAYAN

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    KASAYSAYAN

    KASAYSAYAN

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    2ND MIDTERMS

    2ND MIDTERMS

    Guillermo, Rizchel Anne B. · 16問 · 2年前

    2ND MIDTERMS

    2ND MIDTERMS

    16問 • 2年前
    Guillermo, Rizchel Anne B.

    TUGON

    TUGON

    Guillermo, Rizchel Anne B. · 23問 · 2年前

    TUGON

    TUGON

    23問 • 2年前
    Guillermo, Rizchel Anne B.

    GLOBALISASYON (pt. 2)

    GLOBALISASYON (pt. 2)

    Guillermo, Rizchel Anne B. · 44問 · 2年前

    GLOBALISASYON (pt. 2)

    GLOBALISASYON (pt. 2)

    44問 • 2年前
    Guillermo, Rizchel Anne B.

    2ND MASTERY

    2ND MASTERY

    Guillermo, Rizchel Anne B. · 23問 · 2年前

    2ND MASTERY

    2ND MASTERY

    23問 • 2年前
    Guillermo, Rizchel Anne B.

    10TYPES OF PLAGIARIM

    10TYPES OF PLAGIARIM

    Guillermo, Rizchel Anne B. · 12問 · 2年前

    10TYPES OF PLAGIARIM

    10TYPES OF PLAGIARIM

    12問 • 2年前
    Guillermo, Rizchel Anne B.

    3 TYPES OF WRITING PROCESS

    3 TYPES OF WRITING PROCESS

    Guillermo, Rizchel Anne B. · 15問 · 2年前

    3 TYPES OF WRITING PROCESS

    3 TYPES OF WRITING PROCESS

    15問 • 2年前
    Guillermo, Rizchel Anne B.

    CRITIQUE PAPER

    CRITIQUE PAPER

    Guillermo, Rizchel Anne B. · 31問 · 2年前

    CRITIQUE PAPER

    CRITIQUE PAPER

    31問 • 2年前
    Guillermo, Rizchel Anne B.

    SOIL HORIZON and TYPE OF SOIL

    SOIL HORIZON and TYPE OF SOIL

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    SOIL HORIZON and TYPE OF SOIL

    SOIL HORIZON and TYPE OF SOIL

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    WATER RESOURCES

    WATER RESOURCES

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    WATER RESOURCES

    WATER RESOURCES

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    INTRO, PROCESS AND FACTORS OF SOUL FORMATION

    INTRO, PROCESS AND FACTORS OF SOUL FORMATION

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    INTRO, PROCESS AND FACTORS OF SOUL FORMATION

    INTRO, PROCESS AND FACTORS OF SOUL FORMATION

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    CHARACTERISTICS OF SOIL/ HUMAN ACT IMPACT SOIL QUAL

    CHARACTERISTICS OF SOIL/ HUMAN ACT IMPACT SOIL QUAL

    Guillermo, Rizchel Anne B. · 8問 · 2年前

    CHARACTERISTICS OF SOIL/ HUMAN ACT IMPACT SOIL QUAL

    CHARACTERISTICS OF SOIL/ HUMAN ACT IMPACT SOIL QUAL

    8問 • 2年前
    Guillermo, Rizchel Anne B.

    soil deg, ways to conserve

    soil deg, ways to conserve

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    soil deg, ways to conserve

    soil deg, ways to conserve

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    問題一覧

  • 1

    IMPRESSIONISM -began with a group of — whose INDEPENDENT exhibits brought them to fame.

    19th century Paris-based artists

  • 2

    the term IMPRESSIONISM derived from —

    Claude Monet’s Impression, Sunrise.

  • 3

    IMPRESSIONISM -At first, Impressionist faced harsh opposition from the — but were soon followed by similar styles in other media like Impressionist music and Impressionist literature.

    conventional art community in France

  • 4

    Impressionist art believed that the color of — was affected by the surrounding hues, and hence should — onto the scene and flow through the — in the painting.

    shade filter and shine objects

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    IMPRESSIONISM -they focus on the “—” like daily ordinary people in the city, which is significant as compared to the — of earlier painters

    here and now majestic subjects

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    -their emphasis on — causes a — effect of atmosphere and movement.

    light and time transitional

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    Changes are shown in — caused by the light at different times of the day.

    color and shape

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    WELL KNOWN IMPRESSIONIST

    Claude Monet Pierre-Auguste Renoir

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    -He was the leader of the Impressionist, and he had a long-lasting fascination with observing and painting — and —

    CLAUDE MONET light and nature.

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    CLAUDE MONET He used to always ask himself:

    “What do I see and how do I capture it in painting?”

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    CLAUDE MONET -many of his beautiful paintings show places in the — he created for himself and his wife

    garden

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    -liked to paint active groups of figures.

    PIERRE-AUGUSTE RENOIR

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    -his pictures were full of — of color and —

    sketchy patches contrasts of light and shade.

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    PIERRE-AUGUSTE RENOIR -he painted more than — paintings.

    6,000

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    POERRE-AUGUSTE RENOIR even when he became — in old age, he carried on the painting by wedging brushes between his —

    crippled twisted fingers.

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    POST-IMPRESSIONISM style was led by –4

    Cezanne, Gaugin, Van Gogh, and Seurat.

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    was the reaction against IMPRESSIONISM

    POST-IMPRESSIONISM

  • 18

    Who painted THE STARRY NIGHT

    Vincent Van Gogh

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    THE STARRY NIGHT (VINCENT VAN GOGH) -while he was at the peak of his —.

    depression

  • 20

    STARRY NIGHT the landscape was the view from his window in

    Saint Remy, France.

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    his art was unappreciated at that time

    Vincent Van Gogh, Starry Nigjt

  • 22

    STARRY NIGHT —4

    sloppy, unrefined, childish, and unrealistic

  • 23

    FAMOUS FILIPINO IMPRESSIONIST

    Juan Luna Fernando Amorsolo

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    -despite being identified as a master of classical style, he tried his hand at Impressionism

    JUAN LUNA

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    -first National Artist of the Philippines

    FERNANDO AMORSOLO

  • 26

    FERNANDO AMORSOLO is known to catch the quality of “—”

    sunlight at high noon

  • 27

    -art must have a more intimate and emotional view of life.

    EXPRESSIONISM

  • 28

    an art movement conveyed strong emotional feelings.

    EXPRESSIONISM

  • 29

    expressionist movement initially started in poetry and extended to —6

    architecture, literature, theater, dance, film, and music.

  • 30

    EXPRESSIONISM it “expresses” the meaning of — rather than —

    emotional experience physical reality.

  • 31

    FAMOUS EXPRESSIONISTS ARTIST

    Edward Munch Ernst Kirchner

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    -forerunner of Expressionism.

    EDVARD MUNCH

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    his early life was tortured by sickness, death, insanity, unhappy love affairs, and guilt.

    Edward Munch

  • 34

    EDWARD MUNCH has rare ability to portray — in beautiful paintings.

    anxiety and fear

  • 35

    Who painted the MUNCH

    Edward Munch

  • 36

    ERNST KIRCHNER -suffered a breakdown as a

    soldier in World War 1.

  • 37

    ERNST KIRCHNER his paintings showed fears about — in the modern world. -his works were destroyed or sold by the —.

    humanity’s place Nazis

  • 38

    ARTILLERYMEN IN THE SHOWER

    Kirchner

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    -realized that — and — on seeing the world were what Philippine art needed.

    VICTORIO EDADES modernist experimentation and a new perspective

  • 40

    -”The Builders”

    Victorio Edades

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    its use of overstressed features, dark hues, and thick brush strokes to express extreme feelings.

    THE BUILDERS

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    -an art style characterized by the reconstruction of objects based on geometric figures.

    CUBISM

  • 43

    CUBISM from the word “—”, it uses shapes to form the subject matter of the painting.

    cube

  • 44

    PABLO PICASSO WORKS

    Mandolin and zguitar Weeping Wooman

  • 45

    GEORGES BRAQUE WORKS

    The Studio Houses at I’estaque

  • 46

    CUBISM ARTIST

    Pablo Picasso Georges Braque

  • 47

    VICENTE MANANSALA -hardly — the image into pieces like many — the way Picasso and Braque did in their works.

    tore jigsaw fragments

  • 48

    VICENTE MANANSALA he had his own “—” kind of cubism : — which he claimed he developed all by himself.

    easy to understand “Transparent” Cubism

  • 49

    FILIPINO CUBIST

    Vicente Manansala

  • 50

    DADAISM -”—”

    What is art’s role in today’s modern age?

  • 51

    -furious with what was happening.

    DADAISM

  • 52

    DADAISM using —, they protested against the modern society of war, capitalism, and the degradation of art.

    art expression

  • 53

    -the most well-known Dadaist.

    MARCEL DUCHAMP

  • 54

    MARCEL DUCHAMP -his works were ordinary, selected, and with little or no alteration. -he believed that art can be made from —.

    anything

  • 55

    Fountain

    Marcel Duchamp

  • 56

    Blood and Iron

    John Heartfield

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    SURREALISM -in art means showing the image of the —

    subconscious mind.

  • 58

    Surrealists wanted to tap into “— than what the eye —

    higher reality” sees in the world.

  • 59

    SURREALISM channeled the unconscious as a means to unlock the — As a result, they produced — and — IMAGERY

    power of human imagination. surprising and unexpected imagery.

  • 60

    SURREALIST believed that the — represented the power of imagination.

    rational mind

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    SURREALISTS found — in the unexpected, strange, mysterious, creepy, or supernatural.

    magic and strange beauty

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    used “—” (—) in drawing to unlock ideas and images.

    automatism unconscious or involuntary act

  • 63

    -among the most versatile and prolific artists of the 20th century

    SALVADOR DALI

  • 64

    INFLUENCE IN PHILIPPINE ART -Surrealist attracted a number of — and gave the artistic direction to what — were looking for.

    adherents Filipino modernists

  • 65

    PIONEERS OF SURREALISM IN THE PHILIPPINES

    GALO OCAMPO HERNANDO OCAMPO