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  • Guillermo, Rizchel Anne B.

  • 問題数 55 • 9/10/2023

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  • 1

    PHONOGRAPH - was inveted in —.

    1877

  • 2

    - a popular musical gadget during 19th century.

    PHONOGRAPH

  • 3

    PHONOGRAPH musical gadget used by — and other Filipinos.

    Jose Rizal

  • 4

    PHONOGRAPH - used by Filipinos form the —2 classes - —3

    upper and middle, cassettes, CD players and recorders.

  • 5

    20TH CENTURY Invented - —6 - well-known for — progress.

    technological latrtr light bulb, automobile, telephone, radio, television, radar and many other electronic gadget.

  • 6

    20TH CENTURY In the field of music, an era when musical experimentation LED THE COMPOSERS toward MUSICAL — and — and BROKE AWAY from — of music production.

    freedom and diversity traditional ways

  • 7

    was a bridge between old and new music.

    20th century

  • 8

    5 era

    Medieval Classical Baroque Romantic Renaissance

  • 9

    20th century was a mirror of the era of

    , discoveries and philosophies.

  • 10

    - After the Fisrt World war, some composers used —4

    NF12M Neoclassicism, Futurism, 12-tone scale, and Microtones.

  • 11

    20th century - emergence of — is evident.

    new genre

  • 12

    HISTORICAL AND CULTURAL FACTORS IN THE FORMATION OF THE 20TH CENTURY MUSIC the — became popular, as well as TECHNOLOGIES that capture, reproduce and distribute music.

    radio

  • 13

    HISTORICAL AND CULTURAL FACTORS IN THE FORMATION OF THE 20TH CENTURY MUSIC - Artists gained fame faster as music was not anymore limited to —.

    live concerts

  • 14

    HC FACTORS - Listeners exposed to a — of music.

    wider range

  • 15

    HC FACTORS - Performances became visual through — - — made music EDUCATION and PERFORMANCE more ACCESIBLE due to technological inventions.

    music videos Industrialization

  • 16

    HC FACTORS music widened its definition, incorporating —

    new, non traditional ingredients.

  • 17

    HC FACTORS - many musicians challenged

    establised music rules.

  • 18

    HC FACTORS — became the center of the development.

    US

  • 19

    HC FACTORS new ideas about MUSIC-COMPOSERS developed more — in their styles.

    freedom and diversity

  • 20

    HC FACTORS — allowed musicians to TRAVEL EASIER AND FASTER to bring music to different places.

    improved tranportation

  • 21

    HC FACTORS music became —, music BLENDED together resulting in new music forms.

    accessible

  • 22

    IMPRESSIONIST MUSIC -was created during the — and — centuries and started amidst world wars.

    late 19th, early 20th

  • 23

    it is a new musical style that CONVEYS A CERTAIN mood, emotion, or atmosphere through the use of bizarre harmony, unresolved or incomplete chords , extreme chromatism, and heavy use of piano pedals.

    impressionist music

  • 24

    IMPRESSIONIST MUSIC produced — musical sounds.

    dreamlike

  • 25

    IMPRESSIONIST MUSIC -Derived from — which uses CONTEMPORARY VISUAL ARTS techniques.

    Monet's painting "Impression, Sunrise"

  • 26

    -Impressionist music's MODERN characteristics includes the use of —, and scales such as the —3

    extended chords whole-tone scale, pentatonic scale, and church modes.

  • 27

    FAMOUS IMPRESSIONIST MUSIC COMPOSERS

    ACHILLE CLAUDE-DEBUSSY JOSEPH MAURICE RAVEL DR ANTONIO MOLINA

  • 28

    -First impressionist composer

    ACHILLE-CLAUDE DEBUSSY

  • 29

    ACHILLE-CLAUDE DEBUSSY Born to a modest family with little cultural involvement, he showed ENOUGH SKILLS to be accepted in — leading music school, the —, at age —.

    FRANCE’s Conservatory of Paris 10

  • 30

    ACHILLE-CLAUDE DEBUSSY He first studied —, but discovered his passion for —, despite critics from his conservative professors.

    piano, innovative composition

  • 31

    ACD -he was influenced by the — of the late 19th century. -he regarded CLASSICAL music as —.

    Symbolist poetic movement obsolete

  • 32

    ACD HE FOCUSED ON — MUSIC FOR DIFFERENT COMBINATIONS OF INSTRUMENTS -The — was his orchestral height.

    CHAMBER “The Prelude to the Afternoon of a Faun”

  • 33

    OTHER FAMOUS ORCHESTRAL PARTS INCLUDE : —4

    LNIC -"La Mer", "Nocturne", "Images", and "Clair De Lune"

  • 34

    -Known for experimenting with elements of MODERNISM, BAROQUE, NEOCLASSICAL, and JAZZ in his works.

    JOSEPH MAURICE RAVEL

  • 35

    JOSEPH MAURICE RAVEL -Born to a family of —, he also attended the same school as — and was NOT WELL REGARDED by its TRADITIONAL establishments as well.

    music lovers, Ravel

  • 36

    JOSEPH MAURICE RAVEL -His orchestration abilities are shown in his famous works likes — in which he made use of — in the development of the music

    "Bolero" (1928) repetition

  • 37

    -Both Debussy and Ravel started off by being criticized for — conventional music rules.

    not following

  • 38

    Debussy and Ravel are considered two of the — in the history of music.

    most innovative composers

  • 39

    -was one of the 20th century Filipino composers who wrote art music.

    DR. ANTONIO MOLINA

  • 40

    IN THE PHILIPPINES - DR ANTONIO MOLINA -He was called — for composing music that has characteristics of Impressionist music. -One of his famous works is the piano piece, "—"

    "Claude Debussy of the Philippines" Malikmata

  • 41

    EXPRESSIONISM -is a musical style that developed before —

    World War I.

  • 42

    IMPRESSIONIST and EXPRESSIONIST musicians are actually considered — because they tend to BREAK AWAY from CONVENTIONAL WAY of writing music.

    rebels

  • 43

    EXPRESSIONISM they practiced musical —2 they tend to discover different sounds that opend DOORS for more —2

    freedom and diversity revolutionary music and art movements.

  • 44

    -Expressionist music is —.

    atonal

  • 45

    this means that the HARMONY and CHORDS are NOT STRICTLY OBSERVED, and all 12 NOTES are given EQUAL IMPORTANCE

    atonal

  • 46

    Composers MAXIMIZE pitch ranges, use ABRUPT dynamics, TEMPO changes and DIFFERENT instrumental timbres to bring out — through their music works.

    extreme emotions

  • 47

    VIVID STR0KES, NOT FOLLOWING TRADIONAL ART RULES

    WASSILY KANDINSKY

  • 48

    — is as important as the melody. Like the -- music period, the LOUDEST and SOFTEST NOTES possible can be right NEXT to EACH OTHER

    Tone quality Romantic

  • 49

    EXPRESSIONISM -Like Impressionism, exprssionism in music ORIGINATED in the —

    visual arts.

  • 50

    expressionism is a — reaction to the dreamlike sweetness of Impressionism.

    nightmarish

  • 51

    Instead of having impressions of NATURAL BESUTY, expressionism invokes —4 creeping into the subconscious mind.

    fear, anger, torment, or anxiety

  • 52

    ARNOLD SCHOENBERG -Avoided "—" to provoke powerful feelings in his music.

    traditional forms of beauty

  • 53

    He was an Austrian-American music theorist, composer, professor, painter, and writer.

    ARNOLD SCHOENBERG

  • 54

    ARNOLD SCHOENBERG One of the leading composers of the 20th century, he was also famous for creating the —

    12-tone scale

  • 55

    arnold schoenberg works

    Peripetie