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ARTS
29問 • 2年前
  • Guillermo, Rizchel Anne B.
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    問題一覧

  • 1

    The performances we see today are mere products of the cultures that have influenced the country through the years. Let’s take a look at how the history of Philippine theatre has evolved

    The Evolution of Philippine Theatre

  • 2

    During the pre-historic times, theater in the —- was in the form of indigenous RITUALS, VERBAL FIGHTS or GAMES, or SONGS and DANCES to PRAISE gods.

    Philippines

  • 3

    According to early chronicles, PRE-HISTORIC dramas consisted of three elements –

    myth, mimesis, and spectacle.

  • 4

    These mimetic performances mostly dramatized primitive rituals and epic poetry about DEITIES and MYTHICAL LEGENDS, where the spirit of the deities would seemingly possess a — or —

    Catalonan (priest) or Babaylan (priestess).

  • 5

    During this ENTRANCED state, the priest or priestess would consume the ——, which could be in the form of a pig, chicken, rice, wine, or nuts.

    sacrificial offering

  • 6

    When the Spaniards reached our shores, they used dramas such as — as a PEDAGOGICAL tool to INFLUENCE the PAGAN TRIBES and teach them about CHRISTIANITY and religion.

    zarzuelas

  • 7

    Another important form of theater popularized during the Spanish colonization is the —-,

    comedia

  • 8

    It’s a play in verse that portrays the lives, loves, and wars of Muslim moros and Christians.

    Comedia

  • 9

    Comedia aka

    moro-moro, linambay, or arakyo

  • 10

    is a secular comedy that DRAMATIZES the war between Christians and Muslims through the FORBIDDEN LOVE between the prince and the princess. The comedy is resolved with the non-Christian being CONVERTED to Christianity, or through his or her DEATH, immediately followed by his or her resurrection.

    Moro-Moro

  • 11

    COMEDIAS were normally performed in the —— or —- to attract more people to the foundation of its regime.

    pueblos or village centers

  • 12

    The comedia can last anywhere from — through a series of performances.

    3 to 15 hours

  • 13

    The first FILOPINO COMEDIA was performed in Latin and Spanish by

    Fr. Vicente Puche in Cebu in 1598

  • 14

    On the other hand, a — is a form of musical theater that combines SPOEKN WORD and SONG that celebrates various CATHOLIC LITURGICAL FEAST.

    zarzuela

  • 15

    was the FIRST ZARZUELA introduced in the country in late 1878 or early 1879.

    Jugar Con Fuego by Francisco Asenjo Barbieri

  • 16

    By August 17, 1893, ——, the home of zarzuela, was inaugurated.

    Teatro Zorilla

  • 17

    Throughout the 333 years of the ——, the Philippines was widely influenced by their CULTURE, TRADITION, and RELIGION. Today, zarzuelas and comedias are still being performed with other cultural influences and contemporary touches.

    Spanish regime

  • 18

    When American colonial rule was established, the United States introduced the American way of life through —3.

    education, media, and language

  • 19

    Their influence on Philippine theatre is most apparent through the — and the plays and dramas staged or translated into English

    bodabil (vaudeville)

  • 20

    In 1898, the — was produced by the —- for the sole purpose of entertaining American soldiers and other Americans residing in Manila.

    first bodabil, Manila Dramatic Guild

  • 21

    It was also the first theatrical performance since the revolution

    first bodabil

  • 22

    The — is not a straight-up play. The theatrical performance is, in fact, a mix of songs, dances, comedy skits, and even magical performances. Local audiences bought-in and productions soon found themselves becoming entertainment spectacles that can be transported from one town to the next.

    bodabil

  • 23

    Not long after, the bodabil was interjected into comedias and zarzuelas, as intermission numbers known as —-.

    jamborees

  • 24

    In the 1930s, the country was introduced to —- through the WESTERNIZED EDUCATION that was provided in most private schools for privileged children.

    Broadway theatre or stage plays

  • 25

    — tragedies and comedies, as well as western classics, were performed in the original English or English adaptation.

    Shakespearean

  • 26

    By the 1940s, when the JAPANESE took over the Philippines from the Americans, movie actors and actresses could NO LONGER APPEAR in films, as the Japanese —-

    confiscated all film equipment.

  • 27

    However, the comedia, zarzuela, and bodabil remained in the country as forms of -2

    entertainment and expression.

  • 28

    Eventually, the BODABIL evolved to become stage shows or variety shows with a SHORT MELODRAMA at the end to accommodate the actors and actresses who moved their craft to bodabil and theatre. Venues such as the — and — became HOMES OF BODABIL.

    Manila Grand Opera House The Savoy Theatre

  • 29

    After the war, — returned to popularity, and the bodabil era slowly lost its luster. Stage shows became small, cheap performances held in open-air stages in the provinces.

    movies

  • KEY TERMS

    KEY TERMS

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    KEY TERMS

    KEY TERMS

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    TLE KEY TERMS

    TLE KEY TERMS

    Guillermo, Rizchel Anne B. · 18問 · 2年前

    TLE KEY TERMS

    TLE KEY TERMS

    18問 • 2年前
    Guillermo, Rizchel Anne B.

    TLE CLASSIFICATION OF PROGRAMMING LANGUAGE, PROGRAM DEVELOPMENT PROCESS

    TLE CLASSIFICATION OF PROGRAMMING LANGUAGE, PROGRAM DEVELOPMENT PROCESS

    Guillermo, Rizchel Anne B. · 59問 · 2年前

    TLE CLASSIFICATION OF PROGRAMMING LANGUAGE, PROGRAM DEVELOPMENT PROCESS

    TLE CLASSIFICATION OF PROGRAMMING LANGUAGE, PROGRAM DEVELOPMENT PROCESS

    59問 • 2年前
    Guillermo, Rizchel Anne B.

    ALGORITHM/FLOW CHART

    ALGORITHM/FLOW CHART

    Guillermo, Rizchel Anne B. · 33問 · 2年前

    ALGORITHM/FLOW CHART

    ALGORITHM/FLOW CHART

    33問 • 2年前
    Guillermo, Rizchel Anne B.

    AP ARTICLES. UDHR Universal Declaration Of HumanRights

    AP ARTICLES. UDHR Universal Declaration Of HumanRights

    Guillermo, Rizchel Anne B. · 30問 · 2年前

    AP ARTICLES. UDHR Universal Declaration Of HumanRights

    AP ARTICLES. UDHR Universal Declaration Of HumanRights

    30問 • 2年前
    Guillermo, Rizchel Anne B.

    1-10 ARTICLES (UDHR)

    1-10 ARTICLES (UDHR)

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    1-10 ARTICLES (UDHR)

    1-10 ARTICLES (UDHR)

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    11-20 ARTICLES (UDHR)

    11-20 ARTICLES (UDHR)

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    11-20 ARTICLES (UDHR)

    11-20 ARTICLES (UDHR)

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    21-30 ARTICLES (UDHR)

    21-30 ARTICLES (UDHR)

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    21-30 ARTICLES (UDHR)

    21-30 ARTICLES (UDHR)

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    LESSON 8

    LESSON 8

    Guillermo, Rizchel Anne B. · 23問 · 2年前

    LESSON 8

    LESSON 8

    23問 • 2年前
    Guillermo, Rizchel Anne B.

    DDL

    DDL

    Guillermo, Rizchel Anne B. · 22問 · 2年前

    DDL

    DDL

    22問 • 2年前
    Guillermo, Rizchel Anne B.

    SQL

    SQL

    Guillermo, Rizchel Anne B. · 38問 · 2年前

    SQL

    SQL

    38問 • 2年前
    Guillermo, Rizchel Anne B.

    BILL RIGHTS 1-11

    BILL RIGHTS 1-11

    Guillermo, Rizchel Anne B. · 11問 · 2年前

    BILL RIGHTS 1-11

    BILL RIGHTS 1-11

    11問 • 2年前
    Guillermo, Rizchel Anne B.

    CREATING, ALTERING AND DELETING DATABASES

    CREATING, ALTERING AND DELETING DATABASES

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    CREATING, ALTERING AND DELETING DATABASES

    CREATING, ALTERING AND DELETING DATABASES

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    DML

    DML

    Guillermo, Rizchel Anne B. · 23問 · 2年前

    DML

    DML

    23問 • 2年前
    Guillermo, Rizchel Anne B.

    BILL OF RIGHTS 12-22

    BILL OF RIGHTS 12-22

    Guillermo, Rizchel Anne B. · 12問 · 2年前

    BILL OF RIGHTS 12-22

    BILL OF RIGHTS 12-22

    12問 • 2年前
    Guillermo, Rizchel Anne B.

    BOWC

    BOWC

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    BOWC

    BOWC

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    Sektor ng Paglilingkod

    Sektor ng Paglilingkod

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    Sektor ng Paglilingkod

    Sektor ng Paglilingkod

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    MERCHANT OF VENICE

    MERCHANT OF VENICE

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    MERCHANT OF VENICE

    MERCHANT OF VENICE

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    Impormal na sektor

    Impormal na sektor

    Guillermo, Rizchel Anne B. · 9問 · 2年前

    Impormal na sektor

    Impormal na sektor

    9問 • 2年前
    Guillermo, Rizchel Anne B.

    MUSIC

    MUSIC

    Guillermo, Rizchel Anne B. · 34問 · 2年前

    MUSIC

    MUSIC

    34問 • 2年前
    Guillermo, Rizchel Anne B.

    HEALTH

    HEALTH

    Guillermo, Rizchel Anne B. · 26問 · 2年前

    HEALTH

    HEALTH

    26問 • 2年前
    Guillermo, Rizchel Anne B.

    IMPORMAL NA SEKTOR

    IMPORMAL NA SEKTOR

    Guillermo, Rizchel Anne B. · 40問 · 2年前

    IMPORMAL NA SEKTOR

    IMPORMAL NA SEKTOR

    40問 • 2年前
    Guillermo, Rizchel Anne B.

    THERMODYNAMICS

    THERMODYNAMICS

    Guillermo, Rizchel Anne B. · 40問 · 2年前

    THERMODYNAMICS

    THERMODYNAMICS

    40問 • 2年前
    Guillermo, Rizchel Anne B.

    DRAMATIC ELEMENTS

    DRAMATIC ELEMENTS

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    DRAMATIC ELEMENTS

    DRAMATIC ELEMENTS

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    20

    20

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    20

    20

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    Work Power Energy

    Work Power Energy

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    Work Power Energy

    Work Power Energy

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    A6 - Kalakalang Panlabas

    A6 - Kalakalang Panlabas

    Guillermo, Rizchel Anne B. · 41問 · 2年前

    A6 - Kalakalang Panlabas

    A6 - Kalakalang Panlabas

    41問 • 2年前
    Guillermo, Rizchel Anne B.

    A6 - APEC and Presidents

    A6 - APEC and Presidents

    Guillermo, Rizchel Anne B. · 22問 · 2年前

    A6 - APEC and Presidents

    A6 - APEC and Presidents

    22問 • 2年前
    Guillermo, Rizchel Anne B.

    4D - MUSIC

    4D - MUSIC

    Guillermo, Rizchel Anne B. · 9問 · 2年前

    4D - MUSIC

    4D - MUSIC

    9問 • 2年前
    Guillermo, Rizchel Anne B.

    4D - ARTS

    4D - ARTS

    Guillermo, Rizchel Anne B. · 46問 · 2年前

    4D - ARTS

    4D - ARTS

    46問 • 2年前
    Guillermo, Rizchel Anne B.

    4D - PE

    4D - PE

    Guillermo, Rizchel Anne B. · 8問 · 2年前

    4D - PE

    4D - PE

    8問 • 2年前
    Guillermo, Rizchel Anne B.

    4D - HEALTH

    4D - HEALTH

    Guillermo, Rizchel Anne B. · 15問 · 2年前

    4D - HEALTH

    4D - HEALTH

    15問 • 2年前
    Guillermo, Rizchel Anne B.

    Electricity and Magnetism

    Electricity and Magnetism

    Guillermo, Rizchel Anne B. · 51問 · 2年前

    Electricity and Magnetism

    Electricity and Magnetism

    51問 • 2年前
    Guillermo, Rizchel Anne B.

    William

    William

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    William

    William

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    Magnetism

    Magnetism

    Guillermo, Rizchel Anne B. · 29問 · 2年前

    Magnetism

    Magnetism

    29問 • 2年前
    Guillermo, Rizchel Anne B.

    DML COMMANDS

    DML COMMANDS

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    DML COMMANDS

    DML COMMANDS

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    21

    21

    Guillermo, Rizchel Anne B. · 7問 · 2年前

    21

    21

    7問 • 2年前
    Guillermo, Rizchel Anne B.

    MP1

    MP1

    Guillermo, Rizchel Anne B. · 55問 · 2年前

    MP1

    MP1

    55問 • 2年前
    Guillermo, Rizchel Anne B.

    1.1 Kontemporaryong Isyu

    1.1 Kontemporaryong Isyu

    Guillermo, Rizchel Anne B. · 32問 · 2年前

    1.1 Kontemporaryong Isyu

    1.1 Kontemporaryong Isyu

    32問 • 2年前
    Guillermo, Rizchel Anne B.

    AP1

    AP1

    Guillermo, Rizchel Anne B. · 65問 · 2年前

    AP1

    AP1

    65問 • 2年前
    Guillermo, Rizchel Anne B.

    PP1 - Health Related

    PP1 - Health Related

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    PP1 - Health Related

    PP1 - Health Related

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    PP1- Skill Related

    PP1- Skill Related

    Guillermo, Rizchel Anne B. · 18問 · 2年前

    PP1- Skill Related

    PP1- Skill Related

    18問 • 2年前
    Guillermo, Rizchel Anne B.

    AGENCIES

    AGENCIES

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    AGENCIES

    AGENCIES

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    MP1

    MP1

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    MP1

    MP1

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    APD1

    APD1

    Guillermo, Rizchel Anne B. · 42問 · 2年前

    APD1

    APD1

    42問 • 2年前
    Guillermo, Rizchel Anne B.

    ARGUMENTATIVE ESSAY

    ARGUMENTATIVE ESSAY

    Guillermo, Rizchel Anne B. · 28問 · 2年前

    ARGUMENTATIVE ESSAY

    ARGUMENTATIVE ESSAY

    28問 • 2年前
    Guillermo, Rizchel Anne B.

    LOGICAL FALLACIES

    LOGICAL FALLACIES

    Guillermo, Rizchel Anne B. · 42問 · 2年前

    LOGICAL FALLACIES

    LOGICAL FALLACIES

    42問 • 2年前
    Guillermo, Rizchel Anne B.

    CASE PRONOUNS

    CASE PRONOUNS

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    CASE PRONOUNS

    CASE PRONOUNS

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    AP

    AP

    Guillermo, Rizchel Anne B. · 55問 · 2年前

    AP

    AP

    55問 • 2年前
    Guillermo, Rizchel Anne B.

    PP

    PP

    Guillermo, Rizchel Anne B. · 41問 · 2年前

    PP

    PP

    41問 • 2年前
    Guillermo, Rizchel Anne B.

    FALL OF TROY

    FALL OF TROY

    Guillermo, Rizchel Anne B. · 9問 · 2年前

    FALL OF TROY

    FALL OF TROY

    9問 • 2年前
    Guillermo, Rizchel Anne B.

    HP

    HP

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    HP

    HP

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    BASIC SENTENCE PATTERNS

    BASIC SENTENCE PATTERNS

    Guillermo, Rizchel Anne B. · 10問 · 2年前

    BASIC SENTENCE PATTERNS

    BASIC SENTENCE PATTERNS

    10問 • 2年前
    Guillermo, Rizchel Anne B.

    PRONOUN-Antecedent

    PRONOUN-Antecedent

    Guillermo, Rizchel Anne B. · 24問 · 2年前

    PRONOUN-Antecedent

    PRONOUN-Antecedent

    24問 • 2年前
    Guillermo, Rizchel Anne B.

    COLLABORATION!

    COLLABORATION!

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    COLLABORATION!

    COLLABORATION!

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    TEAM STRUCTURE AND DYNAMICS FOR ICT CONTENT

    TEAM STRUCTURE AND DYNAMICS FOR ICT CONTENT

    Guillermo, Rizchel Anne B. · 11問 · 2年前

    TEAM STRUCTURE AND DYNAMICS FOR ICT CONTENT

    TEAM STRUCTURE AND DYNAMICS FOR ICT CONTENT

    11問 • 2年前
    Guillermo, Rizchel Anne B.

    ONLINE COLLABORATIVE TOOLS

    ONLINE COLLABORATIVE TOOLS

    Guillermo, Rizchel Anne B. · 19問 · 2年前

    ONLINE COLLABORATIVE TOOLS

    ONLINE COLLABORATIVE TOOLS

    19問 • 2年前
    Guillermo, Rizchel Anne B.

    BENEVOLENCE STORIES

    BENEVOLENCE STORIES

    Guillermo, Rizchel Anne B. · 47問 · 2年前

    BENEVOLENCE STORIES

    BENEVOLENCE STORIES

    47問 • 2年前
    Guillermo, Rizchel Anne B.

    a def pt 2

    a def pt 2

    Guillermo, Rizchel Anne B. · 34問 · 2年前

    a def pt 2

    a def pt 2

    34問 • 2年前
    Guillermo, Rizchel Anne B.

    GLOBALISASYON

    GLOBALISASYON

    Guillermo, Rizchel Anne B. · 42問 · 2年前

    GLOBALISASYON

    GLOBALISASYON

    42問 • 2年前
    Guillermo, Rizchel Anne B.

    KASAYSAYAN

    KASAYSAYAN

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    KASAYSAYAN

    KASAYSAYAN

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    2ND MIDTERMS

    2ND MIDTERMS

    Guillermo, Rizchel Anne B. · 16問 · 2年前

    2ND MIDTERMS

    2ND MIDTERMS

    16問 • 2年前
    Guillermo, Rizchel Anne B.

    TUGON

    TUGON

    Guillermo, Rizchel Anne B. · 23問 · 2年前

    TUGON

    TUGON

    23問 • 2年前
    Guillermo, Rizchel Anne B.

    GLOBALISASYON (pt. 2)

    GLOBALISASYON (pt. 2)

    Guillermo, Rizchel Anne B. · 44問 · 2年前

    GLOBALISASYON (pt. 2)

    GLOBALISASYON (pt. 2)

    44問 • 2年前
    Guillermo, Rizchel Anne B.

    2ND MASTERY

    2ND MASTERY

    Guillermo, Rizchel Anne B. · 23問 · 2年前

    2ND MASTERY

    2ND MASTERY

    23問 • 2年前
    Guillermo, Rizchel Anne B.

    10TYPES OF PLAGIARIM

    10TYPES OF PLAGIARIM

    Guillermo, Rizchel Anne B. · 12問 · 2年前

    10TYPES OF PLAGIARIM

    10TYPES OF PLAGIARIM

    12問 • 2年前
    Guillermo, Rizchel Anne B.

    3 TYPES OF WRITING PROCESS

    3 TYPES OF WRITING PROCESS

    Guillermo, Rizchel Anne B. · 15問 · 2年前

    3 TYPES OF WRITING PROCESS

    3 TYPES OF WRITING PROCESS

    15問 • 2年前
    Guillermo, Rizchel Anne B.

    CRITIQUE PAPER

    CRITIQUE PAPER

    Guillermo, Rizchel Anne B. · 31問 · 2年前

    CRITIQUE PAPER

    CRITIQUE PAPER

    31問 • 2年前
    Guillermo, Rizchel Anne B.

    SOIL HORIZON and TYPE OF SOIL

    SOIL HORIZON and TYPE OF SOIL

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    SOIL HORIZON and TYPE OF SOIL

    SOIL HORIZON and TYPE OF SOIL

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    WATER RESOURCES

    WATER RESOURCES

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    WATER RESOURCES

    WATER RESOURCES

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    INTRO, PROCESS AND FACTORS OF SOUL FORMATION

    INTRO, PROCESS AND FACTORS OF SOUL FORMATION

    Guillermo, Rizchel Anne B. · 17問 · 2年前

    INTRO, PROCESS AND FACTORS OF SOUL FORMATION

    INTRO, PROCESS AND FACTORS OF SOUL FORMATION

    17問 • 2年前
    Guillermo, Rizchel Anne B.

    CHARACTERISTICS OF SOIL/ HUMAN ACT IMPACT SOIL QUAL

    CHARACTERISTICS OF SOIL/ HUMAN ACT IMPACT SOIL QUAL

    Guillermo, Rizchel Anne B. · 8問 · 2年前

    CHARACTERISTICS OF SOIL/ HUMAN ACT IMPACT SOIL QUAL

    CHARACTERISTICS OF SOIL/ HUMAN ACT IMPACT SOIL QUAL

    8問 • 2年前
    Guillermo, Rizchel Anne B.

    soil deg, ways to conserve

    soil deg, ways to conserve

    Guillermo, Rizchel Anne B. · 14問 · 2年前

    soil deg, ways to conserve

    soil deg, ways to conserve

    14問 • 2年前
    Guillermo, Rizchel Anne B.

    問題一覧

  • 1

    The performances we see today are mere products of the cultures that have influenced the country through the years. Let’s take a look at how the history of Philippine theatre has evolved

    The Evolution of Philippine Theatre

  • 2

    During the pre-historic times, theater in the —- was in the form of indigenous RITUALS, VERBAL FIGHTS or GAMES, or SONGS and DANCES to PRAISE gods.

    Philippines

  • 3

    According to early chronicles, PRE-HISTORIC dramas consisted of three elements –

    myth, mimesis, and spectacle.

  • 4

    These mimetic performances mostly dramatized primitive rituals and epic poetry about DEITIES and MYTHICAL LEGENDS, where the spirit of the deities would seemingly possess a — or —

    Catalonan (priest) or Babaylan (priestess).

  • 5

    During this ENTRANCED state, the priest or priestess would consume the ——, which could be in the form of a pig, chicken, rice, wine, or nuts.

    sacrificial offering

  • 6

    When the Spaniards reached our shores, they used dramas such as — as a PEDAGOGICAL tool to INFLUENCE the PAGAN TRIBES and teach them about CHRISTIANITY and religion.

    zarzuelas

  • 7

    Another important form of theater popularized during the Spanish colonization is the —-,

    comedia

  • 8

    It’s a play in verse that portrays the lives, loves, and wars of Muslim moros and Christians.

    Comedia

  • 9

    Comedia aka

    moro-moro, linambay, or arakyo

  • 10

    is a secular comedy that DRAMATIZES the war between Christians and Muslims through the FORBIDDEN LOVE between the prince and the princess. The comedy is resolved with the non-Christian being CONVERTED to Christianity, or through his or her DEATH, immediately followed by his or her resurrection.

    Moro-Moro

  • 11

    COMEDIAS were normally performed in the —— or —- to attract more people to the foundation of its regime.

    pueblos or village centers

  • 12

    The comedia can last anywhere from — through a series of performances.

    3 to 15 hours

  • 13

    The first FILOPINO COMEDIA was performed in Latin and Spanish by

    Fr. Vicente Puche in Cebu in 1598

  • 14

    On the other hand, a — is a form of musical theater that combines SPOEKN WORD and SONG that celebrates various CATHOLIC LITURGICAL FEAST.

    zarzuela

  • 15

    was the FIRST ZARZUELA introduced in the country in late 1878 or early 1879.

    Jugar Con Fuego by Francisco Asenjo Barbieri

  • 16

    By August 17, 1893, ——, the home of zarzuela, was inaugurated.

    Teatro Zorilla

  • 17

    Throughout the 333 years of the ——, the Philippines was widely influenced by their CULTURE, TRADITION, and RELIGION. Today, zarzuelas and comedias are still being performed with other cultural influences and contemporary touches.

    Spanish regime

  • 18

    When American colonial rule was established, the United States introduced the American way of life through —3.

    education, media, and language

  • 19

    Their influence on Philippine theatre is most apparent through the — and the plays and dramas staged or translated into English

    bodabil (vaudeville)

  • 20

    In 1898, the — was produced by the —- for the sole purpose of entertaining American soldiers and other Americans residing in Manila.

    first bodabil, Manila Dramatic Guild

  • 21

    It was also the first theatrical performance since the revolution

    first bodabil

  • 22

    The — is not a straight-up play. The theatrical performance is, in fact, a mix of songs, dances, comedy skits, and even magical performances. Local audiences bought-in and productions soon found themselves becoming entertainment spectacles that can be transported from one town to the next.

    bodabil

  • 23

    Not long after, the bodabil was interjected into comedias and zarzuelas, as intermission numbers known as —-.

    jamborees

  • 24

    In the 1930s, the country was introduced to —- through the WESTERNIZED EDUCATION that was provided in most private schools for privileged children.

    Broadway theatre or stage plays

  • 25

    — tragedies and comedies, as well as western classics, were performed in the original English or English adaptation.

    Shakespearean

  • 26

    By the 1940s, when the JAPANESE took over the Philippines from the Americans, movie actors and actresses could NO LONGER APPEAR in films, as the Japanese —-

    confiscated all film equipment.

  • 27

    However, the comedia, zarzuela, and bodabil remained in the country as forms of -2

    entertainment and expression.

  • 28

    Eventually, the BODABIL evolved to become stage shows or variety shows with a SHORT MELODRAMA at the end to accommodate the actors and actresses who moved their craft to bodabil and theatre. Venues such as the — and — became HOMES OF BODABIL.

    Manila Grand Opera House The Savoy Theatre

  • 29

    After the war, — returned to popularity, and the bodabil era slowly lost its luster. Stage shows became small, cheap performances held in open-air stages in the provinces.

    movies