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Third Part

Third Part

18問 • 1年前

Ruth Rias Sabanate

問題一覧

1

The __ were marked by significant political, economic, and religious upheaval, which influenced theatre's development.

Middle Ages

2

The foundations laid by Greek and Roman theatre persisted, but new forms emerged, such as mimes, minstrels, and jugglers, who traveled from town to town performing small, mobile shows suited to the unstable times.

Middle Ages

3

Based on religious stories from the Bible, became prominent, expanding to include historical dramas and mystery plays.

Liturgical Drama

4

These performances often featured allegorical characters representing virtues and faults, teaching moral lessons.

Liturgical Drama

5

The __ during this time led to the use of wagon stages, which allowed sets to be easily transported from one town to another.

mobile nature of theatre

6

While most countries began integrating women into their casts, England maintained exclusive __ casting

Male

7

Two other styles that developed in Middle Ages were ___ & __, both religious in nature.

Passion Plays, Cycle Plays

8

This were performed annually during specific religious seasons, like the one still performed in Oberammergau, Bavaria, every ten years.

Passion Plays

9

This were large, processional events involving hundreds of actors and multiple wagons

Cycle Plays

10

During this period, sponsorship of theatre shifted from the church to political figures, with kings and queens often commissioning plays for special events.

Middle Ages

11

This era also saw the rise of licensing and censorship in theatre.

Middle Ages

12

This was an influential and improvisational form of theatre that emerged during this time.

Commedia dell'Arte

13

Performances were based on a loose storyline with a cast of established characters, giving actors considerable freedom to make each performance relevant to local events.

Commedia dell'Arte

14

Scenery and props were minimal, but masks were used to help actors switch characters.

Commedia dell'Arte

15

A typical Commedia troupe consisted of 12-15 actors, most of whom were men, and actors were paid a share of the profits from each performance

Commedia dell'Arte

16

The plays typically revolved around four main topics: adultery, jealousy, old age, and love—themes that remain relevant in modern storytelling.

Commedia dell'Arte

17

Characters fell into four basic categories: lovers, masters, servants, and clowns, with each character type easily recognizable by specific costumes and masks.

Commedia dell'Arte

18

It's legacy lies in its stock characters and plots, which continue to influence theatre and entertainment today, proving that the themes and character types developed during this era are timeless and universally relatable.

Commedia dell'Arte

Module 1

Module 1

Ruth Rias Sabanate · 6問 · 1年前

Module 1

Module 1

6問 • 1年前

Ruth Rias Sabanate

module 2

module 2

Ruth Rias Sabanate · 5問 · 1年前

module 2

module 2

5問 • 1年前

Ruth Rias Sabanate

❤️

❤️

Ruth Rias Sabanate · 10問 · 1年前

❤️

❤️

10問 • 1年前

Ruth Rias Sabanate

🔥

🔥

Ruth Rias Sabanate · 10問 · 1年前

🔥

🔥

10問 • 1年前

Ruth Rias Sabanate

👑

👑

Ruth Rias Sabanate · 10問 · 1年前

👑

👑

10問 • 1年前

Ruth Rias Sabanate

Day 1

Day 1

Ruth Rias Sabanate · 10問 · 1年前

Day 1

Day 1

10問 • 1年前

Ruth Rias Sabanate

Parts of Speech

Parts of Speech

Ruth Rias Sabanate · 9問 · 1年前

Parts of Speech

Parts of Speech

9問 • 1年前

Ruth Rias Sabanate

Day 2

Day 2

Ruth Rias Sabanate · 10問 · 1年前

Day 2

Day 2

10問 • 1年前

Ruth Rias Sabanate

First Part

First Part

Ruth Rias Sabanate · 21問 · 1年前

First Part

First Part

21問 • 1年前

Ruth Rias Sabanate

Second Part

Second Part

Ruth Rias Sabanate · 23問 · 1年前

Second Part

Second Part

23問 • 1年前

Ruth Rias Sabanate

Fourth Part

Fourth Part

Ruth Rias Sabanate · 6問 · 1年前

Fourth Part

Fourth Part

6問 • 1年前

Ruth Rias Sabanate

Fifth

Fifth

Ruth Rias Sabanate · 9問 · 1年前

Fifth

Fifth

9問 • 1年前

Ruth Rias Sabanate

Six

Six

Ruth Rias Sabanate · 16問 · 1年前

Six

Six

16問 • 1年前

Ruth Rias Sabanate

Seventh

Seventh

Ruth Rias Sabanate · 8問 · 1年前

Seventh

Seventh

8問 • 1年前

Ruth Rias Sabanate

first

first

Ruth Rias Sabanate · 11問 · 1年前

first

first

11問 • 1年前

Ruth Rias Sabanate

Third

Third

Ruth Rias Sabanate · 14問 · 1年前

Third

Third

14問 • 1年前

Ruth Rias Sabanate

Ma'am Daisy

Ma'am Daisy

Ruth Rias Sabanate · 14問 · 1年前

Ma'am Daisy

Ma'am Daisy

14問 • 1年前

Ruth Rias Sabanate

Part 2 (2)

Part 2 (2)

Ruth Rias Sabanate · 14問 · 1年前

Part 2 (2)

Part 2 (2)

14問 • 1年前

Ruth Rias Sabanate

First Module

First Module

Ruth Rias Sabanate · 15問 · 1年前

First Module

First Module

15問 • 1年前

Ruth Rias Sabanate

2nd Module

2nd Module

Ruth Rias Sabanate · 28問 · 1年前

2nd Module

2nd Module

28問 • 1年前

Ruth Rias Sabanate

2nd module (part 2)

2nd module (part 2)

Ruth Rias Sabanate · 19問 · 1年前

2nd module (part 2)

2nd module (part 2)

19問 • 1年前

Ruth Rias Sabanate

2nd Module (Part 3)

2nd Module (Part 3)

Ruth Rias Sabanate · 16問 · 1年前

2nd Module (Part 3)

2nd Module (Part 3)

16問 • 1年前

Ruth Rias Sabanate

Key Philosophers

Key Philosophers

Ruth Rias Sabanate · 9問 · 1年前

Key Philosophers

Key Philosophers

9問 • 1年前

Ruth Rias Sabanate

Last Module

Last Module

Ruth Rias Sabanate · 17問 · 1年前

Last Module

Last Module

17問 • 1年前

Ruth Rias Sabanate

Last (2)

Last (2)

Ruth Rias Sabanate · 16問 · 1年前

Last (2)

Last (2)

16問 • 1年前

Ruth Rias Sabanate

Cognitive Development pf Students

Cognitive Development pf Students

Ruth Rias Sabanate · 12問 · 1年前

Cognitive Development pf Students

Cognitive Development pf Students

12問 • 1年前

Ruth Rias Sabanate

問題一覧

1

The __ were marked by significant political, economic, and religious upheaval, which influenced theatre's development.

Middle Ages

2

The foundations laid by Greek and Roman theatre persisted, but new forms emerged, such as mimes, minstrels, and jugglers, who traveled from town to town performing small, mobile shows suited to the unstable times.

Middle Ages

3

Based on religious stories from the Bible, became prominent, expanding to include historical dramas and mystery plays.

Liturgical Drama

4

These performances often featured allegorical characters representing virtues and faults, teaching moral lessons.

Liturgical Drama

5

The __ during this time led to the use of wagon stages, which allowed sets to be easily transported from one town to another.

mobile nature of theatre

6

While most countries began integrating women into their casts, England maintained exclusive __ casting

Male

7

Two other styles that developed in Middle Ages were ___ & __, both religious in nature.

Passion Plays, Cycle Plays

8

This were performed annually during specific religious seasons, like the one still performed in Oberammergau, Bavaria, every ten years.

Passion Plays

9

This were large, processional events involving hundreds of actors and multiple wagons

Cycle Plays

10

During this period, sponsorship of theatre shifted from the church to political figures, with kings and queens often commissioning plays for special events.

Middle Ages

11

This era also saw the rise of licensing and censorship in theatre.

Middle Ages

12

This was an influential and improvisational form of theatre that emerged during this time.

Commedia dell'Arte

13

Performances were based on a loose storyline with a cast of established characters, giving actors considerable freedom to make each performance relevant to local events.

Commedia dell'Arte

14

Scenery and props were minimal, but masks were used to help actors switch characters.

Commedia dell'Arte

15

A typical Commedia troupe consisted of 12-15 actors, most of whom were men, and actors were paid a share of the profits from each performance

Commedia dell'Arte

16

The plays typically revolved around four main topics: adultery, jealousy, old age, and love—themes that remain relevant in modern storytelling.

Commedia dell'Arte

17

Characters fell into four basic categories: lovers, masters, servants, and clowns, with each character type easily recognizable by specific costumes and masks.

Commedia dell'Arte

18

It's legacy lies in its stock characters and plots, which continue to influence theatre and entertainment today, proving that the themes and character types developed during this era are timeless and universally relatable.

Commedia dell'Arte