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2nd Module (Part 3)

2nd Module (Part 3)
16問 • 1年前
  • Ruth Rias Sabanate
  • 通報

    問題一覧

  • 1

    In literature refers to stories dependent on a character’s subjective point of view. These stories are based around that character’s __ of their experiences. The context, details, and interpretive meaning of various plot points are secondary to their experience of them

    Impressionism

  • 2

    The edges of what’s true and what’s false or what’s real and what’s fake are blurred because the reader depends entirely on the character’s feelings to understand the story. This often means that these narrators can be defined as unreliable. It is notoriously hard to comprehend and define as it depends so heavily on __.

    Impressionism

  • 3

    It refers to the freeing up of the mind’s creative potential by tapping into the subliminal, unconscious, and/or subconscious mind. It is synonymous with unearthly, bizarre, unreal, of a dreamlike quality.

    Surrealism

  • 4

    In literature, __ is more akin to the extraordinary. We read about people gifted with telepathy or the dead coming back to visit us. On the other hand, realism attempts to catch on the page something as close to reality as possible. It is a narrative genre that uses a straightforward inclusion of fantasy or __ in an otherwise realistic novel.

    Magical Realism

  • 5

    It is a relatively new genre, starting in the mid 20th century. It is thought the first example was from Cuban writer Alejo Carpentier and their novel, The Kingdom of the World (1949). The author later dismissed this claim. The genre became most popular in the 1960s in Latin America when Colombian author Gabriel Garcia Marquez published One Hundred Years of Solitude (1967).

    Magical Realism

  • 6

    The term 'magic realism' was first used to describe a German painting style in the __ by the critic Franz Roh.

    1920

  • 7

    In __, the term 'magical realism' was used to describe the form in literature by the critic Angel Flores in their essay titled 'Magical Realism in Spanish American Fiction'. From then on, magical realism became a sub-genre of Literary fiction.

    1955

  • 8

    The stories of __ will have extraordinary or __ things happen in a realistic and familiar world to the reader. The lines between fantasy and reality become blurred.

    Magical Realism

  • 9

    It is a school of philosophy that suggests humans create meaning for themselves and attempt to make rational choices in a meaningless and irrational world.

    Existentialism

  • 10

    Human beings enter the world before forming their identity or purpose.

    Existence before essence

  • 11

    Because the world has no meaning, individuals must make their own. This meaning is __ to the individual.

    Subjectivity and authenticity

  • 12

    Individuals experience anxiety due to the overwhelming freedom of the world and the choices they have to make.

    Anxiety and angst

  • 13

    There is an __ in the futile nature of attempting to form meaning and purpose in a world without either.

    Absurdism

  • 14

    It is a school of philosophy that suggests humans must create their own meaning and purpose in a meaningless world.

    Existentialism

  • 15

    Key characteristics of Existentialism include:

    Existence before essence, Subjectivity and authenticity, Anxiety and angst, Absurdity

  • 16

    It began with Søren Kierkegaard in the mid-19th century but found increased popularity during the Age of Anxiety with Jean-Paul Sartre.

    Existentialism

  • Module 1

    Module 1

    Ruth Rias Sabanate · 6問 · 1年前

    Module 1

    Module 1

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    module 2

    module 2

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    module 2

    module 2

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    ❤️

    ❤️

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    ❤️

    ❤️

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    🔥

    🔥

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    🔥

    🔥

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    👑

    👑

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    👑

    👑

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    Day 1

    Day 1

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    Day 1

    Day 1

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    Parts of Speech

    Parts of Speech

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    Parts of Speech

    Parts of Speech

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    Day 2

    Day 2

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    Day 2

    Day 2

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    First Part

    First Part

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    First Part

    First Part

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    Second Part

    Second Part

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    Second Part

    Second Part

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    Third Part

    Third Part

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    Third Part

    Third Part

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    Fourth Part

    Fourth Part

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    Fourth Part

    Fourth Part

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    Fifth

    Fifth

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    Fifth

    Fifth

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    Six

    Six

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    Six

    Six

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    Seventh

    Seventh

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    Seventh

    Seventh

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    first

    first

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    first

    first

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    Third

    Third

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    Third

    Third

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    Ma'am Daisy

    Ma'am Daisy

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    Ma'am Daisy

    Ma'am Daisy

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    Part 2 (2)

    Part 2 (2)

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    Part 2 (2)

    Part 2 (2)

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    First Module

    First Module

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    First Module

    First Module

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    2nd Module

    2nd Module

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    2nd Module

    2nd Module

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    2nd module (part 2)

    2nd module (part 2)

    Ruth Rias Sabanate · 19問 · 1年前

    2nd module (part 2)

    2nd module (part 2)

    19問 • 1年前
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    Key Philosophers

    Key Philosophers

    Ruth Rias Sabanate · 9問 · 1年前

    Key Philosophers

    Key Philosophers

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    Last Module

    Last Module

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    Last Module

    Last Module

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    Last (2)

    Last (2)

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    Last (2)

    Last (2)

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    Cognitive Development pf Students

    Cognitive Development pf Students

    Ruth Rias Sabanate · 12問 · 1年前

    Cognitive Development pf Students

    Cognitive Development pf Students

    12問 • 1年前
    Ruth Rias Sabanate

    問題一覧

  • 1

    In literature refers to stories dependent on a character’s subjective point of view. These stories are based around that character’s __ of their experiences. The context, details, and interpretive meaning of various plot points are secondary to their experience of them

    Impressionism

  • 2

    The edges of what’s true and what’s false or what’s real and what’s fake are blurred because the reader depends entirely on the character’s feelings to understand the story. This often means that these narrators can be defined as unreliable. It is notoriously hard to comprehend and define as it depends so heavily on __.

    Impressionism

  • 3

    It refers to the freeing up of the mind’s creative potential by tapping into the subliminal, unconscious, and/or subconscious mind. It is synonymous with unearthly, bizarre, unreal, of a dreamlike quality.

    Surrealism

  • 4

    In literature, __ is more akin to the extraordinary. We read about people gifted with telepathy or the dead coming back to visit us. On the other hand, realism attempts to catch on the page something as close to reality as possible. It is a narrative genre that uses a straightforward inclusion of fantasy or __ in an otherwise realistic novel.

    Magical Realism

  • 5

    It is a relatively new genre, starting in the mid 20th century. It is thought the first example was from Cuban writer Alejo Carpentier and their novel, The Kingdom of the World (1949). The author later dismissed this claim. The genre became most popular in the 1960s in Latin America when Colombian author Gabriel Garcia Marquez published One Hundred Years of Solitude (1967).

    Magical Realism

  • 6

    The term 'magic realism' was first used to describe a German painting style in the __ by the critic Franz Roh.

    1920

  • 7

    In __, the term 'magical realism' was used to describe the form in literature by the critic Angel Flores in their essay titled 'Magical Realism in Spanish American Fiction'. From then on, magical realism became a sub-genre of Literary fiction.

    1955

  • 8

    The stories of __ will have extraordinary or __ things happen in a realistic and familiar world to the reader. The lines between fantasy and reality become blurred.

    Magical Realism

  • 9

    It is a school of philosophy that suggests humans create meaning for themselves and attempt to make rational choices in a meaningless and irrational world.

    Existentialism

  • 10

    Human beings enter the world before forming their identity or purpose.

    Existence before essence

  • 11

    Because the world has no meaning, individuals must make their own. This meaning is __ to the individual.

    Subjectivity and authenticity

  • 12

    Individuals experience anxiety due to the overwhelming freedom of the world and the choices they have to make.

    Anxiety and angst

  • 13

    There is an __ in the futile nature of attempting to form meaning and purpose in a world without either.

    Absurdism

  • 14

    It is a school of philosophy that suggests humans must create their own meaning and purpose in a meaningless world.

    Existentialism

  • 15

    Key characteristics of Existentialism include:

    Existence before essence, Subjectivity and authenticity, Anxiety and angst, Absurdity

  • 16

    It began with Søren Kierkegaard in the mid-19th century but found increased popularity during the Age of Anxiety with Jean-Paul Sartre.

    Existentialism