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Second Part

Second Part

23問 • 1年前

Ruth Rias Sabanate

問題一覧

1

After the Greeks, the __ developed their own genre of theatre, heavily influenced by Greek traditions.

Romans

2

Initially, __ plays were adaptations of Greek scripts, with notable playwrights like Seneca and Plautus, who primarily worked on translations but were still significant figures in Roman theatre

Roman

3

While ___ theatre often blended earthly and mystical themes, __ theatre focused more on the present and real-life events.

Greek, Roman

4

They didn’t just discuss war in their plays; they acted it out, reflecting their more direct and action-oriented approach.

Romans

5

The __ was highly interactive, often cheering, booing, or applauding during performances, leading some plays to become more like pantomimes— performances focused on actions without words

Roman Audience

6

Performances focused on actions without words.

Pantomimes

7

Without action, Without Words, also the evolution of pantomime (e.g. paint me a picture)

Tableau

8

Love makes the time pass. Time makes love pass

Euripides

9

The __ theatre during 4th century BCE

Epidaurus

10

Their theatres were similar in design to Greek ones but had some key differences.

Romans

11

While Greek theatres were built into natural amphitheatres, Romans constructed artificial walls to create their circular theatres, known as __.

Colosseums

12

The audience seating was raised, as if built into the side of a hill, with the flat stage area at the lowest point, backed by a scenic wall

Colosseum

13

A significant architectural innovation in Roman theatres was the __.

Vomitorium

14

This was a hallway allowing actors to enter the stage from the middle of the audience, usually leading beneath the audience risers.

Vomitorium

15

These passageways were also used to usher the audience in and out of the theatre

Vomitorium

16

As Roman theatre evolved, original scripts began to emerge, introducing standard characters that would later become central to __.

Commedia dell'Arte

17

Actors used specific costumes to signal their roles to the audience

Roman Theatres

18

Black wigs and purple robes

Young Men

19

gray wigs and white robes

Old Men

20

red wigs

Slaves

21

yellow robes (played by men)

Women

22

a yellow tassel (a unique identifier for divine characters)

Gods

23

These elements made Roman theatre distinct from its Greek predecessor while building upon its foundations

Specific Costumes

Module 1

Module 1

Ruth Rias Sabanate · 6問 · 1年前

Module 1

Module 1

6問 • 1年前

Ruth Rias Sabanate

module 2

module 2

Ruth Rias Sabanate · 5問 · 1年前

module 2

module 2

5問 • 1年前

Ruth Rias Sabanate

❤️

❤️

Ruth Rias Sabanate · 10問 · 1年前

❤️

❤️

10問 • 1年前

Ruth Rias Sabanate

🔥

🔥

Ruth Rias Sabanate · 10問 · 1年前

🔥

🔥

10問 • 1年前

Ruth Rias Sabanate

👑

👑

Ruth Rias Sabanate · 10問 · 1年前

👑

👑

10問 • 1年前

Ruth Rias Sabanate

Day 1

Day 1

Ruth Rias Sabanate · 10問 · 1年前

Day 1

Day 1

10問 • 1年前

Ruth Rias Sabanate

Parts of Speech

Parts of Speech

Ruth Rias Sabanate · 9問 · 1年前

Parts of Speech

Parts of Speech

9問 • 1年前

Ruth Rias Sabanate

Day 2

Day 2

Ruth Rias Sabanate · 10問 · 1年前

Day 2

Day 2

10問 • 1年前

Ruth Rias Sabanate

First Part

First Part

Ruth Rias Sabanate · 21問 · 1年前

First Part

First Part

21問 • 1年前

Ruth Rias Sabanate

Third Part

Third Part

Ruth Rias Sabanate · 18問 · 1年前

Third Part

Third Part

18問 • 1年前

Ruth Rias Sabanate

Fourth Part

Fourth Part

Ruth Rias Sabanate · 6問 · 1年前

Fourth Part

Fourth Part

6問 • 1年前

Ruth Rias Sabanate

Fifth

Fifth

Ruth Rias Sabanate · 9問 · 1年前

Fifth

Fifth

9問 • 1年前

Ruth Rias Sabanate

Six

Six

Ruth Rias Sabanate · 16問 · 1年前

Six

Six

16問 • 1年前

Ruth Rias Sabanate

Seventh

Seventh

Ruth Rias Sabanate · 8問 · 1年前

Seventh

Seventh

8問 • 1年前

Ruth Rias Sabanate

first

first

Ruth Rias Sabanate · 11問 · 1年前

first

first

11問 • 1年前

Ruth Rias Sabanate

Third

Third

Ruth Rias Sabanate · 14問 · 1年前

Third

Third

14問 • 1年前

Ruth Rias Sabanate

Ma'am Daisy

Ma'am Daisy

Ruth Rias Sabanate · 14問 · 1年前

Ma'am Daisy

Ma'am Daisy

14問 • 1年前

Ruth Rias Sabanate

Part 2 (2)

Part 2 (2)

Ruth Rias Sabanate · 14問 · 1年前

Part 2 (2)

Part 2 (2)

14問 • 1年前

Ruth Rias Sabanate

First Module

First Module

Ruth Rias Sabanate · 15問 · 1年前

First Module

First Module

15問 • 1年前

Ruth Rias Sabanate

2nd Module

2nd Module

Ruth Rias Sabanate · 28問 · 1年前

2nd Module

2nd Module

28問 • 1年前

Ruth Rias Sabanate

2nd module (part 2)

2nd module (part 2)

Ruth Rias Sabanate · 19問 · 1年前

2nd module (part 2)

2nd module (part 2)

19問 • 1年前

Ruth Rias Sabanate

2nd Module (Part 3)

2nd Module (Part 3)

Ruth Rias Sabanate · 16問 · 1年前

2nd Module (Part 3)

2nd Module (Part 3)

16問 • 1年前

Ruth Rias Sabanate

Key Philosophers

Key Philosophers

Ruth Rias Sabanate · 9問 · 1年前

Key Philosophers

Key Philosophers

9問 • 1年前

Ruth Rias Sabanate

Last Module

Last Module

Ruth Rias Sabanate · 17問 · 1年前

Last Module

Last Module

17問 • 1年前

Ruth Rias Sabanate

Last (2)

Last (2)

Ruth Rias Sabanate · 16問 · 1年前

Last (2)

Last (2)

16問 • 1年前

Ruth Rias Sabanate

Cognitive Development pf Students

Cognitive Development pf Students

Ruth Rias Sabanate · 12問 · 1年前

Cognitive Development pf Students

Cognitive Development pf Students

12問 • 1年前

Ruth Rias Sabanate

問題一覧

1

After the Greeks, the __ developed their own genre of theatre, heavily influenced by Greek traditions.

Romans

2

Initially, __ plays were adaptations of Greek scripts, with notable playwrights like Seneca and Plautus, who primarily worked on translations but were still significant figures in Roman theatre

Roman

3

While ___ theatre often blended earthly and mystical themes, __ theatre focused more on the present and real-life events.

Greek, Roman

4

They didn’t just discuss war in their plays; they acted it out, reflecting their more direct and action-oriented approach.

Romans

5

The __ was highly interactive, often cheering, booing, or applauding during performances, leading some plays to become more like pantomimes— performances focused on actions without words

Roman Audience

6

Performances focused on actions without words.

Pantomimes

7

Without action, Without Words, also the evolution of pantomime (e.g. paint me a picture)

Tableau

8

Love makes the time pass. Time makes love pass

Euripides

9

The __ theatre during 4th century BCE

Epidaurus

10

Their theatres were similar in design to Greek ones but had some key differences.

Romans

11

While Greek theatres were built into natural amphitheatres, Romans constructed artificial walls to create their circular theatres, known as __.

Colosseums

12

The audience seating was raised, as if built into the side of a hill, with the flat stage area at the lowest point, backed by a scenic wall

Colosseum

13

A significant architectural innovation in Roman theatres was the __.

Vomitorium

14

This was a hallway allowing actors to enter the stage from the middle of the audience, usually leading beneath the audience risers.

Vomitorium

15

These passageways were also used to usher the audience in and out of the theatre

Vomitorium

16

As Roman theatre evolved, original scripts began to emerge, introducing standard characters that would later become central to __.

Commedia dell'Arte

17

Actors used specific costumes to signal their roles to the audience

Roman Theatres

18

Black wigs and purple robes

Young Men

19

gray wigs and white robes

Old Men

20

red wigs

Slaves

21

yellow robes (played by men)

Women

22

a yellow tassel (a unique identifier for divine characters)

Gods

23

These elements made Roman theatre distinct from its Greek predecessor while building upon its foundations

Specific Costumes