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Second Part

Second Part
23問 • 1年前
  • Ruth Rias Sabanate
  • 通報

    問題一覧

  • 1

    After the Greeks, the __ developed their own genre of theatre, heavily influenced by Greek traditions.

    Romans

  • 2

    Initially, __ plays were adaptations of Greek scripts, with notable playwrights like Seneca and Plautus, who primarily worked on translations but were still significant figures in Roman theatre

    Roman

  • 3

    While ___ theatre often blended earthly and mystical themes, __ theatre focused more on the present and real-life events.

    Greek, Roman

  • 4

    They didn’t just discuss war in their plays; they acted it out, reflecting their more direct and action-oriented approach.

    Romans

  • 5

    The __ was highly interactive, often cheering, booing, or applauding during performances, leading some plays to become more like pantomimes— performances focused on actions without words

    Roman Audience

  • 6

    Performances focused on actions without words.

    Pantomimes

  • 7

    Without action, Without Words, also the evolution of pantomime (e.g. paint me a picture)

    Tableau

  • 8

    Love makes the time pass. Time makes love pass

    Euripides

  • 9

    The __ theatre during 4th century BCE

    Epidaurus

  • 10

    Their theatres were similar in design to Greek ones but had some key differences.

    Romans

  • 11

    While Greek theatres were built into natural amphitheatres, Romans constructed artificial walls to create their circular theatres, known as __.

    Colosseums

  • 12

    The audience seating was raised, as if built into the side of a hill, with the flat stage area at the lowest point, backed by a scenic wall

    Colosseum

  • 13

    A significant architectural innovation in Roman theatres was the __.

    Vomitorium

  • 14

    This was a hallway allowing actors to enter the stage from the middle of the audience, usually leading beneath the audience risers.

    Vomitorium

  • 15

    These passageways were also used to usher the audience in and out of the theatre

    Vomitorium

  • 16

    As Roman theatre evolved, original scripts began to emerge, introducing standard characters that would later become central to __.

    Commedia dell'Arte

  • 17

    Actors used specific costumes to signal their roles to the audience

    Roman Theatres

  • 18

    Black wigs and purple robes

    Young Men

  • 19

    gray wigs and white robes

    Old Men

  • 20

    red wigs

    Slaves

  • 21

    yellow robes (played by men)

    Women

  • 22

    a yellow tassel (a unique identifier for divine characters)

    Gods

  • 23

    These elements made Roman theatre distinct from its Greek predecessor while building upon its foundations

    Specific Costumes

  • Module 1

    Module 1

    Ruth Rias Sabanate · 6問 · 1年前

    Module 1

    Module 1

    6問 • 1年前
    Ruth Rias Sabanate

    module 2

    module 2

    Ruth Rias Sabanate · 5問 · 1年前

    module 2

    module 2

    5問 • 1年前
    Ruth Rias Sabanate

    ❤️

    ❤️

    Ruth Rias Sabanate · 10問 · 1年前

    ❤️

    ❤️

    10問 • 1年前
    Ruth Rias Sabanate

    🔥

    🔥

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    🔥

    🔥

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    Ruth Rias Sabanate

    👑

    👑

    Ruth Rias Sabanate · 10問 · 1年前

    👑

    👑

    10問 • 1年前
    Ruth Rias Sabanate

    Day 1

    Day 1

    Ruth Rias Sabanate · 10問 · 1年前

    Day 1

    Day 1

    10問 • 1年前
    Ruth Rias Sabanate

    Parts of Speech

    Parts of Speech

    Ruth Rias Sabanate · 9問 · 1年前

    Parts of Speech

    Parts of Speech

    9問 • 1年前
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    Day 2

    Day 2

    Ruth Rias Sabanate · 10問 · 1年前

    Day 2

    Day 2

    10問 • 1年前
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    First Part

    First Part

    Ruth Rias Sabanate · 21問 · 1年前

    First Part

    First Part

    21問 • 1年前
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    Third Part

    Third Part

    Ruth Rias Sabanate · 18問 · 1年前

    Third Part

    Third Part

    18問 • 1年前
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    Fourth Part

    Fourth Part

    Ruth Rias Sabanate · 6問 · 1年前

    Fourth Part

    Fourth Part

    6問 • 1年前
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    Fifth

    Fifth

    Ruth Rias Sabanate · 9問 · 1年前

    Fifth

    Fifth

    9問 • 1年前
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    Six

    Six

    Ruth Rias Sabanate · 16問 · 1年前

    Six

    Six

    16問 • 1年前
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    Seventh

    Seventh

    Ruth Rias Sabanate · 8問 · 1年前

    Seventh

    Seventh

    8問 • 1年前
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    first

    first

    Ruth Rias Sabanate · 11問 · 1年前

    first

    first

    11問 • 1年前
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    Third

    Third

    Ruth Rias Sabanate · 14問 · 1年前

    Third

    Third

    14問 • 1年前
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    Ma'am Daisy

    Ma'am Daisy

    Ruth Rias Sabanate · 14問 · 1年前

    Ma'am Daisy

    Ma'am Daisy

    14問 • 1年前
    Ruth Rias Sabanate

    Part 2 (2)

    Part 2 (2)

    Ruth Rias Sabanate · 14問 · 1年前

    Part 2 (2)

    Part 2 (2)

    14問 • 1年前
    Ruth Rias Sabanate

    First Module

    First Module

    Ruth Rias Sabanate · 15問 · 1年前

    First Module

    First Module

    15問 • 1年前
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    2nd Module

    2nd Module

    Ruth Rias Sabanate · 28問 · 1年前

    2nd Module

    2nd Module

    28問 • 1年前
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    2nd module (part 2)

    2nd module (part 2)

    Ruth Rias Sabanate · 19問 · 1年前

    2nd module (part 2)

    2nd module (part 2)

    19問 • 1年前
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    2nd Module (Part 3)

    2nd Module (Part 3)

    Ruth Rias Sabanate · 16問 · 1年前

    2nd Module (Part 3)

    2nd Module (Part 3)

    16問 • 1年前
    Ruth Rias Sabanate

    Key Philosophers

    Key Philosophers

    Ruth Rias Sabanate · 9問 · 1年前

    Key Philosophers

    Key Philosophers

    9問 • 1年前
    Ruth Rias Sabanate

    Last Module

    Last Module

    Ruth Rias Sabanate · 17問 · 1年前

    Last Module

    Last Module

    17問 • 1年前
    Ruth Rias Sabanate

    Last (2)

    Last (2)

    Ruth Rias Sabanate · 16問 · 1年前

    Last (2)

    Last (2)

    16問 • 1年前
    Ruth Rias Sabanate

    Cognitive Development pf Students

    Cognitive Development pf Students

    Ruth Rias Sabanate · 12問 · 1年前

    Cognitive Development pf Students

    Cognitive Development pf Students

    12問 • 1年前
    Ruth Rias Sabanate

    問題一覧

  • 1

    After the Greeks, the __ developed their own genre of theatre, heavily influenced by Greek traditions.

    Romans

  • 2

    Initially, __ plays were adaptations of Greek scripts, with notable playwrights like Seneca and Plautus, who primarily worked on translations but were still significant figures in Roman theatre

    Roman

  • 3

    While ___ theatre often blended earthly and mystical themes, __ theatre focused more on the present and real-life events.

    Greek, Roman

  • 4

    They didn’t just discuss war in their plays; they acted it out, reflecting their more direct and action-oriented approach.

    Romans

  • 5

    The __ was highly interactive, often cheering, booing, or applauding during performances, leading some plays to become more like pantomimes— performances focused on actions without words

    Roman Audience

  • 6

    Performances focused on actions without words.

    Pantomimes

  • 7

    Without action, Without Words, also the evolution of pantomime (e.g. paint me a picture)

    Tableau

  • 8

    Love makes the time pass. Time makes love pass

    Euripides

  • 9

    The __ theatre during 4th century BCE

    Epidaurus

  • 10

    Their theatres were similar in design to Greek ones but had some key differences.

    Romans

  • 11

    While Greek theatres were built into natural amphitheatres, Romans constructed artificial walls to create their circular theatres, known as __.

    Colosseums

  • 12

    The audience seating was raised, as if built into the side of a hill, with the flat stage area at the lowest point, backed by a scenic wall

    Colosseum

  • 13

    A significant architectural innovation in Roman theatres was the __.

    Vomitorium

  • 14

    This was a hallway allowing actors to enter the stage from the middle of the audience, usually leading beneath the audience risers.

    Vomitorium

  • 15

    These passageways were also used to usher the audience in and out of the theatre

    Vomitorium

  • 16

    As Roman theatre evolved, original scripts began to emerge, introducing standard characters that would later become central to __.

    Commedia dell'Arte

  • 17

    Actors used specific costumes to signal their roles to the audience

    Roman Theatres

  • 18

    Black wigs and purple robes

    Young Men

  • 19

    gray wigs and white robes

    Old Men

  • 20

    red wigs

    Slaves

  • 21

    yellow robes (played by men)

    Women

  • 22

    a yellow tassel (a unique identifier for divine characters)

    Gods

  • 23

    These elements made Roman theatre distinct from its Greek predecessor while building upon its foundations

    Specific Costumes