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Seventh

Seventh
8問 • 1年前
  • Ruth Rias Sabanate
  • 通報

    問題一覧

  • 1

    Over time, ___ plays developed more intricate plots and adopted a four- to five-act structure

    Shadow Puppet

  • 2

    With its historical roots in shadow puppetry, reflects a unique approach to performance art, emphasizing fantasy and adventure rather than contemporary political issues.

    Chinese Theatre

  • 3

    It boasts a rich and extensive history, beginning around 1500 BCE.

    Chinese Theatre

  • 4

    Early performances featured a blend of music, clowning, and acrobatics, evolving into a significant form of shadow puppetry

    Chinese Theatre

  • 5

    The earliest documented theatre involved simple performances incorporating music and acrobatics. This led to the development of __

    Shadow Puppetry

  • 6

    Originating from the south, these puppets are larger and made from thick leather, producing strong shadows. Colors carry symbolic meanings, such as black for honesty and red for bravery.

    Cantonese

  • 7

    From the north, these puppets are smaller, crafted from thin leather that creates more translucent shadows. They use vibrant paints for colorful projections. Features and Superstition

    Pekingese

  • 8

    Puppet heads were removable to prevent superstitions that they might come to life if left on. Heads were often stored separately to avoid this belief, which caused fear and fascination, particularly among children.

    Puppet Construction

  • Module 1

    Module 1

    Ruth Rias Sabanate · 6問 · 1年前

    Module 1

    Module 1

    6問 • 1年前
    Ruth Rias Sabanate

    module 2

    module 2

    Ruth Rias Sabanate · 5問 · 1年前

    module 2

    module 2

    5問 • 1年前
    Ruth Rias Sabanate

    ❤️

    ❤️

    Ruth Rias Sabanate · 10問 · 1年前

    ❤️

    ❤️

    10問 • 1年前
    Ruth Rias Sabanate

    🔥

    🔥

    Ruth Rias Sabanate · 10問 · 1年前

    🔥

    🔥

    10問 • 1年前
    Ruth Rias Sabanate

    👑

    👑

    Ruth Rias Sabanate · 10問 · 1年前

    👑

    👑

    10問 • 1年前
    Ruth Rias Sabanate

    Day 1

    Day 1

    Ruth Rias Sabanate · 10問 · 1年前

    Day 1

    Day 1

    10問 • 1年前
    Ruth Rias Sabanate

    Parts of Speech

    Parts of Speech

    Ruth Rias Sabanate · 9問 · 1年前

    Parts of Speech

    Parts of Speech

    9問 • 1年前
    Ruth Rias Sabanate

    Day 2

    Day 2

    Ruth Rias Sabanate · 10問 · 1年前

    Day 2

    Day 2

    10問 • 1年前
    Ruth Rias Sabanate

    First Part

    First Part

    Ruth Rias Sabanate · 21問 · 1年前

    First Part

    First Part

    21問 • 1年前
    Ruth Rias Sabanate

    Second Part

    Second Part

    Ruth Rias Sabanate · 23問 · 1年前

    Second Part

    Second Part

    23問 • 1年前
    Ruth Rias Sabanate

    Third Part

    Third Part

    Ruth Rias Sabanate · 18問 · 1年前

    Third Part

    Third Part

    18問 • 1年前
    Ruth Rias Sabanate

    Fourth Part

    Fourth Part

    Ruth Rias Sabanate · 6問 · 1年前

    Fourth Part

    Fourth Part

    6問 • 1年前
    Ruth Rias Sabanate

    Fifth

    Fifth

    Ruth Rias Sabanate · 9問 · 1年前

    Fifth

    Fifth

    9問 • 1年前
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    Six

    Six

    Ruth Rias Sabanate · 16問 · 1年前

    Six

    Six

    16問 • 1年前
    Ruth Rias Sabanate

    first

    first

    Ruth Rias Sabanate · 11問 · 1年前

    first

    first

    11問 • 1年前
    Ruth Rias Sabanate

    Third

    Third

    Ruth Rias Sabanate · 14問 · 1年前

    Third

    Third

    14問 • 1年前
    Ruth Rias Sabanate

    Ma'am Daisy

    Ma'am Daisy

    Ruth Rias Sabanate · 14問 · 1年前

    Ma'am Daisy

    Ma'am Daisy

    14問 • 1年前
    Ruth Rias Sabanate

    Part 2 (2)

    Part 2 (2)

    Ruth Rias Sabanate · 14問 · 1年前

    Part 2 (2)

    Part 2 (2)

    14問 • 1年前
    Ruth Rias Sabanate

    First Module

    First Module

    Ruth Rias Sabanate · 15問 · 1年前

    First Module

    First Module

    15問 • 1年前
    Ruth Rias Sabanate

    2nd Module

    2nd Module

    Ruth Rias Sabanate · 28問 · 1年前

    2nd Module

    2nd Module

    28問 • 1年前
    Ruth Rias Sabanate

    2nd module (part 2)

    2nd module (part 2)

    Ruth Rias Sabanate · 19問 · 1年前

    2nd module (part 2)

    2nd module (part 2)

    19問 • 1年前
    Ruth Rias Sabanate

    2nd Module (Part 3)

    2nd Module (Part 3)

    Ruth Rias Sabanate · 16問 · 1年前

    2nd Module (Part 3)

    2nd Module (Part 3)

    16問 • 1年前
    Ruth Rias Sabanate

    Key Philosophers

    Key Philosophers

    Ruth Rias Sabanate · 9問 · 1年前

    Key Philosophers

    Key Philosophers

    9問 • 1年前
    Ruth Rias Sabanate

    Last Module

    Last Module

    Ruth Rias Sabanate · 17問 · 1年前

    Last Module

    Last Module

    17問 • 1年前
    Ruth Rias Sabanate

    Last (2)

    Last (2)

    Ruth Rias Sabanate · 16問 · 1年前

    Last (2)

    Last (2)

    16問 • 1年前
    Ruth Rias Sabanate

    Cognitive Development pf Students

    Cognitive Development pf Students

    Ruth Rias Sabanate · 12問 · 1年前

    Cognitive Development pf Students

    Cognitive Development pf Students

    12問 • 1年前
    Ruth Rias Sabanate

    問題一覧

  • 1

    Over time, ___ plays developed more intricate plots and adopted a four- to five-act structure

    Shadow Puppet

  • 2

    With its historical roots in shadow puppetry, reflects a unique approach to performance art, emphasizing fantasy and adventure rather than contemporary political issues.

    Chinese Theatre

  • 3

    It boasts a rich and extensive history, beginning around 1500 BCE.

    Chinese Theatre

  • 4

    Early performances featured a blend of music, clowning, and acrobatics, evolving into a significant form of shadow puppetry

    Chinese Theatre

  • 5

    The earliest documented theatre involved simple performances incorporating music and acrobatics. This led to the development of __

    Shadow Puppetry

  • 6

    Originating from the south, these puppets are larger and made from thick leather, producing strong shadows. Colors carry symbolic meanings, such as black for honesty and red for bravery.

    Cantonese

  • 7

    From the north, these puppets are smaller, crafted from thin leather that creates more translucent shadows. They use vibrant paints for colorful projections. Features and Superstition

    Pekingese

  • 8

    Puppet heads were removable to prevent superstitions that they might come to life if left on. Heads were often stored separately to avoid this belief, which caused fear and fascination, particularly among children.

    Puppet Construction