問題一覧
1
what are the most common visual arts?
painting, sculpture, architecture
2
art of creating meaningful effects on a flat surface by the use of pigments.
painting
3
7 types of paintings
watercolor, fresco, tempera, pastel, encaustic, oil, acrylic
4
an artwork is common in Gothic cathedrals and churches.
stained glass
5
it is made by combining small pieces of colored glass, held together by bands of lead.
stained glass
6
it is also a kind of patchwork.
stained glass
7
a fabric produced by hand-weaving colored threads upon a warp.
tapestry
8
during the Middle Ages, they were hung on the walls of palaces and in cathedrals on festive occasions to provide warmth.
tapestry
9
it is the most fundamental of all skills necessary in arts.
drawing
10
_____ can also be used to make drawings more life-like and realistic.
shadows
11
carbonaceous material obtained by heating wood or other organic substances in the absence of oxygen.
charcoal
12
it is used in representing broad masses of light and shadow.
charcoal
13
_____ is a brown pigment extracted from the soot of wood, and often used in pen and wash drawings.
bistre
14
_____ are pigments bound by wax and compressed into painted sticks.
crayons
15
anything printed on a surface that is a direct result from the duplication process.print
16
a surface printing done from an almost smooth surface which has been treated chemically.
lithography
17
lithographic painting, is also known as _____.
planographic process
18
this involves the process in which grease repels water and fatty substances stick to each other.
planographic process
19
hard and brittle substance formed from mineral and earth material.
stone
20
is a fine stone, usually colored green, and used widely in Ancient China.
jade
21
it is believed to symbolize virtues such as faithfulness, wisdom, and charity.
jade
22
it comes from the main parts of tusks of elephants, is the hard white substance used to make carvings and billiard balls.
ivory
23
______ composed of lime, sand, and water.
plaster
24
a natural earthy material that is plastic when wet. It consists essentially of hydrated silicates of aluminum and is used for making bricks and ceramics.
clay
25
a medium that is hard, brittle, non-crystalline, more or less transparent substances produced by fusion, usually consisting of mutually dissolved silica and silicates and contains soda and lime.
glass
26
a medium is easier to carve than any other mediums available because it can be subjected into a variety of treatment.
wood
27
it is the art of designing a building and supervising its construction.
architecture
28
This kind of lines express ideas of calmness, repose, and serenity.
horizontal lines
29
This kind of lines suggests poise, balance, force, aspiration, exaltation and dynamism.
vertical lines
30
This kind of lines convey a feeling of movement.
diagonal lines
31
This kind of lines suggest grace, subtleness, instability, movement, flexibility, joyousness, and grace.
curved lines
32
This kind of lines express energy, violence, conflict, and struggle.
crooked and jagged lines
33
It is the dimension of color that gives color its name.
hue
34
it is a property of light.
color
35
warmest color
red
36
sometimes called chiaroscuro.
value
37
it refers to the lightness and darkness of color.
value
38
refers to its brightness or darkness. it gives color strength.
intensity
39
an element that deals more directly with the sense of touch. It has to do with the characteristic of surfaces which can be rough or smooth, fine or coarse, shiny or dull, plain or irregular.
texture
40
_____ deals with the effect of distance upon the appearance of objects, by means of which the eye judges spatial relationships.
prespective
41
______ enables us to perceive distance and to see the position of objects in space.
perspective
42
_____ is the representation of an appearance of distance by means of converging lines.
linear perspective
43
_____ is the representation of relative distances of objects by gradations of tone and color.
aerial perspective
44
describes the structure or shape of an object.
form
45
refers to the amount of space occupied in three dimensions.
volume
46
This medium is used extensively in making manikins, models, molds, architectural decorations, and other indoor sculpture.
plaster
47
This is what is fulfilled when a work of architecture is endowed with rich beauty and interest.
emotional needs
48
One characteristic of this medium that makes it popular to sculptors despite its other limitations is its resistance to atmospheric corrosion.
brass
49
This medium in drawing popular in the Renaissance period is where artists use a silver stylus to produce a thin grayish on specially prepared paper.
silverpoint
50
Earthware, commonly referred to as terra cotta are also called _____.
baked earth
51
One effects of color values is that rooms can be made to appear higher by _____.
painting the ceiling with light painting the ceiling with light colors
52
When we say the flower is yellow, we are naming its hue.
true
53
pink is a shade of red and maroon is a tint of red.
false
54
Bistre is a brown pigment extracted from the soot of wood, and often used in pen and wash drawings.
true
55
Ivory is a medium in sculpture that is believed to symbolize virtues such as faithfulness, wisdom and charity.
false
56
Linear perspective is when objects become fainter in the distance due to the effect to the atmosphere.
false
57
The guiding principle, "form follows function" in sculpture means that the inner content of purpose or function governs the outer appearance.
false
58
Value, sometimes called chiaroscuro, refers to the lightness or darkness of a color.
true
59
They are those arts that represent objects that are commonly recognized by most people. Portraying the subject as it is.
representational or objective art
60
still life, also known as its French title.
nature morte
61
painting is a piece that features an arrangement of inanimate objects as its subject.
still life
62
a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant.
portrait
63
arts without any reference to anything outside itself (without representation).
non- representational or non-objective art
64
a person who performs any of the creative arts.
artist
65
a skilled worker who makes things by hand.
artisan
66
a person who performs any of the creative arts.
artist
67
Artists focus on accessorizing and functionality more than aesthetics while artisans focus on creating aesthetically pleasing works.
false
68
These are the materials which are used by an artist to interpret his feelings or thoughts.
medium
69
art forms that create works that are primarily visual in nature, whose mediums can be seen and which occupy space.
visual arts
70
those whose mediums can be heard and which are expressed in time. these are music and literature.
auditory arts
71
those whose mediums can be both seen and heard and which exist in both space and time. these include dance, opera, drama, and film.
combined arts
72
an art form which depicts a significant event and is presented before an audience.
combined arts
73
Combined arts are those whose mediums can be seen and which occupy space.
true
74
_____ is the manner in which the artist controls his medium to achieve the desired effect.
techniques
75
Technique has something to do with how an artist fulfills the technical requirements of his/her art and of the way he/she manipulates his/her medium to express his/her ideas in his/her artwork.
true
76
an economic ecosystem that relies not only on supply and demand but also on the fabrication of a work's predicted future monetary and/or cultural value.
art market
77
someone employed by a museum or gallery to manage a collection of artworks or artefacts.
curator
78
someone more directly responsible for the physical well-being of the actual piece being added to the collection.
conservator
79
Conservators are the ones who often represent the museum. They can be called on to answer questions about the history of a given piece of art or artifact.
false
80
A curator must have an eye for popular trends that are developing so he/she can determine whether there will be a market for a specific art or not.
false
81
someone whose job it is to purchase art.
art buyer
82
someone who buys and sells works of arts.
art dealer
83
An art dealer is the middleman between the artists and people or institutions looking to acquire work of arts: art collectors, galleries or museums.
true
84
Assimilation is the stage in the creative process where you feel initial stages of excitement, keen interest, and freshness which fuels you to start working on an artwork.
false
85
This stage is characterised with a burst of energy. A new idea, a new job, the first days of your diet, when your team sets a new goal, the first weeks of a new relationship.
germination
86
“During the initial stages excitement, keen interest, and freshness abound. It is a time for generating action. Great insight, realisation, enthusiasm, change, and a sense of power often occur.”
germination
87
The most crucial stage of the creative process. The initial energy that you got in germination is over and you are now in the stage of growth and development.
assimilation
88
“During this stage, you are internalising the vision, making it a part of yourself. You begin to have insights, ideas, connections, and added momentum. Your creation begins to take shape. It becomes more and more tangible.”
assimilation
89
The final stage of the creative process, which in its simplest form means finishing your creation and bringing it to full fruition.
completion
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問題一覧
1
what are the most common visual arts?
painting, sculpture, architecture
2
art of creating meaningful effects on a flat surface by the use of pigments.
painting
3
7 types of paintings
watercolor, fresco, tempera, pastel, encaustic, oil, acrylic
4
an artwork is common in Gothic cathedrals and churches.
stained glass
5
it is made by combining small pieces of colored glass, held together by bands of lead.
stained glass
6
it is also a kind of patchwork.
stained glass
7
a fabric produced by hand-weaving colored threads upon a warp.
tapestry
8
during the Middle Ages, they were hung on the walls of palaces and in cathedrals on festive occasions to provide warmth.
tapestry
9
it is the most fundamental of all skills necessary in arts.
drawing
10
_____ can also be used to make drawings more life-like and realistic.
shadows
11
carbonaceous material obtained by heating wood or other organic substances in the absence of oxygen.
charcoal
12
it is used in representing broad masses of light and shadow.
charcoal
13
_____ is a brown pigment extracted from the soot of wood, and often used in pen and wash drawings.
bistre
14
_____ are pigments bound by wax and compressed into painted sticks.
crayons
15
anything printed on a surface that is a direct result from the duplication process.print
16
a surface printing done from an almost smooth surface which has been treated chemically.
lithography
17
lithographic painting, is also known as _____.
planographic process
18
this involves the process in which grease repels water and fatty substances stick to each other.
planographic process
19
hard and brittle substance formed from mineral and earth material.
stone
20
is a fine stone, usually colored green, and used widely in Ancient China.
jade
21
it is believed to symbolize virtues such as faithfulness, wisdom, and charity.
jade
22
it comes from the main parts of tusks of elephants, is the hard white substance used to make carvings and billiard balls.
ivory
23
______ composed of lime, sand, and water.
plaster
24
a natural earthy material that is plastic when wet. It consists essentially of hydrated silicates of aluminum and is used for making bricks and ceramics.
clay
25
a medium that is hard, brittle, non-crystalline, more or less transparent substances produced by fusion, usually consisting of mutually dissolved silica and silicates and contains soda and lime.
glass
26
a medium is easier to carve than any other mediums available because it can be subjected into a variety of treatment.
wood
27
it is the art of designing a building and supervising its construction.
architecture
28
This kind of lines express ideas of calmness, repose, and serenity.
horizontal lines
29
This kind of lines suggests poise, balance, force, aspiration, exaltation and dynamism.
vertical lines
30
This kind of lines convey a feeling of movement.
diagonal lines
31
This kind of lines suggest grace, subtleness, instability, movement, flexibility, joyousness, and grace.
curved lines
32
This kind of lines express energy, violence, conflict, and struggle.
crooked and jagged lines
33
It is the dimension of color that gives color its name.
hue
34
it is a property of light.
color
35
warmest color
red
36
sometimes called chiaroscuro.
value
37
it refers to the lightness and darkness of color.
value
38
refers to its brightness or darkness. it gives color strength.
intensity
39
an element that deals more directly with the sense of touch. It has to do with the characteristic of surfaces which can be rough or smooth, fine or coarse, shiny or dull, plain or irregular.
texture
40
_____ deals with the effect of distance upon the appearance of objects, by means of which the eye judges spatial relationships.
prespective
41
______ enables us to perceive distance and to see the position of objects in space.
perspective
42
_____ is the representation of an appearance of distance by means of converging lines.
linear perspective
43
_____ is the representation of relative distances of objects by gradations of tone and color.
aerial perspective
44
describes the structure or shape of an object.
form
45
refers to the amount of space occupied in three dimensions.
volume
46
This medium is used extensively in making manikins, models, molds, architectural decorations, and other indoor sculpture.
plaster
47
This is what is fulfilled when a work of architecture is endowed with rich beauty and interest.
emotional needs
48
One characteristic of this medium that makes it popular to sculptors despite its other limitations is its resistance to atmospheric corrosion.
brass
49
This medium in drawing popular in the Renaissance period is where artists use a silver stylus to produce a thin grayish on specially prepared paper.
silverpoint
50
Earthware, commonly referred to as terra cotta are also called _____.
baked earth
51
One effects of color values is that rooms can be made to appear higher by _____.
painting the ceiling with light painting the ceiling with light colors
52
When we say the flower is yellow, we are naming its hue.
true
53
pink is a shade of red and maroon is a tint of red.
false
54
Bistre is a brown pigment extracted from the soot of wood, and often used in pen and wash drawings.
true
55
Ivory is a medium in sculpture that is believed to symbolize virtues such as faithfulness, wisdom and charity.
false
56
Linear perspective is when objects become fainter in the distance due to the effect to the atmosphere.
false
57
The guiding principle, "form follows function" in sculpture means that the inner content of purpose or function governs the outer appearance.
false
58
Value, sometimes called chiaroscuro, refers to the lightness or darkness of a color.
true
59
They are those arts that represent objects that are commonly recognized by most people. Portraying the subject as it is.
representational or objective art
60
still life, also known as its French title.
nature morte
61
painting is a piece that features an arrangement of inanimate objects as its subject.
still life
62
a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant.
portrait
63
arts without any reference to anything outside itself (without representation).
non- representational or non-objective art
64
a person who performs any of the creative arts.
artist
65
a skilled worker who makes things by hand.
artisan
66
a person who performs any of the creative arts.
artist
67
Artists focus on accessorizing and functionality more than aesthetics while artisans focus on creating aesthetically pleasing works.
false
68
These are the materials which are used by an artist to interpret his feelings or thoughts.
medium
69
art forms that create works that are primarily visual in nature, whose mediums can be seen and which occupy space.
visual arts
70
those whose mediums can be heard and which are expressed in time. these are music and literature.
auditory arts
71
those whose mediums can be both seen and heard and which exist in both space and time. these include dance, opera, drama, and film.
combined arts
72
an art form which depicts a significant event and is presented before an audience.
combined arts
73
Combined arts are those whose mediums can be seen and which occupy space.
true
74
_____ is the manner in which the artist controls his medium to achieve the desired effect.
techniques
75
Technique has something to do with how an artist fulfills the technical requirements of his/her art and of the way he/she manipulates his/her medium to express his/her ideas in his/her artwork.
true
76
an economic ecosystem that relies not only on supply and demand but also on the fabrication of a work's predicted future monetary and/or cultural value.
art market
77
someone employed by a museum or gallery to manage a collection of artworks or artefacts.
curator
78
someone more directly responsible for the physical well-being of the actual piece being added to the collection.
conservator
79
Conservators are the ones who often represent the museum. They can be called on to answer questions about the history of a given piece of art or artifact.
false
80
A curator must have an eye for popular trends that are developing so he/she can determine whether there will be a market for a specific art or not.
false
81
someone whose job it is to purchase art.
art buyer
82
someone who buys and sells works of arts.
art dealer
83
An art dealer is the middleman between the artists and people or institutions looking to acquire work of arts: art collectors, galleries or museums.
true
84
Assimilation is the stage in the creative process where you feel initial stages of excitement, keen interest, and freshness which fuels you to start working on an artwork.
false
85
This stage is characterised with a burst of energy. A new idea, a new job, the first days of your diet, when your team sets a new goal, the first weeks of a new relationship.
germination
86
“During the initial stages excitement, keen interest, and freshness abound. It is a time for generating action. Great insight, realisation, enthusiasm, change, and a sense of power often occur.”
germination
87
The most crucial stage of the creative process. The initial energy that you got in germination is over and you are now in the stage of growth and development.
assimilation
88
“During this stage, you are internalising the vision, making it a part of yourself. You begin to have insights, ideas, connections, and added momentum. Your creation begins to take shape. It becomes more and more tangible.”
assimilation
89
The final stage of the creative process, which in its simplest form means finishing your creation and bringing it to full fruition.
completion