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Physical Self

Physical Self
38問 • 2年前
  • Algen Ipanag III
  • 通報

    問題一覧

  • 1

    One's _____ are crucial

    physical features

  • 2

    The physical self is shaped by_______________________ and is surrounded by issues associated with health, hygiene, nutrition, and beauty standards, among others.

    biological and environmental factors

  • 3

    There is always a ______ in our society to look good.

    pressure

  • 4

    Who said, "Our biology dictates that our looks are a result of the genes transferred to us by out parents." ?

    gregor mendel

  • 5

    Women are placed in these special rooms to prepare them for womanhood.

    fattening room

  • 6

    Being ___ is a sign of prosperity, fertility, and beauty according to Nigeria.

    fat

  • 7

    In the philippines, _______ signifies the value of the people in society.

    skin color

  • 8

    our concept of attractiveness even today.

    eurocentric perspective

  • 9

    there is something wrong with the shape or appearance of a body part

    body dysmorphic disorder

  • 10

    BMI of at least 15% lesser than normal

    anorexia

  • 11

    BMI of same or larger than normal

    bulimia

  • 12

    this disorder limits eating

    anorexia

  • 13

    this disorder is binge eating then does a compensatory behavior such as vomiting

    bulimia

  • 14

    beauty in diversity, requires a culture of ____

    resistance

  • 15

    The “self” presented online can be regarded as one’s “extended self”.

    virtual self

  • 16

    Physical level

    real life reality

  • 17

    Copy reality as closely as we can, representation of real world

    simulation

  • 18

    Real life unreal, simultaneously interacting

    augmented reality

  • 19

    Complete detachment from reality

    virtual reality

  • 20

    inability to distinguish the real, imagination

    hyperreality

  • 21

    person behind dramaturgy of the self

    erving goffman

  • 22

    Performer’s consciousness that there is an audience and their expectations of them influence or impact the performance.

    front stage

  • 23

    This is where the performer can relax and be themselves, away from the prying eyes of the crowd.

    back stage

  • 24

    They meet audience members completely independent or separate from the performance.

    off stage

  • 25

    region when people’scarefully-constructed digital selves engage in online activities

    front stage

  • 26

    when someone logs out and momentarily abstains from social media use.

    back stage

  • 27

    when people meet up with people they only know on the internet,

    off stage

  • 28

    who said, “Choose your self-presentations carefully, for what starts out as a mask may become your face.” ?

    erving goffman

  • 29

    Individuals tend to act out more intensely and openly in virtual interactions.

    impression management

  • 30

    Removal of social inhibitions and/or restrictions imposed upon people’s behavior when engaging in the web.

    online disinhibition effect

  • 31

    “People don’t know me”. confidence you feel whenever you anonymously engage in online activities.

    Dissociative Anonymity

  • 32

    act of communicating wherein sender does not openly reveal his/her identity; for protection and accountability. (ASK.fm,whistleblowers).

    anonymity

  • 33

    alter, stylized, or refashioned one.

    pseudonymity

  • 34

    “People can’t see me”. come across as an entirely different person. alter your virtual avatar’s personality and even appearance

    invisibility

  • 35

    “See you when I see you”. luxury of time delay, you do not need to be physically present, more relaxed in dealing with people online.

    Asynchronicity

  • 36

    “It’s all in the mind”. you unconsciously recite the messages you send you think of your voice when you read the messages.

    Solipsistic Introjection

  • 37

    “It’s all a play”. faulty belief that online interaction is a game rules you can easily break with no perceived implications.

    Dissociative Imagination

  • 38

    “Your rules don’t work online”. The internet levels the playing field, people are perceived to be equals.

    Minimization of status and authority

  • PMLS General History

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    Algen Ipanag III · 37問 · 2年前

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    37問 • 2年前
    Algen Ipanag III

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    Algen Ipanag III · 20問 · 2年前

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    Algen Ipanag III · 6問 · 2年前

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    6問 • 2年前
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    HORMONES

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    Algen Ipanag III · 13問 · 2年前

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    問題一覧

  • 1

    One's _____ are crucial

    physical features

  • 2

    The physical self is shaped by_______________________ and is surrounded by issues associated with health, hygiene, nutrition, and beauty standards, among others.

    biological and environmental factors

  • 3

    There is always a ______ in our society to look good.

    pressure

  • 4

    Who said, "Our biology dictates that our looks are a result of the genes transferred to us by out parents." ?

    gregor mendel

  • 5

    Women are placed in these special rooms to prepare them for womanhood.

    fattening room

  • 6

    Being ___ is a sign of prosperity, fertility, and beauty according to Nigeria.

    fat

  • 7

    In the philippines, _______ signifies the value of the people in society.

    skin color

  • 8

    our concept of attractiveness even today.

    eurocentric perspective

  • 9

    there is something wrong with the shape or appearance of a body part

    body dysmorphic disorder

  • 10

    BMI of at least 15% lesser than normal

    anorexia

  • 11

    BMI of same or larger than normal

    bulimia

  • 12

    this disorder limits eating

    anorexia

  • 13

    this disorder is binge eating then does a compensatory behavior such as vomiting

    bulimia

  • 14

    beauty in diversity, requires a culture of ____

    resistance

  • 15

    The “self” presented online can be regarded as one’s “extended self”.

    virtual self

  • 16

    Physical level

    real life reality

  • 17

    Copy reality as closely as we can, representation of real world

    simulation

  • 18

    Real life unreal, simultaneously interacting

    augmented reality

  • 19

    Complete detachment from reality

    virtual reality

  • 20

    inability to distinguish the real, imagination

    hyperreality

  • 21

    person behind dramaturgy of the self

    erving goffman

  • 22

    Performer’s consciousness that there is an audience and their expectations of them influence or impact the performance.

    front stage

  • 23

    This is where the performer can relax and be themselves, away from the prying eyes of the crowd.

    back stage

  • 24

    They meet audience members completely independent or separate from the performance.

    off stage

  • 25

    region when people’scarefully-constructed digital selves engage in online activities

    front stage

  • 26

    when someone logs out and momentarily abstains from social media use.

    back stage

  • 27

    when people meet up with people they only know on the internet,

    off stage

  • 28

    who said, “Choose your self-presentations carefully, for what starts out as a mask may become your face.” ?

    erving goffman

  • 29

    Individuals tend to act out more intensely and openly in virtual interactions.

    impression management

  • 30

    Removal of social inhibitions and/or restrictions imposed upon people’s behavior when engaging in the web.

    online disinhibition effect

  • 31

    “People don’t know me”. confidence you feel whenever you anonymously engage in online activities.

    Dissociative Anonymity

  • 32

    act of communicating wherein sender does not openly reveal his/her identity; for protection and accountability. (ASK.fm,whistleblowers).

    anonymity

  • 33

    alter, stylized, or refashioned one.

    pseudonymity

  • 34

    “People can’t see me”. come across as an entirely different person. alter your virtual avatar’s personality and even appearance

    invisibility

  • 35

    “See you when I see you”. luxury of time delay, you do not need to be physically present, more relaxed in dealing with people online.

    Asynchronicity

  • 36

    “It’s all in the mind”. you unconsciously recite the messages you send you think of your voice when you read the messages.

    Solipsistic Introjection

  • 37

    “It’s all a play”. faulty belief that online interaction is a game rules you can easily break with no perceived implications.

    Dissociative Imagination

  • 38

    “Your rules don’t work online”. The internet levels the playing field, people are perceived to be equals.

    Minimization of status and authority