heri 6-11
問題一覧
1
causes rapid flow of people, products and information, which menaces the minority society, particularly their cultural heritage.
Globalization
2
Study shows that many indigenous languages and cultures are on the verge of becoming extinct due to _______.
globalization
3
PRIMARY THREATS TO CULTURAL HERITAGE
BUILDINGS AND DEVELOPMENT, LOCAL CONDITIONS AFFECTING LOCAL FABRIC, SOCIAL/ CULTURAL USES OF HERITAGE, UTILITIES OR SERVICE INFRASTRUCTURE, OTHER HUMAN ACTIVITIES, PHYSICAL RESOURCE EXTRACTION, SUDDEN ECOLOGICAL OR GEOLOGICAL EVENTS, POLLUTION, MANAGEMENT AND INSTITUTIONAL FACTORS, CLIMATE CHANGE AND SEVERE WEATHER EVENTS
4
INTERNATIONAL ORGANIZATIONS ON HISTORICAL PRESERVATION
UNESCO, (The Venice Charter 1964) International Charter for the Conservation and Restoration of Monuments and Sites, ICOMOS, ICCROM, BURRA CHARTER, NARA DOCUMENT ON AUTHENTICITY
5
UNESCO
United Nations Educational, Scientific and Cultural Organization
6
“Heritage is our legacy from the past, what we live with today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration”.
UNESCO
7
seeks to encourage the identification, protection and preservation of cultural and natural heritage around the world considered to be of outstanding value to humanity.
UNESCO
8
Imbued with a message from the past, the historic monuments of generations of people remain to the present day as living witnesses of their age-old traditions.
International Charter for the Conservation and Restoration of Monuments and Sites
9
People are becoming more and more conscious of the unity of human values and regard ancient monuments as a common heritage. The common responsibility to safeguard them for future generations is recognized. It is our duty to hand them on in the full richness of their authenticity.
(The Venice Charter 1964) International Charter for the Conservation and Restoration of Monuments and Sites
10
has pioneered the way since Athens Charter 1931
ICOMOS
11
ICOMOS
International Council on Monuments and Sites
12
works for the conservation and protection of cultural heritage. It is only global non-government organization of this kind which is dedicated promoting application of theory methodology, And scientific techniques to conservation of architectural and archeological heritage.
ICOMOS
13
is a network of experts that benefits from the interdisciplinary exchange of its members, among which are Architects, Historians, Archaeologist, Geographers, Engineers and Urban planners.
ICOMOS
14
ICCROM
International Charter for the Conservation and Restoration of Monuments
15
is an intergovernmental organization working in service to its Member States to promote the conservation of all forms of cultural heritage in every region of the world.
ICCROM
16
has partnered with Member States to support them in safeguarding heritage within their borders and beyond.
ICCROM
17
Working at the international and governmental levels, and with institutions and professionals on the ground, the organization engages and informs new generations of professionals and the general public with an interest in heritage.
ICCROM
18
is an Advisory Body; non-governmental organizations such as ICOMOS, ICOM, ICA and IIC; and scientific institutes and universities in Member States.
ICCROM
19
is a document published by the Australian ICOMOS which defines the basic principles and procedures to be followed in the conservation of Australian heritage places.
Burra Charter
20
was first endorsed in 1979 as an Australian adaptation of the Venice Charter, but with the introduction of a new analytical conservation model of heritage assessment that recognized forms of cultural heritage beyond tangible and physical forms.
Burra Charter
21
was the first national heritage document to replace the Venice Charter as the basis of national heritage practice.
Burra Charter
22
is a document that addresses the need for a broader understanding of cultural diversity and cultural heritage in relation to conservation in order to evaluate the value and authenticity of cultural property more objectively.
Nara Document on Authenticity
23
It was drafted by 45 representatives from 28 countries after their deliberation on the definition and assessment of authenticity during the Nara Conference held in Nara, Japan in November 1994.
Nara Document on Authenticity
24
NHCP
National Historical Commission of the Philippines
25
by virtue of Republic Act 10086, is responsible for the conservation and preservation of the country’s historical legacies. Its major thrusts encompass an ambitious cultural program on historical studies, curatorial works, architectural conservation, Philippine heraldry, historical information dissemination activities, restoration and preservation of relics and memorabilia of heroes and other renowned Filipinos.
NHCP
26
undertakes the commemoration of significant events and personages in Philippine history and safeguard the blazoning of the national government and its political divisions and instrumentalities. Its five divisions are Finance and Administrative; Historic Preservation; Historic Sites and Education; Research, Publications and Heraldry; and Materials Research Conservation.
NHCP
27
it "aims to inculcate awareness and appreciation of the noble deeds and ideals of our heroes and other illustrious Filipinos, to instill pride in the Filipino people and to rekindle the Filipino spirit through the lessons of history.
NHCP
28
was created by U.S. Governor General Frank Murphy, by Executive Order 451, to identify and mark "historic antiquities" in Manila as a first step towards their preservation
Philippine Historical Research and Markers Committee
29
The installation of _______ were first limited to identify antiquities in Manila; however, the commission's mandate was later expanded to cover the whole of the Philippines.
markers
30
Philippine Historical Research and Markers Committee
1933
31
Philippines Historical Committee
1935
32
National Historical Commission
1965
33
National Historical Institute
1972
34
National Historical Commission of the Philippines
2010
35
is an umbrella government organization that oversees a number of national museums in the Philippines including ethnographic, anthropological, archaeological, and visual arts collections.
National Museum of the Philippines
36
The National Museum of the Philippines can trace its history to the establishment of the _________, established by a royal order of the Spanish government on August 12, 1887.
Museo- Biblioteca de Filipinas
37
The Museo-Biblioteca opened on _________ at the Casa de la Moneda on Calle Cabildo in Intramuros, then home of the Philippine Mint, later moving to Calle Gunao in Quiapo.
October 24, 1891
38
The ________ is home to 29 galleries and hallway exhibitions comprising of 19th century Filipino masters, National Artists, leading modern painters, sculptors, and printmakers.
National Museum of Fine Arts
39
The _________ stages the Philippine ethnographic and terrestrial and underwater archaeological collections narrating the story of the Philippines from the past, as presented through artifacts as evidences of its pre- history.
National Museum of Anthropology
40
The __________ houses 12 permanent galleries that exhibit the rich biological and geological diversity of the Philippines. It includes creatively curated displays of botanical, zoological, and geological specimens that represent our unique natural history. Situated at the center of the museum is a “Tree of Life” structure that proudly connects all the unique ecosystems in the Philippines, from our magnificent mountain ridges to the outstanding marine reefs
National Museum of Natural History
41
The National Museum of the Philippines maintains _______, ________ and ________ museums all over the country. There are 16 NMP-run museums outside of the National Capital Region (NCR).
regional, area and site
42
The ________ was established to disseminate astronomical information through various platforms and technology, such as full- dome digital and mobile planetarium shows, lectures, demonstrations, exhibitions, and actual celestial observations.
National Planetarium
43
The gallery at the National Planetarium entitled “____________” focuses not only in modern astronomy but primarily in ethnoastronomy practices used by our Filipino cultural communities.
Filipino Life Guided by Skies
NBC 1-5
NBC 1-5
DHANE JOAN NICOLE QUIDLAT · 100問 · 2年前NBC 1-5
NBC 1-5
100問 • 2年前NBC 6-8
NBC 6-8
DHANE JOAN NICOLE QUIDLAT · 100問 · 2年前NBC 6-8
NBC 6-8
100問 • 2年前NBC
NBC
DHANE JOAN NICOLE QUIDLAT · 19問 · 2年前NBC
NBC
19問 • 2年前utl
utl
DHANE JOAN NICOLE QUIDLAT · 100問 · 1年前utl
utl
100問 • 1年前utl2
utl2
DHANE JOAN NICOLE QUIDLAT · 13問 · 1年前utl2
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13問 • 1年前NBC 13-20
NBC 13-20
DHANE JOAN NICOLE QUIDLAT · 51問 · 1年前NBC 13-20
NBC 13-20
51問 • 1年前BP344
BP344
DHANE JOAN NICOLE QUIDLAT · 49問 · 1年前BP344
BP344
49問 • 1年前heri 1-3
heri 1-3
DHANE JOAN NICOLE QUIDLAT · 57問 · 1年前heri 1-3
heri 1-3
57問 • 1年前heri 4-6
heri 4-6
DHANE JOAN NICOLE QUIDLAT · 52問 · 1年前heri 4-6
heri 4-6
52問 • 1年前9266
9266
DHANE JOAN NICOLE QUIDLAT · 93問 · 1年前9266
9266
93問 • 1年前9266.2
9266.2
DHANE JOAN NICOLE QUIDLAT · 25問 · 1年前9266.2
9266.2
25問 • 1年前nhcp
nhcp
DHANE JOAN NICOLE QUIDLAT · 41問 · 1年前nhcp
nhcp
41問 • 1年前問題一覧
1
causes rapid flow of people, products and information, which menaces the minority society, particularly their cultural heritage.
Globalization
2
Study shows that many indigenous languages and cultures are on the verge of becoming extinct due to _______.
globalization
3
PRIMARY THREATS TO CULTURAL HERITAGE
BUILDINGS AND DEVELOPMENT, LOCAL CONDITIONS AFFECTING LOCAL FABRIC, SOCIAL/ CULTURAL USES OF HERITAGE, UTILITIES OR SERVICE INFRASTRUCTURE, OTHER HUMAN ACTIVITIES, PHYSICAL RESOURCE EXTRACTION, SUDDEN ECOLOGICAL OR GEOLOGICAL EVENTS, POLLUTION, MANAGEMENT AND INSTITUTIONAL FACTORS, CLIMATE CHANGE AND SEVERE WEATHER EVENTS
4
INTERNATIONAL ORGANIZATIONS ON HISTORICAL PRESERVATION
UNESCO, (The Venice Charter 1964) International Charter for the Conservation and Restoration of Monuments and Sites, ICOMOS, ICCROM, BURRA CHARTER, NARA DOCUMENT ON AUTHENTICITY
5
UNESCO
United Nations Educational, Scientific and Cultural Organization
6
“Heritage is our legacy from the past, what we live with today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration”.
UNESCO
7
seeks to encourage the identification, protection and preservation of cultural and natural heritage around the world considered to be of outstanding value to humanity.
UNESCO
8
Imbued with a message from the past, the historic monuments of generations of people remain to the present day as living witnesses of their age-old traditions.
International Charter for the Conservation and Restoration of Monuments and Sites
9
People are becoming more and more conscious of the unity of human values and regard ancient monuments as a common heritage. The common responsibility to safeguard them for future generations is recognized. It is our duty to hand them on in the full richness of their authenticity.
(The Venice Charter 1964) International Charter for the Conservation and Restoration of Monuments and Sites
10
has pioneered the way since Athens Charter 1931
ICOMOS
11
ICOMOS
International Council on Monuments and Sites
12
works for the conservation and protection of cultural heritage. It is only global non-government organization of this kind which is dedicated promoting application of theory methodology, And scientific techniques to conservation of architectural and archeological heritage.
ICOMOS
13
is a network of experts that benefits from the interdisciplinary exchange of its members, among which are Architects, Historians, Archaeologist, Geographers, Engineers and Urban planners.
ICOMOS
14
ICCROM
International Charter for the Conservation and Restoration of Monuments
15
is an intergovernmental organization working in service to its Member States to promote the conservation of all forms of cultural heritage in every region of the world.
ICCROM
16
has partnered with Member States to support them in safeguarding heritage within their borders and beyond.
ICCROM
17
Working at the international and governmental levels, and with institutions and professionals on the ground, the organization engages and informs new generations of professionals and the general public with an interest in heritage.
ICCROM
18
is an Advisory Body; non-governmental organizations such as ICOMOS, ICOM, ICA and IIC; and scientific institutes and universities in Member States.
ICCROM
19
is a document published by the Australian ICOMOS which defines the basic principles and procedures to be followed in the conservation of Australian heritage places.
Burra Charter
20
was first endorsed in 1979 as an Australian adaptation of the Venice Charter, but with the introduction of a new analytical conservation model of heritage assessment that recognized forms of cultural heritage beyond tangible and physical forms.
Burra Charter
21
was the first national heritage document to replace the Venice Charter as the basis of national heritage practice.
Burra Charter
22
is a document that addresses the need for a broader understanding of cultural diversity and cultural heritage in relation to conservation in order to evaluate the value and authenticity of cultural property more objectively.
Nara Document on Authenticity
23
It was drafted by 45 representatives from 28 countries after their deliberation on the definition and assessment of authenticity during the Nara Conference held in Nara, Japan in November 1994.
Nara Document on Authenticity
24
NHCP
National Historical Commission of the Philippines
25
by virtue of Republic Act 10086, is responsible for the conservation and preservation of the country’s historical legacies. Its major thrusts encompass an ambitious cultural program on historical studies, curatorial works, architectural conservation, Philippine heraldry, historical information dissemination activities, restoration and preservation of relics and memorabilia of heroes and other renowned Filipinos.
NHCP
26
undertakes the commemoration of significant events and personages in Philippine history and safeguard the blazoning of the national government and its political divisions and instrumentalities. Its five divisions are Finance and Administrative; Historic Preservation; Historic Sites and Education; Research, Publications and Heraldry; and Materials Research Conservation.
NHCP
27
it "aims to inculcate awareness and appreciation of the noble deeds and ideals of our heroes and other illustrious Filipinos, to instill pride in the Filipino people and to rekindle the Filipino spirit through the lessons of history.
NHCP
28
was created by U.S. Governor General Frank Murphy, by Executive Order 451, to identify and mark "historic antiquities" in Manila as a first step towards their preservation
Philippine Historical Research and Markers Committee
29
The installation of _______ were first limited to identify antiquities in Manila; however, the commission's mandate was later expanded to cover the whole of the Philippines.
markers
30
Philippine Historical Research and Markers Committee
1933
31
Philippines Historical Committee
1935
32
National Historical Commission
1965
33
National Historical Institute
1972
34
National Historical Commission of the Philippines
2010
35
is an umbrella government organization that oversees a number of national museums in the Philippines including ethnographic, anthropological, archaeological, and visual arts collections.
National Museum of the Philippines
36
The National Museum of the Philippines can trace its history to the establishment of the _________, established by a royal order of the Spanish government on August 12, 1887.
Museo- Biblioteca de Filipinas
37
The Museo-Biblioteca opened on _________ at the Casa de la Moneda on Calle Cabildo in Intramuros, then home of the Philippine Mint, later moving to Calle Gunao in Quiapo.
October 24, 1891
38
The ________ is home to 29 galleries and hallway exhibitions comprising of 19th century Filipino masters, National Artists, leading modern painters, sculptors, and printmakers.
National Museum of Fine Arts
39
The _________ stages the Philippine ethnographic and terrestrial and underwater archaeological collections narrating the story of the Philippines from the past, as presented through artifacts as evidences of its pre- history.
National Museum of Anthropology
40
The __________ houses 12 permanent galleries that exhibit the rich biological and geological diversity of the Philippines. It includes creatively curated displays of botanical, zoological, and geological specimens that represent our unique natural history. Situated at the center of the museum is a “Tree of Life” structure that proudly connects all the unique ecosystems in the Philippines, from our magnificent mountain ridges to the outstanding marine reefs
National Museum of Natural History
41
The National Museum of the Philippines maintains _______, ________ and ________ museums all over the country. There are 16 NMP-run museums outside of the National Capital Region (NCR).
regional, area and site
42
The ________ was established to disseminate astronomical information through various platforms and technology, such as full- dome digital and mobile planetarium shows, lectures, demonstrations, exhibitions, and actual celestial observations.
National Planetarium
43
The gallery at the National Planetarium entitled “____________” focuses not only in modern astronomy but primarily in ethnoastronomy practices used by our Filipino cultural communities.
Filipino Life Guided by Skies