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ART APP 3
47問 • 2年前
  • Bernadette Valencia
  • 通報

    問題一覧

  • 1

    is an alternative venue for knowing ourselves and looking into the depths and real meaning of what we are doing for our everyday life

    Soulmaking

  • 2

    it is a form of crafting stories or transforming brief moments into images or symbols

    Soulmaking

  • 3

    it is connecting with people understanding culture and embodying tolerance and peace

    Soulmaking

  • 4

    is an exploration and application of the imagination in an active way

    Soulmaking

  • 5

    an important tool in developing an artwork

    imagination

  • 6

    it is where the substance and the meaning of the artwork are formed. it varies from each individual since each one is dealing with diverse experiences based on what are obtained by the senses

    imagination

  • 7

    it occurs where there is engagement among the person time and space

    Soulmaking

  • 8

    it refers to imaging or representing in any form, which may be through painting, sculpting, drawing, storytelling, poetry, dancing composing or taking notes

    Crafting Images

  • 9

    __ is just like weaving quilting or doing crochet it is not creating works out of nothing.

    Crafting Images

  • 10

    it is rooted in our own personal experiences are personal and counters and events that triggered a reflection recall and judgement

    Crafting Images

  • 11

    the moment we write, engrave, and inscribe our own thoughts, ideas, commentaries, criticism, and positive and negative emotions, we are __

    Crafting Stories

  • 12

    can be presented in any form--image words objects and musical composition

    Stories

  • 13

    our own __ are sacred and important to us in a particular time and moment. these __ become a particular time or moment. these __ we craft become our history that can be handed down to our children and family for the succeeding generations

    Stories

  • 14

    is a bridge towards the unknown because the __ produces sounds that transcend our feelings emotions and sensation in another real

    instrument

  • 15

    the soul is a company by a vessel so that the soul will not vanish. (saan sinabi to?)

    Crafting Instruments

  • 16

    our life is full of movements it is filled with various beats. life is full of flowing images accompanied by flowing narratives

    Crafting Movements

  • 17

    everything we do in life is a performance we perform life. at times we need to post to capture the movements of our energy and the world.

    Crafting Movements

  • 18

    anything can be crafted by using different evocative descriptions of experiences and explorations like photograph studies, puppets and mask, constructions and notepad studies

    Crafting Techniques

  • 19

    the author of how to think like leonardo da vinci

    Michael Gelb

  • 20

    an insatiably curious approach to life and an unrelenting quest for continuous and constant learning

    Curiosità

  • 21

    a commitment and dedication to test knowledge through experience persistence in a willingness to learn from mistakes

    Demostrazione

  • 22

    the continual refinement of the senses especially site as the means to elevine experience

    Sensazione

  • 23

    a willingness to embrace ambiguity paradox and uncertainty

    Sfumato

  • 24

    the development of the balance between science and art logic and imagination whole brain thinking

    Arte/Scienza

  • 25

    the cultivation of grace ambidexterity fitness and poise

    Corporalità

  • 26

    a recognition and appreciation for the interconnectedness of all things and phenomena: systems thinking

    Connessione

  • 27

    generally pertains to the general right of a person or an individual to control an object purchase or in his possession

    Ownership

  • 28

    the owner is allowed to modify it as he find suitable. however this will be different when the object is an artistic work where the ownership is joined between the creator and the buyer READ

    K

  • 29

    give the owner of the copyright--that is the person who created the work-exclusive rights to reproduce, to display publicly, to make and distribute copies, and to prepared derivative works based on the original artwork, as well as to authorize those mentioned above

    Copyright laws

  • 30

    it refers to borrowing images that are recognizable from different sources and using this borrowed images to make a new art form

    Appropriation

  • 31

    mandiberg describes it as a means of experimentation by changing the context around the borrowed images and objects

    Appropriation

  • 32

    to appropriate does not mean stealing or plagiarizing. it is not only a particular work but just using the artwork in the artist new context READ

    K

  • 33

    fundamental way through which human makes sense of the world

    narrative

  • 34

    integral to the poetic impulse represented in cultures funding myths

    narration

  • 35

    study of a young woman author 1665-67

    Johannes Vermeer

  • 36

    Vermeer's Studio author

    Fernando Botero

  • 37

    refers to a specific type or form of intellectual development

    culture

  • 38

    appropriation that occurs across the boundaries of culture

    culture appropriation

  • 39

    this means that a person with a certain culture takes objects created by a person or a group of persons of another culture, and uses this objects as his or her own

    culture appropriation

  • 40

    this refers to appropriation of concrete and noticeable works of art

    Object appropriation

  • 41

    this happens when a tangible work previously owned by people from one culture was taken and adopted by a person or a group of persons from another culture

    Object appropriation

  • 42

    refers to adoption of works of art that are intangible. examples of these works of art are short stories poetry and musical compositions

    Content appropriation

  • 43

    this happens when an intangible work previously expressed by people from one culture was adopted and used by a person or a group of persons from another culture

    Content appropriation

  • 44

    content appreciation can be further categorized into two

    style and motif appropriation

  • 45

    artist involved in __ do not replicate the works created by a person or a group of persons from another culture. however they use the elements from those works from another culture in creating their own works

    Style appropriation

  • 46

    happens when artists are inspired by the art from a different culture but they do not produce artworks using exactly the same style.

    Motif appropriation

  • 47

    occurs when a subject matter from another culture is appropriated

    Subject appropriation

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    問題一覧

  • 1

    is an alternative venue for knowing ourselves and looking into the depths and real meaning of what we are doing for our everyday life

    Soulmaking

  • 2

    it is a form of crafting stories or transforming brief moments into images or symbols

    Soulmaking

  • 3

    it is connecting with people understanding culture and embodying tolerance and peace

    Soulmaking

  • 4

    is an exploration and application of the imagination in an active way

    Soulmaking

  • 5

    an important tool in developing an artwork

    imagination

  • 6

    it is where the substance and the meaning of the artwork are formed. it varies from each individual since each one is dealing with diverse experiences based on what are obtained by the senses

    imagination

  • 7

    it occurs where there is engagement among the person time and space

    Soulmaking

  • 8

    it refers to imaging or representing in any form, which may be through painting, sculpting, drawing, storytelling, poetry, dancing composing or taking notes

    Crafting Images

  • 9

    __ is just like weaving quilting or doing crochet it is not creating works out of nothing.

    Crafting Images

  • 10

    it is rooted in our own personal experiences are personal and counters and events that triggered a reflection recall and judgement

    Crafting Images

  • 11

    the moment we write, engrave, and inscribe our own thoughts, ideas, commentaries, criticism, and positive and negative emotions, we are __

    Crafting Stories

  • 12

    can be presented in any form--image words objects and musical composition

    Stories

  • 13

    our own __ are sacred and important to us in a particular time and moment. these __ become a particular time or moment. these __ we craft become our history that can be handed down to our children and family for the succeeding generations

    Stories

  • 14

    is a bridge towards the unknown because the __ produces sounds that transcend our feelings emotions and sensation in another real

    instrument

  • 15

    the soul is a company by a vessel so that the soul will not vanish. (saan sinabi to?)

    Crafting Instruments

  • 16

    our life is full of movements it is filled with various beats. life is full of flowing images accompanied by flowing narratives

    Crafting Movements

  • 17

    everything we do in life is a performance we perform life. at times we need to post to capture the movements of our energy and the world.

    Crafting Movements

  • 18

    anything can be crafted by using different evocative descriptions of experiences and explorations like photograph studies, puppets and mask, constructions and notepad studies

    Crafting Techniques

  • 19

    the author of how to think like leonardo da vinci

    Michael Gelb

  • 20

    an insatiably curious approach to life and an unrelenting quest for continuous and constant learning

    Curiosità

  • 21

    a commitment and dedication to test knowledge through experience persistence in a willingness to learn from mistakes

    Demostrazione

  • 22

    the continual refinement of the senses especially site as the means to elevine experience

    Sensazione

  • 23

    a willingness to embrace ambiguity paradox and uncertainty

    Sfumato

  • 24

    the development of the balance between science and art logic and imagination whole brain thinking

    Arte/Scienza

  • 25

    the cultivation of grace ambidexterity fitness and poise

    Corporalità

  • 26

    a recognition and appreciation for the interconnectedness of all things and phenomena: systems thinking

    Connessione

  • 27

    generally pertains to the general right of a person or an individual to control an object purchase or in his possession

    Ownership

  • 28

    the owner is allowed to modify it as he find suitable. however this will be different when the object is an artistic work where the ownership is joined between the creator and the buyer READ

    K

  • 29

    give the owner of the copyright--that is the person who created the work-exclusive rights to reproduce, to display publicly, to make and distribute copies, and to prepared derivative works based on the original artwork, as well as to authorize those mentioned above

    Copyright laws

  • 30

    it refers to borrowing images that are recognizable from different sources and using this borrowed images to make a new art form

    Appropriation

  • 31

    mandiberg describes it as a means of experimentation by changing the context around the borrowed images and objects

    Appropriation

  • 32

    to appropriate does not mean stealing or plagiarizing. it is not only a particular work but just using the artwork in the artist new context READ

    K

  • 33

    fundamental way through which human makes sense of the world

    narrative

  • 34

    integral to the poetic impulse represented in cultures funding myths

    narration

  • 35

    study of a young woman author 1665-67

    Johannes Vermeer

  • 36

    Vermeer's Studio author

    Fernando Botero

  • 37

    refers to a specific type or form of intellectual development

    culture

  • 38

    appropriation that occurs across the boundaries of culture

    culture appropriation

  • 39

    this means that a person with a certain culture takes objects created by a person or a group of persons of another culture, and uses this objects as his or her own

    culture appropriation

  • 40

    this refers to appropriation of concrete and noticeable works of art

    Object appropriation

  • 41

    this happens when a tangible work previously owned by people from one culture was taken and adopted by a person or a group of persons from another culture

    Object appropriation

  • 42

    refers to adoption of works of art that are intangible. examples of these works of art are short stories poetry and musical compositions

    Content appropriation

  • 43

    this happens when an intangible work previously expressed by people from one culture was adopted and used by a person or a group of persons from another culture

    Content appropriation

  • 44

    content appreciation can be further categorized into two

    style and motif appropriation

  • 45

    artist involved in __ do not replicate the works created by a person or a group of persons from another culture. however they use the elements from those works from another culture in creating their own works

    Style appropriation

  • 46

    happens when artists are inspired by the art from a different culture but they do not produce artworks using exactly the same style.

    Motif appropriation

  • 47

    occurs when a subject matter from another culture is appropriated

    Subject appropriation