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  • irann rivera

  • 問題数 35 • 2/10/2024

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  • 1

    A type of subject that are images which represents people or objects that looks as close as possible to their real world counterpart

    Representational art

  • 2

    A type of subject that are subjects that is difficult for the observer to identify

    Non Representational art

  • 3

    A kind of subject that features inanimate objects such as fruits, flowers, plants etc

    Still life

  • 4

    A still life artwork which includes various symbolic objects designed to remind the viewer of their death and of the worthlessness of worldly goods and pleasures.

    Vanities

  • 5

    French phrase meaning "deceives the eye" used to describe paintings that create the illusion of a real object or scene.

    trompe l'oeil

  • 6

    PROVIDE THE 3 TYPES OF LANDSCAPES

    Cityscape , Cloudscape , Rivers scape

  • 7

    features the human figure similar to the way a portrait does, it may convey narrative or story elements.

    figurative art

  • 8

    a painting, drawing, sculpture, or photograph that is an artistic representation of a person or persons.

    Portrait

  • 9

    Refers to art that conveys a narrative about a historical, mythological, or religious event.

    historical art

  • 10

    can be painting, sculpture, photography, installation or film that its main theme is social or political issues.

    Social art

  • 11

    GIVE AT LEAST 5 KINDS OF SUBJECT

    Still life, Figurative art, social art, portrait , landscape

  • 12

    A method of art presentation in which it depicts what the eyes can see, what the ear can hear, what the sense faculty may receive.

    Realism

  • 13

    It is an art presentation in which the artist does not show the subject at all as an objectively reality but only his idea

    Abstraction

  • 14

    A form of abstraction that is manifested when the subject is in mis shapen condition

    Distortion

  • 15

    A form of abstraction that refers to images which is being lengthened

    elongation

  • 16

    A form of abstraction that shows subject or objects which are cut, lacerated, mutilated, torn, hacked or disfigured

    Mangling

  • 17

    A form of abstraction that represents a subject as a combination of basic geometric shapes

    Cubism

  • 18

    It is a modern art movement that flowered in America after the Second World War and held sway until the dawn of Pop Art in the 1960's.

    ABSTRACT EXPRESSIONISM

  • 19

    A art presentation that a visible sign of something invisible such as an idea or quality

    SYMBOLISM

  • 20

    It is derived from the French "les fauves" which means "the wild beasts."

    FAUVISM

  • 21

    It started as a post-World War cultural movement against the barbarism of the war. It is a reaction to what

    DADAISM

  • 22

    they believed were outworn traditions in art, and the evils they saw in society.

    FUTURISM

  • 23

    It focuses on real things found in the imagination or fantasy or it has realistic subjects that are found in the unconscious mind

    SURREALISM

  • 24

    2 TYPES OF SURREALISM

    Veristic Surrealism, Automatism or Abstract Surrealism

  • 25

    PROVIDE THE 6 SURREALISTIC TECHNIQUES

    Scale, Juxtaposition, Levitation, Dislocation, Transparency, Transformation

  • 26

    It is also sometimes referred to as optical realism due to its interest in the actual viewing experience, including such things as the effect of color, light and movement on the appearance of the objects depicted in the artworks.

    IMPRESSIONISM

  • 27

    It is the appearance or hue of an object with regard to the wavelength of light reflected by it.

    COLOR

  • 28

    the visual element upon which all others are based. It can be defined as a singularity in space or, in geometric terms, the area where two coordinates meet.

    POINT

  • 29

    can be lyrically defined as a point in motion.

    LINE

  • 30

    TYPES OF line

    ACTUAL LINES

  • 31

    defined as an enclosed area in two dimensions.

    shape

  • 32

    refers to a shape or three-dimensional volume that has or gives the illusion of having weight, density or bulk.

    mass

  • 33

    the empty area surrounding real or implied objects.

    space

  • 34

    the relative lightness or darkness of a shape in relation to another.

    value

  • 35

    is the tactile sense we get from the surface of a shape or volume. Smooth, rough, velvety and prickly are examples of texture.

    texture

  • 36

    the distribution of the visual weight of objects, colors, texture, and space.

    balance

  • 37

    the part of the design that catches the viewer's attention.

    emphasis

  • 38

    the path the viewer's eye takes through the work of art, often to focal areas.

    movement

  • 39

    the repeating of an object or symbol all over the work of art.

    pattern

  • 40

    tthe feeling of unity created when all parts (sizes, amounts, or number) relate well with each other.

    proportion

  • 41

    is created when one or more elements of design are used repeatedly to create a feeling of organized movement.

    rhythm