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INTRODUCTION TO GREEK LITERATURE

INTRODUCTION TO GREEK LITERATURE
29問 • 2年前
  • Trix Soriano
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    問題一覧

  • 1

    The are recognized as an —. They are known in history as the ""

    exceptional people "noble Greeks."

  • 2

    Because of their ATTAINMENTS in LITERATURE, SCULPTURE, ARCHITECTURE, AND PHILOSOPHY, The TERM the — that was Greece is PARTICULARLY APPLICABLE to them

    glory

  • 3

    Out of the darkness of — that prevailed in ancient times when ABSOLUTE DESPOTS GOVERNED their people capriciously, cruelly, and ruthlessly, when the governed were wretched and miserable, when superstition and ignorance were rampant, the cities of Greece —.

    barbarism progressed

  • 4

    These cities became centers of —, and their INHABITANTS pursued BEAUTY in ALL its FORMS and DEVELOPED A PASSION for — in its true sense.

    white-hot intellectual energy democracy

  • 5

    Their — did not understand the Greeks and their way of life. —, the great Greek HISTORIAN, was a great TRAVELER.

    neighbors Herodotus

  • 6

    When he was in Persia, the Persian queen, —, asked him, "Who are the Greeks?" "I am a Greek," Herodotus answered. "When you look at me, you see a Greek" "What master do they obey?" the queen asked again "The Greeks have no master, they are not slaves," was Herodotus bold answer. "Whom do they obey then?" the queen insisted. "They obey the laws? The laws? What are the laws? They have no master. What a strange people!" The queen shook her head.

    Atossa

  • 7

    Of what they ACCOMPLISHED in — little remains, and we are NOT EVEN SURE that —

    art what we have is the best.

  • 8

    There is NO SCULPTURE COMPARABLE to theirs: there are NO BUILDINGS MORE BEAUTIFUL and More Admirable Than those they BUILT, there are NO Literary PIECES SUPERIOR to theirs In fact, in literature they are all —

    supreme-the world has produced

  • 9

    no epic poet to compare with —.

    Homer

  • 10

    no lyric poet to equal —.

    Pindar

  • 11

    The Greeks cultivated prose rather late, but history has no greater practitioner than —

    Herodotus and Thucydides

  • 12

    and there is NO PROSE, aside perhaps from the —, more poetic than that of —.

    Bible Plato

  • 13

    Of the four great TRAGIC POETS the world has produced, three are GREEK (GIVE IT), the fourth is —

    Aeschylus Sopochles Euripides Shakespeare

  • 14

    Of their painting little has survived, but we have the statement of a CONTEMPORARY ART CRITIC commenting on a painting of — by Polygnotus: —

    Helen of Troy "In her eyes, one could read the story of the Trojan War "

  • 15

    EGYPT produced an art that was —, stiff in its FIXITY of —.

    unnatural expression

  • 16

    The — artists were UNABLE to work with FREEDOM.

    Egyptian

  • 17

    —, on the other hand, was ABSOLUTELY FREE, but the results were —.

    Indian art strange

  • 18

    Consider the famous statue of —, an Indian god, represented as performing an INTRICATE DANCE.

    Siva

  • 19

    INDIAN GOD The god stands POISED, arrested in movement, the MOVEMENTS OF THE DANCE are REPRESENTED by — curving from the body to DENOTE THE RHYTHM of the dance.

    many heads and arms

  • 20

    Now consider a Greek statue of —, the MESSENGER OF THE GODS.

    Hermes

  • 21

    The statue of HERMES REPRESENTS a —, recognizably a HUMAN BEING.

    perfectly human form

  • 22

    Every DETAIL shows an EXACT KNOWLEDGE of the HUMAN BODY. There is NOTHING TO DENOTE that he is a —, no —, but his — is the MARK OF HIS DIVINITY.

    god no halo around his head absolute beauty

  • 23

    To understand the Greeks, we must try to— their EXPERIENCES to ask what these DID for them and what these COST.

    recapture

  • 24

    Such a search cannot be entirely successful, for to — is extremely difficult.

    probe a distant past

  • 25

    Another OBSTACLE to a true understanding is that we READ Greek works only THROUGH —.

    translations

  • 26

    Translations are indispensable because — is NOW A DEAD LANGUAGE; nobody speaks it any longer. But a translation can only indicate: it CANNOT REPLACE The original.

    ancient Greek

  • 27

    This is especially lamentable in relation to GREEK LITERATURE because the greater portion of their LITERARY WORKS were WRITTEN in .

    poetry

  • 28

    We must remember that a poem, especially a typical LYRIC POEM, is —

    two-thirds melody one-third thought.

  • 29

    — CANNOT DUPLICATE the RHYTHM, the TONE, the combination of VOWEL sounds and CONSONANT values which give poetry its INIMITABLE and enduring QUALITY.

    Translation

  • ALERTNESS

    ALERTNESS

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    ALERTNESS

    ALERTNESS

    24問 • 2年前
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    ENTREPRENEUR

    ENTREPRENEUR

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    ENTREPRENEUR

    ENTREPRENEUR

    24問 • 2年前
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    ATTENTIVENESS

    ATTENTIVENESS

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    ATTENTIVENESS

    ATTENTIVENESS

    29問 • 2年前
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    ATTENTIVENESS - QUOTES

    ATTENTIVENESS - QUOTES

    Trix Soriano · 6問 · 2年前

    ATTENTIVENESS - QUOTES

    ATTENTIVENESS - QUOTES

    6問 • 2年前
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    GREEK LITERATURE

    GREEK LITERATURE

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    GREEK LITERATURE

    GREEK LITERATURE

    23問 • 2年前
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    1.2 Common Logical Fallacies

    1.2 Common Logical Fallacies

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    1.2 Common Logical Fallacies

    1.2 Common Logical Fallacies

    20問 • 2年前
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    AVAILABILITY

    AVAILABILITY

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    AVAILABILITY

    AVAILABILITY

    11問 • 2年前
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    AVAILABLITIY - Quotes

    AVAILABLITIY - Quotes

    Trix Soriano · 21問 · 2年前

    AVAILABLITIY - Quotes

    AVAILABLITIY - Quotes

    21問 • 2年前
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    AVL. - Noah's Ark

    AVL. - Noah's Ark

    Trix Soriano · 9問 · 2年前

    AVL. - Noah's Ark

    AVL. - Noah's Ark

    9問 • 2年前
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    AVL. - George Washington

    AVL. - George Washington

    Trix Soriano · 7問 · 2年前

    AVL. - George Washington

    AVL. - George Washington

    7問 • 2年前
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    PP1 - Lifestyle

    PP1 - Lifestyle

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    PP1 - Lifestyle

    PP1 - Lifestyle

    34問 • 2年前
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    PP1 - MODERATE TO VIGOROUS

    PP1 - MODERATE TO VIGOROUS

    Trix Soriano · 19問 · 2年前

    PP1 - MODERATE TO VIGOROUS

    PP1 - MODERATE TO VIGOROUS

    19問 • 2年前
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    PP1 - MODERATE TO VIGOROUS

    PP1 - MODERATE TO VIGOROUS

    Trix Soriano · 18問 · 2年前

    PP1 - MODERATE TO VIGOROUS

    PP1 - MODERATE TO VIGOROUS

    18問 • 2年前
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    HP1– Consumer Health Information

    HP1– Consumer Health Information

    Trix Soriano · 17問 · 2年前

    HP1– Consumer Health Information

    HP1– Consumer Health Information

    17問 • 2年前
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    HP1 - Alternative Medicine

    HP1 - Alternative Medicine

    Trix Soriano · 27問 · 2年前

    HP1 - Alternative Medicine

    HP1 - Alternative Medicine

    27問 • 2年前
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    AD1 - Works

    AD1 - Works

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    AD1 - Works

    AD1 - Works

    6問 • 2年前
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    PD1

    PD1

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    PD1

    PD1

    28問 • 2年前
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    SKILL RELATED

    SKILL RELATED

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    SKILL RELATED

    SKILL RELATED

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    HEALTH RELATED

    HEALTH RELATED

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    HEALTH RELATED

    HEALTH RELATED

    14問 • 2年前
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    HD1

    HD1

    Trix Soriano · 18問 · 2年前

    HD1

    HD1

    18問 • 2年前
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    1.3 Kalamidad

    1.3 Kalamidad

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    1.3 Kalamidad

    1.3 Kalamidad

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    QUIZ

    QUIZ

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    QUIZ

    QUIZ

    52問 • 2年前
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    STEPS

    STEPS

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    STEPS

    STEPS

    10問 • 2年前
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    A3

    A3

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    A3

    A3

    16問 • 2年前
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    CATEGORY

    CATEGORY

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    CATEGORY

    CATEGORY

    11問 • 2年前
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    CRITERIA

    CRITERIA

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    CRITERIA

    CRITERIA

    11問 • 2年前
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    Landforms

    Landforms

    Trix Soriano · 40問 · 2年前

    Landforms

    Landforms

    40問 • 2年前
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    MOUNTAIN RANGES

    MOUNTAIN RANGES

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    MOUNTAIN RANGES

    MOUNTAIN RANGES

    43問 • 2年前
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    Volcano

    Volcano

    Trix Soriano · 40問 · 2年前

    Volcano

    Volcano

    40問 • 2年前
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    Faults

    Faults

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    Faults

    Faults

    22問 • 2年前
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    Earthquake

    Earthquake

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    Earthquake

    Earthquake

    22問 • 2年前
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    HD1 - Med Pro

    HD1 - Med Pro

    Trix Soriano · 26問 · 2年前

    HD1 - Med Pro

    HD1 - Med Pro

    26問 • 2年前
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    GRAPHICS ORGANIZER

    GRAPHICS ORGANIZER

    Trix Soriano · 38問 · 2年前

    GRAPHICS ORGANIZER

    GRAPHICS ORGANIZER

    38問 • 2年前
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    GRAPHIC OG PICS

    GRAPHIC OG PICS

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    GRAPHIC OG PICS

    GRAPHIC OG PICS

    28問 • 2年前
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    CASH FLOW

    CASH FLOW

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    CASH FLOW

    CASH FLOW

    25問 • 2年前
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    LESSON 9

    LESSON 9

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    LESSON 9

    LESSON 9

    34問 • 2年前
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    MP

    MP

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    MP

    MP

    36問 • 2年前
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    Paglutas ng Climate changr

    Paglutas ng Climate changr

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    Paglutas ng Climate changr

    Paglutas ng Climate changr

    10問 • 2年前
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    Kawalan ng Trabaho

    Kawalan ng Trabaho

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    Kawalan ng Trabaho

    Kawalan ng Trabaho

    25問 • 2年前
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    Tyoes of Pronouns

    Tyoes of Pronouns

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    Tyoes of Pronouns

    Tyoes of Pronouns

    25問 • 2年前
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    Frictional, Structural, Cyclical

    Frictional, Structural, Cyclical

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    Frictional, Structural, Cyclical

    Frictional, Structural, Cyclical

    10問 • 2年前
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    EGGS

    EGGS

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    EGGS

    EGGS

    30問 • 2年前
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    QUALITY

    QUALITY

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    QUALITY

    QUALITY

    15問 • 2年前
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    MARKET

    MARKET

    Trix Soriano · 24問 · 2年前

    MARKET

    MARKET

    24問 • 2年前
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    Wave Formation

    Wave Formation

    Trix Soriano · 32問 · 2年前

    Wave Formation

    Wave Formation

    32問 • 2年前
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    Proponents of EM Wave Theory

    Proponents of EM Wave Theory

    Trix Soriano · 15問 · 2年前

    Proponents of EM Wave Theory

    Proponents of EM Wave Theory

    15問 • 2年前
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    ELECTROMAGNETIC WAVES

    ELECTROMAGNETIC WAVES

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    ELECTROMAGNETIC WAVES

    ELECTROMAGNETIC WAVES

    30問 • 2年前
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    RISKS and HAZARDs

    RISKS and HAZARDs

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    RISKS and HAZARDs

    RISKS and HAZARDs

    35問 • 2年前
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    BENEVOLANCE

    BENEVOLANCE

    Trix Soriano · 26問 · 2年前

    BENEVOLANCE

    BENEVOLANCE

    26問 • 2年前
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    Quotes

    Quotes

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    Quotes

    Quotes

    5問 • 2年前
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    ZACCHEUS

    ZACCHEUS

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    ZACCHEUS

    ZACCHEUS

    13問 • 2年前
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    THE GOOD SAMARITAN

    THE GOOD SAMARITAN

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    THE GOOD SAMARITAN

    THE GOOD SAMARITAN

    11問 • 2年前
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    Joseph the Dreamer

    Joseph the Dreamer

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    Joseph the Dreamer

    Joseph the Dreamer

    18問 • 2年前
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    RUTH

    RUTH

    Trix Soriano · 22問 · 2年前

    RUTH

    RUTH

    22問 • 2年前
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    METHODD

    METHODD

    Trix Soriano · 13問 · 2年前

    METHODD

    METHODD

    13問 • 2年前
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    A simple act of kindness

    A simple act of kindness

    Trix Soriano · 16問 · 2年前

    A simple act of kindness

    A simple act of kindness

    16問 • 2年前
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    E - Definition

    E - Definition

    Trix Soriano · 100問 · 2年前

    E - Definition

    E - Definition

    100問 • 2年前
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    A DEFINITION PT 2

    A DEFINITION PT 2

    Trix Soriano · 68問 · 2年前

    A DEFINITION PT 2

    A DEFINITION PT 2

    68問 • 2年前
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    D - Definition

    D - Definition

    Trix Soriano · 50問 · 2年前

    D - Definition

    D - Definition

    50問 • 2年前
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    d definition 2

    d definition 2

    Trix Soriano · 45問 · 2年前

    d definition 2

    d definition 2

    45問 • 2年前
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    Facts of Light

    Facts of Light

    Trix Soriano · 48問 · 2年前

    Facts of Light

    Facts of Light

    48問 • 2年前
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    E - Examples

    E - Examples

    Trix Soriano · 100問 · 2年前

    E - Examples

    E - Examples

    100問 • 2年前
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    E - Mixed

    E - Mixed

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    E - Mixed

    E - Mixed

    50問 • 2年前
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    Properties of Light

    Properties of Light

    Trix Soriano · 66問 · 2年前

    Properties of Light

    Properties of Light

    66問 • 2年前
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    MM

    MM

    Trix Soriano · 22問 · 2年前

    MM

    MM

    22問 • 2年前
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    AM

    AM

    Trix Soriano · 12問 · 2年前

    AM

    AM

    12問 • 2年前
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    PM

    PM

    Trix Soriano · 11問 · 2年前

    PM

    PM

    11問 • 2年前
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    HM

    HM

    Trix Soriano · 22問 · 2年前

    HM

    HM

    22問 • 2年前
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    PARTS

    PARTS

    Trix Soriano · 30問 · 2年前

    PARTS

    PARTS

    30問 • 2年前
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    VEGETABLES

    VEGETABLES

    Trix Soriano · 43問 · 2年前

    VEGETABLES

    VEGETABLES

    43問 • 2年前
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    PREPARING

    PREPARING

    Trix Soriano · 9問 · 2年前

    PREPARING

    PREPARING

    9問 • 2年前
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    SIZES

    SIZES

    Trix Soriano · 13問 · 2年前

    SIZES

    SIZES

    13問 • 2年前
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    Image formation

    Image formation

    Trix Soriano · 38問 · 2年前

    Image formation

    Image formation

    38問 • 2年前
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    Ray Diagramming

    Ray Diagramming

    Trix Soriano · 16問 · 2年前

    Ray Diagramming

    Ray Diagramming

    16問 • 2年前
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    Mirror Equation

    Mirror Equation

    Trix Soriano · 9問 · 2年前

    Mirror Equation

    Mirror Equation

    9問 • 2年前
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    BOLDNESS

    BOLDNESS

    Trix Soriano · 27問 · 2年前

    BOLDNESS

    BOLDNESS

    27問 • 2年前
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    QUOTES

    QUOTES

    Trix Soriano · 6問 · 2年前

    QUOTES

    QUOTES

    6問 • 2年前
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    David and Goliath

    David and Goliath

    Trix Soriano · 23問 · 2年前

    David and Goliath

    David and Goliath

    23問 • 2年前
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    DANIEL FIERY FURNACE

    DANIEL FIERY FURNACE

    Trix Soriano · 9問 · 2年前

    DANIEL FIERY FURNACE

    DANIEL FIERY FURNACE

    9問 • 2年前
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    DANIEL LION'S DEN

    DANIEL LION'S DEN

    Trix Soriano · 21問 · 2年前

    DANIEL LION'S DEN

    DANIEL LION'S DEN

    21問 • 2年前
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    SEQUENCE OF EVENTS

    SEQUENCE OF EVENTS

    Trix Soriano · 20問 · 2年前

    SEQUENCE OF EVENTS

    SEQUENCE OF EVENTS

    20問 • 2年前
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    TROJAN WAR

    TROJAN WAR

    Trix Soriano · 59問 · 2年前

    TROJAN WAR

    TROJAN WAR

    59問 • 2年前
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    TROJANS

    TROJANS

    Trix Soriano · 24問 · 2年前

    TROJANS

    TROJANS

    24問 • 2年前
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    MD

    MD

    Trix Soriano · 35問 · 2年前

    MD

    MD

    35問 • 2年前
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    AD

    AD

    Trix Soriano · 31問 · 2年前

    AD

    AD

    31問 • 2年前
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    PD

    PD

    Trix Soriano · 19問 · 2年前

    PD

    PD

    19問 • 2年前
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    HD

    HD

    Trix Soriano · 12問 · 2年前

    HD

    HD

    12問 • 2年前
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    LESSON 12

    LESSON 12

    Trix Soriano · 52問 · 2年前

    LESSON 12

    LESSON 12

    52問 • 2年前
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    LESSON 13

    LESSON 13

    Trix Soriano · 26問 · 2年前

    LESSON 13

    LESSON 13

    26問 • 2年前
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    LENS

    LENS

    Trix Soriano · 15問 · 2年前

    LENS

    LENS

    15問 • 2年前
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    CAUTIOUSNESS

    CAUTIOUSNESS

    Trix Soriano · 26問 · 2年前

    CAUTIOUSNESS

    CAUTIOUSNESS

    26問 • 2年前
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    OPTICAL DEVICES

    OPTICAL DEVICES

    Trix Soriano · 38問 · 2年前

    OPTICAL DEVICES

    OPTICAL DEVICES

    38問 • 2年前
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    COMPASSION

    COMPASSION

    Trix Soriano · 24問 · 2年前

    COMPASSION

    COMPASSION

    24問 • 2年前
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    QUOTATIONS

    QUOTATIONS

    Trix Soriano · 5問 · 2年前

    QUOTATIONS

    QUOTATIONS

    5問 • 2年前
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    COMPUTER NETWORK

    COMPUTER NETWORK

    Trix Soriano · 42問 · 2年前

    COMPUTER NETWORK

    COMPUTER NETWORK

    42問 • 2年前
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    TOPOLOGY

    TOPOLOGY

    Trix Soriano · 30問 · 2年前

    TOPOLOGY

    TOPOLOGY

    30問 • 2年前
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    FEMALE REPRODUCTIVE SYSTEM

    FEMALE REPRODUCTIVE SYSTEM

    Trix Soriano · 23問 · 2年前

    FEMALE REPRODUCTIVE SYSTEM

    FEMALE REPRODUCTIVE SYSTEM

    23問 • 2年前
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    問題一覧

  • 1

    The are recognized as an —. They are known in history as the ""

    exceptional people "noble Greeks."

  • 2

    Because of their ATTAINMENTS in LITERATURE, SCULPTURE, ARCHITECTURE, AND PHILOSOPHY, The TERM the — that was Greece is PARTICULARLY APPLICABLE to them

    glory

  • 3

    Out of the darkness of — that prevailed in ancient times when ABSOLUTE DESPOTS GOVERNED their people capriciously, cruelly, and ruthlessly, when the governed were wretched and miserable, when superstition and ignorance were rampant, the cities of Greece —.

    barbarism progressed

  • 4

    These cities became centers of —, and their INHABITANTS pursued BEAUTY in ALL its FORMS and DEVELOPED A PASSION for — in its true sense.

    white-hot intellectual energy democracy

  • 5

    Their — did not understand the Greeks and their way of life. —, the great Greek HISTORIAN, was a great TRAVELER.

    neighbors Herodotus

  • 6

    When he was in Persia, the Persian queen, —, asked him, "Who are the Greeks?" "I am a Greek," Herodotus answered. "When you look at me, you see a Greek" "What master do they obey?" the queen asked again "The Greeks have no master, they are not slaves," was Herodotus bold answer. "Whom do they obey then?" the queen insisted. "They obey the laws? The laws? What are the laws? They have no master. What a strange people!" The queen shook her head.

    Atossa

  • 7

    Of what they ACCOMPLISHED in — little remains, and we are NOT EVEN SURE that —

    art what we have is the best.

  • 8

    There is NO SCULPTURE COMPARABLE to theirs: there are NO BUILDINGS MORE BEAUTIFUL and More Admirable Than those they BUILT, there are NO Literary PIECES SUPERIOR to theirs In fact, in literature they are all —

    supreme-the world has produced

  • 9

    no epic poet to compare with —.

    Homer

  • 10

    no lyric poet to equal —.

    Pindar

  • 11

    The Greeks cultivated prose rather late, but history has no greater practitioner than —

    Herodotus and Thucydides

  • 12

    and there is NO PROSE, aside perhaps from the —, more poetic than that of —.

    Bible Plato

  • 13

    Of the four great TRAGIC POETS the world has produced, three are GREEK (GIVE IT), the fourth is —

    Aeschylus Sopochles Euripides Shakespeare

  • 14

    Of their painting little has survived, but we have the statement of a CONTEMPORARY ART CRITIC commenting on a painting of — by Polygnotus: —

    Helen of Troy "In her eyes, one could read the story of the Trojan War "

  • 15

    EGYPT produced an art that was —, stiff in its FIXITY of —.

    unnatural expression

  • 16

    The — artists were UNABLE to work with FREEDOM.

    Egyptian

  • 17

    —, on the other hand, was ABSOLUTELY FREE, but the results were —.

    Indian art strange

  • 18

    Consider the famous statue of —, an Indian god, represented as performing an INTRICATE DANCE.

    Siva

  • 19

    INDIAN GOD The god stands POISED, arrested in movement, the MOVEMENTS OF THE DANCE are REPRESENTED by — curving from the body to DENOTE THE RHYTHM of the dance.

    many heads and arms

  • 20

    Now consider a Greek statue of —, the MESSENGER OF THE GODS.

    Hermes

  • 21

    The statue of HERMES REPRESENTS a —, recognizably a HUMAN BEING.

    perfectly human form

  • 22

    Every DETAIL shows an EXACT KNOWLEDGE of the HUMAN BODY. There is NOTHING TO DENOTE that he is a —, no —, but his — is the MARK OF HIS DIVINITY.

    god no halo around his head absolute beauty

  • 23

    To understand the Greeks, we must try to— their EXPERIENCES to ask what these DID for them and what these COST.

    recapture

  • 24

    Such a search cannot be entirely successful, for to — is extremely difficult.

    probe a distant past

  • 25

    Another OBSTACLE to a true understanding is that we READ Greek works only THROUGH —.

    translations

  • 26

    Translations are indispensable because — is NOW A DEAD LANGUAGE; nobody speaks it any longer. But a translation can only indicate: it CANNOT REPLACE The original.

    ancient Greek

  • 27

    This is especially lamentable in relation to GREEK LITERATURE because the greater portion of their LITERARY WORKS were WRITTEN in .

    poetry

  • 28

    We must remember that a poem, especially a typical LYRIC POEM, is —

    two-thirds melody one-third thought.

  • 29

    — CANNOT DUPLICATE the RHYTHM, the TONE, the combination of VOWEL sounds and CONSONANT values which give poetry its INIMITABLE and enduring QUALITY.

    Translation