問題一覧
1
derived from the latin word ars
jv estolas
2
art taken from italian word artis
a tan
3
communication of ideas and feelings in a means of sensous
c sanchez
4
Product of a man’s need to express himself
f zulueta
5
Art is what brings life in harmony
Plato
6
ability or skill
ars
7
what is ars
ability or skill
8
craftmanship and skill
artis
9
artis
craftmanship and skill
10
attitude of spirit, a state of mind, which demand for own satisfaction
john dewey
11
skillful arrangement and composition pf some common but significant qualities of nature
paniso and rustia
12
not what you see but what you make others see
edgar degas and george o’keeffe
13
desire of a man to express himself
amy lowell
14
art is never finished, only abandoned
leonardo da vinci
15
art is not a handicraft
leo nikolaevich tolstoy
16
realization of external form of a true idea
aristotle
17
conscious creation of something beautiful and meaningful
lisa morder
18
discovery and development of elementary principles
frank lloyd wright
19
refers to the historical development and stylistic context of the objects of art that includes major and minor arts
art history
20
determines the relative artistic values of an individual work in comparison with others in a conparative style
art criticism
21
is an example of representation of style is produced when the art is not directly imitative but an impression of nature
impressionism
22
the work of art is nit representational but the expression of the artist’s feelings, longings, aspirations, and ideals of beauty of forms
expressionism
23
in every country of the world, art exist because it is impornat to people’s lives. art has been created by all people of the world at all times
art is universal
24
art contributes to the understanding of past and present cultures
art is cultural
25
art is man-made. art is a man’s interpretation of what he perceive
art is not nature
26
art is a form of expression of the deepest emotion of the mind. according to him, the egoic mind (conscious mind) exhoic kind (unconscious mind)
art is an expression of the mind
27
egoic mind
conscious mind
28
echoic mind
unconscious mind
29
art is a product of the imagination that entertains, eases and inspire people.
art is a form of creativity
30
when work is finished in a satisfactory manner, an experience occur.
art involves experience
31
through art, man becomes conscious of the beauty of nature. he benefits from his own work and from those done by fellowmen. he learns to use, love, and preserve them for his enjoyment and appreciation
aesthetic function
32
With the creation of the various forms of art, man now lives in comfort and happiness. Through art, man is provided with shelter, clothing, food, light, medicine, beautiful surroundings, personal ornamentals, entertainment, language, transportation, and other necessities and conveniences of life.
utilitarian function
33
Through the printed matter, art transmits and preserves skills and knowledge from one generation to another. It makes man aware of his cultural background, making him more knowledgeable making his life more enduring and satisfying.
cultural function
34
Through the printed matter, art transmits and preserves skills and knowledge from one generation to another. It makes man aware of his cultural background, making him more knowledgeable making his life more enduring and satisfying.
cultural function
35
Through civic and graphic arts, man learns to love and help each other. International understanding and cooperation are fostered and nations become more unified, friendly, cooperative, helpful, and sympathetic.
social function
36
Art reinforces and enhance a sense of identity and ideological connection to specific political views, political parties and politicians
political function
37
There are art symbols and signs to illustrate knowledge and attitudes that are not expressed in words.
educational function
38
Some art works express spiritual beliefs, customs, ceremonies and rituals about the meaning and destiny of life. These artworks may have religious significance.
spiritual function
39
the study of the nature of arts, its concept, interpretation, representation, expression and form
philosophy of art
40
i hi is the two philosophers who said that mimesis as the representation of nature
plato and aristotle
41
he believed that all artistic creation is a kimesis. “world of ideas” and is created by God
plato
42
he speaks of tradegy as an “imitation of an action” that of a mamn falling from a higher to a lower estate
aristotle
43
There are artworks that depict something easily recognized by most people. Painting, sculpture, graphic arts, literature, and theatre arts are generally classified as representational arts, although some paintings and sculptures are without subjects. Music and dance may or may not have subjects.
representational or objective arts
44
There are artworks that have no resemblance to any real subject. they do not represent anything and they are what they are they rather appeal directly to the senses primarily because of the satisfying organization of their elements.
non-representational or non-objective
45
refers to the meaning or significance, and/or feeling imparted by a work of art. This is not the same thing as the subject matter the work depicts.
content in art
46
refers to the pictorial aspects of art such as word, design, and choice, about shapes, sizes, colors, contrast, medium, soft, or hard edges, and many other decisions.
form
47
These are the materials which are used by an artist to interpret his feelings or thoughts.
mediums
48
is the art of creating meaningful effects on a flat surface by the use of pigments.
painting
49
is difficult to handle because producing warm and rich tones using this medium proves to be a challenge. An example of such technique is the method of gouache, an opaque watercolor painting the major effects of which are caused by the whitepaper itself. The gouache is done by mixing zinc white with the regular watercolor paints to tone them down, giving the appearance of sobriety suitable for dramatic purposes.
watercolor
50
is a painting method done on a moist plaster surface with colors ground in water or a limewater mixture. must be done quickly because it is an exacting medium - the moment the paint is applied to the surface, the color dry into the plaster and the painting becomes an integral part of the wall. must be done quickly because it is an exacting medium - the moment the paint is applied to the surface, the color dry into the plaster and the painting becomes an integral part of the wall.
fresco
51
are mineral pigments mixed with egg yolk or egg white and ore. This egg-based emulsion binds the pigments to the surface
tempera
52
is a stick of dried paste made of pigment ground with chalk compounded with gum water. It is very flexible medium whose colors are luminous.
pastel
53
is one of the early mediums used by the Egyptians for painting portraits on mummy cases. This is done by applying wax colors fixed with heat. Painting with wax produces luster and radiance, making subjects appear at their best in portraits.
encaustic
54
is one of the most expensive art activities today because of the prohibitive cost of materials. It is the heaviest of painting mediums.
oil
55
a medium used popularly by contemporary painters because of the transparency and quick-drying characteristics of watercolor and the flexibility of oil combined.
acrylic
56
the art of putting together small pieces of colored stones or glass called "tesserae" to create an image.
mosaic
57
is common in Gothic cathedrals and churches. It is made by combining small pieces of colored glass, held together by bands of lead. It is also a kind of patchwork.
stained glass
58
fabric produced by hand-weaving colored threads upon a warp. The woven designs often end up as pictorials, wall hangings, and furniture covering.
tapestry
59
usually done on paper using pencil, pen, and ink, or charcoal. It is the most fundamental of all skills necessary in arts.
drawing
60
is a granular igneous rock composed of feldspar and quartz, usually combined with other minerals. This medium is quite difficult to chisel. It is good for large works with only a few designs.
granite
61
is a fine stone, usually colored green, and used widely in Ancient China. It is highly esteemed as an ornamental stone for carving and fashion jewelry.
jade
62
comes from the main parts of tusks of elephants, is the hard-white substance used to make carvings and billiard balls.
ivory
63
include any of a class of elementary substances such as gold, silver, or copper, all of which are crystalline when solid and many of which are characterized by capacity, ductility, conductivity, and peculiar luster when freshly fractured
metals
64
one of the oldest alloys of metals composed chiefly of copper and tin with color.
bronze
65
alloy of copper and zinc, is not popularly used by contemporary artists because of its limitations as a medium.
brass
66
used as casting materials for small objects like medals, coins, and pieces of jewelry.
gold and silver
67
composed of lime, sand, and water. It is worked on an armature of metal wires and rods in addition to various materials and fibers. I
plaster
68
a natural earthy material that is plastic when wet. It consists essentially of hydrated silicates of aluminum and is used for making bricks and ceramics
clay
69
medium that is hard, brittle, non-crystalline, more or less transparent substance produced by fusion, usually consisting of mutually dissolved silica and silicates and contains soda and lime.
glass
70
brown pigment from the soot of wood, and often used in pen and wash drawings.
bistre
71
pigments bound by wax and compressed into painted sticks used for drawing. It is especially popular among children in the elementary grades.
crayons
72
the artist uses a silver stylus to produce a thin grayish on specially prepared paper.
silverpoint
73
A print is anything printed on a surface that is a direct result from the duplication process. The painting or graphic image, usually done in black ink on white paper becomes the artist's plate.
printmaking
74
a surface printing done from an almost smooth surface which has been treated chemically or mechanically so that some surface areas will print and others will not.
lithography
75
is the hard and brittle substance formed from mineral and earth material
stone
76
easier to carve than any other mediums available because it can be subjected into a variety of treatment.
wood
77
the art of designing a building and supervising its construction.
architecture
78
are the creators of tangible or intangible products (works of art) as an expression of creativity and imagination for purely aesthetic reasons.
artists
79
craftsman) are the makers of products or crafts, not only for aesthetic value of for decorative purposes but for practical value, such as for business purposes.
artisans
80
(also referred to as art administration) is the process of running the daily business operation of art institutions either private or public in nature.
art management
81
our nations future depends on creativity and our ability to understand and appreciate
david skorton