art studies 2

80問 • 1年前

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is generally regarded as referring to work made between 1970 and the present

contemporary art

It also implies art that is made by living artists, but essentially _____is seen as something that has never been done before.

contemporary art

 Artists share an interest in nature.

bridget riley

For me nature is not landscape, but the dynamism of visual forces, an event rather than an appearance. These forces can only be tackled by treating color and form as ultimate identities, freeing them from all descriptive or functional roles.”

bridget riley

nature

Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask.”

robert motherwell

Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask.”

portraiture

A work of art is a world in itself reflecting senses and emotions of the artist’s world.”

hans hoffmann

A work of art is a world in itself reflecting senses and emotions of the artist’s world.”

social commentary

Still lifes are always ready to pose. They don’t talk or get tired or need to eat. They possess all the qualities of form and color that are needed to keep a painter occupied for the rest of his life

the common place

Contemporary art 4

nature portraiture social commentary the common place

robert chunn

It defined as the units of “building blocks” of matter.

architectural design

To enumerate, the elements of art and design are the following:

line, shape, form, space, color, and texture

is an element of art.

line

refers to the orientation of the line.

horizontal and vertical lines

are normally associated with rest or calm. It also alludes to position of the reclined body at rest

horizontal line

connote elevation or height, which is usually taken to mean exaltation or aspiration for action. Together, these lines communicate stability and firmness.

vertical lines

convey movement and instability, although the progression can be seen

diagonal lines

are reminiscent of violence, conflict, or struggle.

crooked lines

these are lines that bend or coil. They allude to softness, grace, flexibility, or even sensuality

curved lines

These two are related to each other in the sense that they define the space occupied by the object of art.

shape and form

Shape refers to two dimensions

height and width

form refers to three dimensions:

height weight and depth

Two categories can be used as a broad distinction:

geometric and organic

these shapes find origin in mathematical propositions. As such, its translation and use are often man-made. These include shapes such as squares, triangles, cubes, circles, spheres, and cones, among others.

geometric

Those readily occurring in nature, often irregular and asymmetrical. The design of vase is foliage, a sample from a series that made use of morning glories.

organic

related to shape and form is

space

It is usually inferred from a sense of depth, whether it is real or simulated.

space

is three-dimensional.

real space

usually identified with the white space is the

negative space

is the space where shadow is heavily used.

positive space

can be simulated through a variety of techniques such as shading.

three dimensional space

An illusion of three-dimensionality can be achieved in a twodimensional work.

three dimensional space

Perhaps one of the elements that enhance the appeal of an artwork.

color

Its effect has range, the following the viewer to make responses based on memory, emotion, and instinct, among others.

color

This element is property of light, as it is reflected off the object

color

The color wheel corresponds to the first property of color,

hue

this dimension of color gives its name

hue

a. Hue- this dimension of color gives its name. It can be subdivided into:

primary colors secondary colors tertiary colors

• Primary colors

red yellow and blue

• Secondary colors-

green orange and violet

six in total, these hues are achieved when primary and secondary colors are mixed.

tertiary color

refers to the brightness or darkness of color.

value

Often, this is used by artists to create the illusion of depth and solidity, a particular mood, communicate a feeling, or in establishing a scene (day and night)

value

taken as the source of light in the composition.

light colors

the lack or even absence of light.

dark colors

can be either real or implied

texture

This element in an artwork is experienced through the sense of touch (and sight).

texture

This element renders the art object tactile.

texture

texture can be implied using one technique or a combination of other elements of art.

texture in the two dimensional plane

refers to the texture of the three-dimensional art object.

surface texture

Is the actual surface of the painting or drawing, where no illusion of a third dimension exists.

planes and perspectives

There are three types of perspective, grounded on the number of vanishing points used by the artist:

one-point perspective two point perspective three-point perspey

- often used in depicting roads, tracks, hallways, or rows of trees; this type of perspective shows parallel lines that seem to converge at a specific and lone vanishing point, along the horizon line.

one-point perspective

pertains to a painting or drawing that makes use of two vanishing points, which can be placed anywhere along the horizon line. It is often used in depicting structures such as houses or buildings in the landscape that are viewed from a specific corner.

two point perspective

in this type of perspective, the viewer is looking at a scene from above or below. As the name suggests, it makes use of the three vanishing points, each corresponding to each axis of the scene.

three-point perspective

This principle refers to the distribution of the visual elements in view of their placement in relation to each other.

balance

Whata are the principles of art/design

balance, scale and proportion, emphasis and harmony, repetition and pattern, contrast, unity snd variety, movement, rhythm

There are three forms of balance:

symmetrical asymmetrical radial

the elements used on one side are reflected to the other. This offers the most stable visual sense to any artwork.

symmetrical

the elements are not the same (or the same weight) on each side, putting the heaviness on one side.

asymmetrical

there is a central point in the composition, around which elements and objects are distributed.

radial

pertains to the size in relation to what is normal for the figure or object in question.

scale

is the size of the components, or of objects in relation to one another when taken as a composition or a unit.

proportion

Proportion can be:

natural exaggerated idealized

relates to the realistic size relations of visual elements in the artwork, especially for figurative artworks. When it is the accuracy in relation to the real world that the artist is after, this is now referred to as the principal of scale.

natural

fers to the unusual size relations of visual elements, deliberately exaggerating the immensity or minuteness of an object

exaggerated

most common to those that follow canons of perfection, the sizerelations of elements or objects, which achieve the most ideal size-relations.

idealized

allows the attention of the viewer to a focal point (s), accentuating or drawing attention to these elements or objects.

emphasis

is the disparity between the elements that figure into the composition

contrast

is the principle that aims to retain the interest by allowing patches or areas that both excite and allow the eye to rest.

variety

it is compositions are intended to imbue a sense of accord or completeness from the artwork.

unity

dated to 1777; Samvat 897) Distemper on cloth. Gift of Stephen and Sharon Davies Collection, 2015. The Metropolitan Museum o

vasudhara mandala

unity and variety is related to the principle of __, in which the elements or objects achieve a sense of flow and interconnectedness.

harmony

It refers to the direction of the viewing eye as it goes through the artwork, often guided by areas or elements that are emphasized. These focal points can be lines, edges, shape, and color within the work of art, among others.

movement

This is created when an element is repeated, creating implied movement. Variety of repetition helps invigorate rhythm as depicted in the artwork.

rhythm

Lines, shapes, colors, and other elements may appear in an artwork in recurring manner. This is calle

repetition

the image created out of repetition is called

pattern

there is a sense of predictability that is conveyed, which in turn imbues the feelings of security and calmness.

repetition

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