問題一覧
1
Our intangible cultural heritage is a bridge linking our past and our future.
2
It is the way we understand the world and the means by which we shape it.
3
It is rooted in our cultural identities and provides a foundation of wisdom and knowledge upon which to build sustainable development for all.
4
Intangible cultural heritage is a precious asset for communities, groups, and individuals across the world.
5
Only they can protect it and pass it on to tomorrow's generations.
6
The following pages offer an insight into the great diversity of humanity's living heritage across the world.
7
At a time of rapid and profound change, we must strengthen our resolve and take action to preserve this heritage for the benefit of future generations.
8
In the months between spring and autumn, people in Catalonia, Spain build castells during street festivals.
9
A castell is a tower of people standing on each other's shoulders, often raised as high as ten levels.
10
The formation of the bottom base or pinya is the first step in building a castell.
11
Anybody who is willing to help, from children to senior citizens, can be part of the pinya by supporting the tower and protecting it from collapsing.
12
When the pinya is formed, each level is added one after another.
13
When the last person reaches the top and waves his or her hands, the crowd below shouts and cheers.
14
Building a castell means a lot to Catalonians.
15
The knowledge about how to build castells is accumulated over generations and handed down from generation to generation within a community, and can only be learned by practice.
16
Building one provides people with a strong sense of belonging and a heightened spirit of teamwork and cooperation.
17
A castell requires between 75 and 500 people to build, all of whom wear a group color.
18
The color is a proud element of a community, and young children long for the day when they can wear a shirt and play their role in building their group's castell.
19
At a time when individual-based activities dominate most people's leisure time, this Catalan practice does seem to deserve serious attention.
20
Gingerbread broadly refers to any type of baked treat that is typically flavored with ginger and honey.
21
The process of making a licitar, a type of Croatian gingerbread, is special because it requires skill and endurance.
22
The dough matures for a few days, then is shaped in molds and baked, and then left for two weeks to dry.
23
Coloring is the next step, after which a second drying takes place.
24
Once dried, the licitars are decorated.
25
Licitars are given as gifts for wedding guests, or they can be used as decorations.
26
The custom of giving licitars is deeply rooted in Croatian tradition.
27
Licitars are not only a tasty dessert, but they are also an artistic expression.
28
A licitar is uniquely Croatian because of the long history and the social role it has played.
29
Croatians learned the recipe during the 16th century from their neighbors in the eastern Alps and went a step further to develop their own.
30
Since then, making licitars has become a family tradition where secrets are passed down from generation to generation.
31
In this way, every generation is able to leave its mark in each gingerbread they make.
32
Licitar makers play an important social function, too.
33
Gingerbread craftspeople appear at most festivals and fairs in Croatia.
34
People watch cookies being made and socialize.
35
In a time when local cultures are losing their unique identities, Croatian gingerbread craftsmanship provides us with a new perspective on traditional culture.
36
Tugging has long been practiced as a kind of ritual in many agricultural regions across Asia.
37
The way the ritual is performed varies from place to place.
38
In Cambodia, the ritual involves men tugging against women.
39
It takes place during the New Year holidays in April in the open space of a Buddhist temple or a village center.
40
In the Philippines, punnuk is held in the Hapao River, where people tug young trees that are tightly bundled with vines and hooked to a straw figure in the middle.
41
In Vietnam, bamboo poles can be used for tugging.
42
In Korean juldarigi, making a rice straw rope as well as moving it to a ritual site is part of the tradition.
43
The rope stands for a dragon which is believed to bring rain to the region.
44
The tugging rituals in Asia are mostly held by rice farmers, who wish for enough rainfall and abundant harvests, so the rituals can be regarded as a form of prayer in the region.
45
They are also performed as a way of expressing their appreciation for a good harvest.
46
There is no intentional competitive element inherent in the rituals, and winning or losing is not emphasized.
47
While preparing for the rituals and performing them, participants realize the importance of solidarity, cooperation, and harmony among community members.
만점단어 부사
만점단어 부사
ユーザ名非公開 · 49問 · 17日前만점단어 부사
만점단어 부사
49問 • 17日前한문 내신 - 2학기 기말고사(전체)
한문 내신 - 2학기 기말고사(전체)
ユーザ名非公開 · 39問 · 1ヶ月前한문 내신 - 2학기 기말고사(전체)
한문 내신 - 2학기 기말고사(전체)
39問 • 1ヶ月前주제 19 - 확인 문제 (2)
주제 19 - 확인 문제 (2)
. · 16問 · 2ヶ月前주제 19 - 확인 문제 (2)
주제 19 - 확인 문제 (2)
16問 • 2ヶ月前<표준 발음법> 제2장~제4장
<표준 발음법> 제2장~제4장
댠 · 10問 · 3ヶ月前<표준 발음법> 제2장~제4장
<표준 발음법> 제2장~제4장
10問 • 3ヶ月前단어
단어
ユーザ名非公開 · 10問 · 5ヶ月前단어
단어
10問 • 5ヶ月前1주차 2
1주차 2
ユーザ名非公開 · 99問 · 5ヶ月前1주차 2
1주차 2
99問 • 5ヶ月前[주제 30] 시험 대비 문제
[주제 30] 시험 대비 문제
. · 15問 · 6ヶ月前[주제 30] 시험 대비 문제
[주제 30] 시험 대비 문제
15問 • 6ヶ月前문학 3
문학 3
주희! · 36問 · 7ヶ月前문학 3
문학 3
36問 • 7ヶ月前1학기 역사 기말
1학기 역사 기말
ユーザ名非公開 · 39問 · 7ヶ月前1학기 역사 기말
1학기 역사 기말
39問 • 7ヶ月前소화기(1)- 위장관
소화기(1)- 위장관
졍이 · 100問 · 7ヶ月前소화기(1)- 위장관
소화기(1)- 위장관
100問 • 7ヶ月前[주제 20] 시험 대비 문제
[주제 20] 시험 대비 문제
. · 15問 · 7ヶ月前[주제 20] 시험 대비 문제
[주제 20] 시험 대비 문제
15問 • 7ヶ月前교정복지론
교정복지론
ユーザ名非公開 · 60問 · 7ヶ月前교정복지론
교정복지론
60問 • 7ヶ月前생활안전경찰
생활안전경찰
LYB · 81問 · 8ヶ月前생활안전경찰
생활안전경찰
81問 • 8ヶ月前정신전력 B
정신전력 B
Pork triss · 19問 · 8ヶ月前정신전력 B
정신전력 B
19問 • 8ヶ月前예비부모
예비부모
ユーザ名非公開 · 21問 · 9ヶ月前예비부모
예비부모
21問 • 9ヶ月前중2 1학기 과학 1단원
중2 1학기 과학 1단원
ユーザ名非公開 · 77問 · 9ヶ月前중2 1학기 과학 1단원
중2 1학기 과학 1단원
77問 • 9ヶ月前사자성어
사자성어
ユーザ名非公開 · 30問 · 9ヶ月前사자성어
사자성어
30問 • 9ヶ月前수특 순서
수특 순서
호운 · 31問 · 9ヶ月前수특 순서
수특 순서
31問 • 9ヶ月前4.2 작부체계
4.2 작부체계
ユーザ名非公開 · 35問 · 10ヶ月前4.2 작부체계
4.2 작부체계
35問 • 10ヶ月前3월 13일 영단어 테스트
3월 13일 영단어 테스트
ユーザ名非公開 · 51問 · 10ヶ月前3월 13일 영단어 테스트
3월 13일 영단어 테스트
51問 • 10ヶ月前問題一覧
1
Our intangible cultural heritage is a bridge linking our past and our future.
2
It is the way we understand the world and the means by which we shape it.
3
It is rooted in our cultural identities and provides a foundation of wisdom and knowledge upon which to build sustainable development for all.
4
Intangible cultural heritage is a precious asset for communities, groups, and individuals across the world.
5
Only they can protect it and pass it on to tomorrow's generations.
6
The following pages offer an insight into the great diversity of humanity's living heritage across the world.
7
At a time of rapid and profound change, we must strengthen our resolve and take action to preserve this heritage for the benefit of future generations.
8
In the months between spring and autumn, people in Catalonia, Spain build castells during street festivals.
9
A castell is a tower of people standing on each other's shoulders, often raised as high as ten levels.
10
The formation of the bottom base or pinya is the first step in building a castell.
11
Anybody who is willing to help, from children to senior citizens, can be part of the pinya by supporting the tower and protecting it from collapsing.
12
When the pinya is formed, each level is added one after another.
13
When the last person reaches the top and waves his or her hands, the crowd below shouts and cheers.
14
Building a castell means a lot to Catalonians.
15
The knowledge about how to build castells is accumulated over generations and handed down from generation to generation within a community, and can only be learned by practice.
16
Building one provides people with a strong sense of belonging and a heightened spirit of teamwork and cooperation.
17
A castell requires between 75 and 500 people to build, all of whom wear a group color.
18
The color is a proud element of a community, and young children long for the day when they can wear a shirt and play their role in building their group's castell.
19
At a time when individual-based activities dominate most people's leisure time, this Catalan practice does seem to deserve serious attention.
20
Gingerbread broadly refers to any type of baked treat that is typically flavored with ginger and honey.
21
The process of making a licitar, a type of Croatian gingerbread, is special because it requires skill and endurance.
22
The dough matures for a few days, then is shaped in molds and baked, and then left for two weeks to dry.
23
Coloring is the next step, after which a second drying takes place.
24
Once dried, the licitars are decorated.
25
Licitars are given as gifts for wedding guests, or they can be used as decorations.
26
The custom of giving licitars is deeply rooted in Croatian tradition.
27
Licitars are not only a tasty dessert, but they are also an artistic expression.
28
A licitar is uniquely Croatian because of the long history and the social role it has played.
29
Croatians learned the recipe during the 16th century from their neighbors in the eastern Alps and went a step further to develop their own.
30
Since then, making licitars has become a family tradition where secrets are passed down from generation to generation.
31
In this way, every generation is able to leave its mark in each gingerbread they make.
32
Licitar makers play an important social function, too.
33
Gingerbread craftspeople appear at most festivals and fairs in Croatia.
34
People watch cookies being made and socialize.
35
In a time when local cultures are losing their unique identities, Croatian gingerbread craftsmanship provides us with a new perspective on traditional culture.
36
Tugging has long been practiced as a kind of ritual in many agricultural regions across Asia.
37
The way the ritual is performed varies from place to place.
38
In Cambodia, the ritual involves men tugging against women.
39
It takes place during the New Year holidays in April in the open space of a Buddhist temple or a village center.
40
In the Philippines, punnuk is held in the Hapao River, where people tug young trees that are tightly bundled with vines and hooked to a straw figure in the middle.
41
In Vietnam, bamboo poles can be used for tugging.
42
In Korean juldarigi, making a rice straw rope as well as moving it to a ritual site is part of the tradition.
43
The rope stands for a dragon which is believed to bring rain to the region.
44
The tugging rituals in Asia are mostly held by rice farmers, who wish for enough rainfall and abundant harvests, so the rituals can be regarded as a form of prayer in the region.
45
They are also performed as a way of expressing their appreciation for a good harvest.
46
There is no intentional competitive element inherent in the rituals, and winning or losing is not emphasized.
47
While preparing for the rituals and performing them, participants realize the importance of solidarity, cooperation, and harmony among community members.