A physical material where the artwork is created and the material that is used to create the artwork. This is concrete.

Are the building blocks of all arts; characteristics or quality contained in the artwork.

(7 Elements) − is considered as the simplest, most basic, and most universal way of creating visual arts − is a mark or sign showing direction, orientation, or motion of a piece of creation − is considered as a n omnipresent element that is dynamic in force because it pulls the vision of the viewer of an artwork

strength tension, dignity, height, spirituality

peace, security, death, width, reliability

uncertainly, collapse, danger, movement

comfort, gentleness, energy, the human body, emotional intensity, impulsiveness

(7 Elements) − is the degree of lightness or darkness of a paint or graphic which is dependent on the perspective or principle of the artist and his/her way of using colors − shows the degree of luminosity or lightness, or the presence or absence of light − ranges from light to dark depending on the prevalence of the color white or the color black

(7 Elements) − is a phenomenon of light or visual perception that enables one to differentiate otherwise identical objects (Webster as cited by Hue Arrogante) − adds to the effects of line and value

(Properties of Color) This simply is the name given to a color, such as red, green, and blue. Since there are many kinds of colors and to easily identify the difference of each, hue is used as a basis for identification.

(Color Wheel) These are red, yellow, and blue. These colors are equally distanced apart on the color wheel. There only three primary colors and they are the most basic colors on the wheel. They cannot be created by mixing any other colors together and can only be derived through natural pigments. All other colors found on the color wheel can be mixed from these three basic colors.

(Color Wheel) These are orange, green, and purple (or violet). These colors are created from mixing equal parts of any two green and primary colors together.

(Color Wheel)they are the result from mixing equal parts of a primary color with a secondary color. The proper way to refer to these colors is by listing the primary color first and then the secondary color.

(Principles of Contrast in Color Harmony) are those of the same hue but of different value (e.g. light purple, purple, and dark purple). This is the easiest color scheme to play with since you only need to choose one main color then add white or black.

(Principles of Contrast in Color Harmony) (a.k.a. color opposites) are those that are located directly opposite each other on the color wheel. When equal amounts of color opposites are mixed together, they will cancel each other out resulting in a drab neutral gray. But if the quantity of the complementary colors is not equal, they will blot each other.

(Principles of Contrast in Color Harmony) a variation of the complementary color scheme which uses two complementary color schemes that are adjacent to each other in the color wheel (e.g. purple and yellow with blue-violet and orange-yellow, or purple and yellow with violet-red and yellow- green)

(Principles of Contrast in Color Harmony) is made up of three colors which are equally spaced from one another on the color wheel forming an equilateral triangle (e.g. the primary colors or secondary colors).

(Principles of Contrast in Color Harmony) are a set of colors that are next to each other (e.g. yellow, orange-yellow, and orange). The closeness of each color in the color wheel makes them similar.

(Principles of Contrast in Color Harmony) The temperature of color is how we perceive a particular color.

(Properties of Color) It is the intensity of color in an image which can be bright or pale. The intensity of a color changes which can be complete, incomplete, and neutral. Moreover, it determines how certain hue will look in certain lighting conditions.

(7 Elements) − is formed if a line or lines meet to confine a space − defines a thing’s length and width (two-dimensional/2D) but not its depth/height

(Types of Shapes) shapes having well- defined edges which can be described with mathematic computations

(Tpes of Shapes) free, informal and irregular shapes like those of nature

(Types of Shapes) shapes that are stable and resting

(Types of Shape) shapes that appear to be moving or active

(7 Elements) − consists length, width and depth/height (three- dimensional/3D) and encloses volume -is considered the 3D version of a shape − can be created/viewed differently depending on the art

(7 Elements) −primarily appeals to the sense of touch because it is the characteristic of the surface of a thing which could be could be smooth or rough, slippery or bumpy, fine or furry -is based on the medium used but can be stimulated by using other elements

(Types of Texture) actual or real texture which can be felt and is created through the medium/media.

(Types of Texture) simulated texture or a visual illusion of texture which cannot be felt and is created using other elements of art

(7 Elements) − refers to the area within, around, above, below or between shapes, form, colors and lines. − is a technical art in perspective as it is used to show distance and position of the objects in space

(Types of Space) area or part of the composition that an object or subject occupies

(Types of Space) empty or open area that surrounds an object or the subject

(Principles of Art) the visual weight of the elements from the center of attention of the composition. It is not only limited to the visual weight; it also extends to the magnetic attraction contained in visual arts.

(Principles of Visual Art) a way of using elements to draw attention to a certain area, usually a focal point, in an artwork. It shows variations or differences that draw attention, ease boredom in monotony.

(Principle of Visual Art) a principle of design that tells differences. It refers to the arrangement of opposite elements in a piece so as to create visual interest, excitement and drama.

(Principles of Visual Art) a principle of design used to create the impression of action in a work of art.

(Principles of Visual Art)the uniform repetition of any of the elements of art or any combination thereof. Anything can be turned into a pattern through repetition. Some classic patterns are spirals, grids, weaves.

(Principles of Visual Art)achieved when the elements of an artwork come together in a unified way. Certain elements can be repeated, yet they still look and feel like they are lending themselves to a whole. It is a way of putting together elements to show their similarities. It is achieved through repeatedly using elements and gradually changing them.