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Visual Persuasion
  • Trix Soriano

  • 問題数 51 • 11/3/2024

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  • 1

    is the process of influencing people’s thoughts and stimulate them to act in a certain away using graphic materials or elements, such as photos and illustrations.

    Visual Persuasion

  • 2

    However, a picture itself is not —; it will depend on how the sender will integrate it into the message.

    persuasive

  • 3

    • a graphic itself has no power to persuade. Visual persuasion comes when there is a CONTEXT that will STIMULATE THE MIND OF THE VIEWERS to decode the visual and draw a conclusion.

    Viewer’s knowledge

  • 4

    So, if there are two people of different background and values, they may possibly have different — about the message.

    points of view Viewer’s knowledge

  • 5

    • This is the main element in visual persuasion.

    Visual Content

  • 6

    Make sure that the — and other — support the message that you intend to convey

    graphics visual elements Visual Content

  • 7

    • The way the graphics is done also affects the message.

    Graphic Style

  • 8

    Too much — may deliver the message subtly, while too much — might make the message difficult to understand.

    simplicity, complexity Graphic Style

  • 9

    • The — pertains to the MAIN TEXT used in the material.

    copy Relationship to copy

  • 10

    Make sure that the — work together to convey a single and clear message.

    graphics and the copy Relationship to copy

  • 11

    The — is the main element of visual persuasion, and thus, it plays a huge role in conveying your message to your target viewers.

    visual content

  • 12

    The — of design are the visual objects that are placed in artworks.

    elements

  • 13

    • Note that these— are crucial in depicting the visual message to the viewers. You can use a single element or a combination of elements depending on what you want to achieve.

    elements

  • 14

    Elements of Design

    LSC TSF V Line Shape Color Texture Space Form Value

  • 15

    • This is the most basic element of design

    1. Line

  • 16

    • It is composed of a series of points.

    1. Line

  • 17

    • It can also be defined as the connection between two points.

    1. Line

  • 18

    • Typically, — are used to SEPARATE elements or to DIRECT viewers to a specific area in the graphics

    lines

  • 19

    This is composed of connected lines forming a boundary.

    Shape

  • 20

    There are two types of shapes– —2.

    geometric and organic

  • 21

    — shapes are precise and have measurements. On the other hand, — shapes are the opposite; they are more natural and smoother

    Geometric, organic

  • 22

    • This is one of the most obvious elements in design.

    3. Color

  • 23

    • — is a standalone element; it can be used as a background or applied to other elements, such as lines and shapes.

    Color

  • 24

    • Note that — can also be used to create a particular mood in design.

    color

  • 25

    For example, — is used by many food chains and restaurants because it can stimulate appetite

    red

  • 26

    • You can add a tactile effect to your design using —.

    Texture

  • 27

    • It is used to put a surface feel to your design.

    Texture

  • 28

    is not commonly used in graphic design; however, it can be used to create a THREE-DIMENSIONAL EFFECT on the screen.

    Texture

  • 29

    • Also known as —2, these are the areas on the design that are left blank.

    5. Space negative or white space

  • 30

    • It connotes something that is three-dimensional and encloses volume, which includes height, length, and width

    6. Form

  • 31

    • This refers to how light or dark something is on a scale of white to black (with white being the — and black being the —).

    Value highest value lowest value

  • 32

    It is widely considered to be one of the most important elements of art.

    Value

  • 33

    To help you create an effective and excellent visual content for your advocacy project, you should know the — of design.

    PRINCIPLES OF DESIGN

  • 34

    These are the concepts on how you can organize various design elements in visual content.

    principles

  • 35

    • It pertains to visual equilibrium – the distribution of design elements in a content to create a visual stability.

    Balance

  • 36

    • There are three types of balance.

    1. Symmetrical Balance 2. Asymmetrical Balance 3. Radial Balance

  • 37

    - This type of balance in which design elements with the same visual weight are equally distributed on both sides.

    Symmetrical Balance

  • 38

    - Here, the design elements with varying visual weights are strategically placed in the artwork to create a visual balance.

    Asymmetrical Balance

  • 39

    - The design elements are equally placed around the central point.

    Radial Balance

  • 40

    • This is a part of the visual content where you want to draw the viewer’s attention by making it stand out among other design elements.

    Emphasis

  • 41

    • You can achieve emphasis by adjusting and limiting the — of the background so that the subject will be the only element that contains bright colors

    colors

  • 42

    • This is when you want to make the viewer’s eye follow a certain direction in your visual content.

    Movement

  • 43

    You can create a particular — in your artwork through lines, edges, shapes, or colors

    movement

  • 44

    • This refers to REPEATING CERTAIN OBJECTS throughout the visual content

    Pattern

  • 45

    • This is a way to create RELATIONSHIP AND UNITY among different objects in your visual content through repeating colors, font faces, and shapes.

    Repetition

  • 46

    It is also used to reinforce a certain idea

    Repetition

  • 47

    • This tells whether which element in a visual content is more important.

    Proportion

  • 48

    • This is how well the design elements in a visual content work together to convey a clear and unified message to the viewers.

    Unity

  • 49

    • This refers to the striking difference between two elements (e.g., rough texture next to smooth; white and black colors)

    Contrast

  • 50

    • This is achieved when all the elements are arranged to make the viewer think that they form a COHERENT WHOLE

    Harmony

  • 51

    • This uses the DIFFERENT ELEMENTS in an image to create visual interest

    10. Variety