is something that is, without any evidence, taken to be true to certain to occur. It is something that you take for granted without any inquiry or evidence.

Art has always been timeless, spanning generations and continents through and through.

This is a misconception, because age is not a factor in determining art. “An art is not good because it is old, but old because it is good” (Dudley, et al., 1960).

Who wrote this “An art is not good because it is old, but old because it is good”

According to Dr. Mariano Ariola (2018), art contribute to understanding of the past and present cultures. Through art people learn about their culture’s values an strengthen their cultures identity.

_____because it is man-made.

Unlike fields of knowledge that involve data, art is known by experiencing. A work of art then cannot be abstracted from actual doing.

According to Jeff Lee (2016), ______ of the deepest emotion in the minds.

Art is a product of imagination that entertains, pleases and inspires people. The various artworks of artists reflect that artist’s power of ___.

What are the 6 assumptions of art

According to ______ art contribute to understanding of the past and present cultures. Through art people learn about their culture’s values an strengthen their cultures identity.

According to _____ art is a form of expression of the deepest emotion in the minds.

In the art-world, despite of the constant changes on tradition and values, there are few things that remain the same, particularly the mistaken views of people regarding what art is and how art world works.

Misconception: Because it’s art, everything must be well-thought and properly executed. Reality: The concept of perfection is already unrealistic in itself, then the idea of trying to perfect something has never been done, especially if it’s your original work.

Misconception: Painting is simply a coloured drawing; one must first learn how to draw before he/she can actually paint. Reality: Painting requires its own set of skills. Being good at drawing doesn’t necessarily make you a good painter.

Misconception: Art is all about artistic value and colours are all about raising it, naturally, more colours equals more aesthetic value. Reality: In the words of Henri Matisse, “A colourist makes his presence known even in simple charcoal drawing.”

Misconception: logic dictates that small canvases are easier to paint than big canvases, and they take up less space and less time. Reality: Size is subjective, it all comes down to what type of painting you wanted to go foryou can’t really apply ‘one size fits’ all if your objective is to envelop your viewers.

Misconception: Because they have talent, it shouldn’t take long for an artist to finish one painting. Reality: As stated by Edgar Degas, “Painting is easy when you don’t know how but very difficult when

Misconception: Higher prices almost often indicate higher quality; therefore, it’s not good art if the price tag is cheap. Reality: Sometimes the best ones will be ridiculously cheap. The keyword here is ridiculous; it is ridiculous to define a painting’s quality through coins and bills.

Enumerate the 6 misconceptions of art

Nature not only serves as inspiration for artistic expression but is also the medium through which many art forms are created.

Large-scale outdoor works created by altering the landscape itself.

Art that focuses on plants, often for scientific documentation. It blends precision and aesthetics.

Art depicting animals in their natural habitats, aiming to capture their beauty, behaviour, and environment.

It captures landscapes, wildlife, plants, and other natural elements.

Art that addresses environmental concerns, often through the use of sustainable materials or themes of conservation.

The art of arranging flowers and other plant materials to create decorative displays.

The practice of designing products or structures based on principles found in nature.

Art created from wood or other natural materials, often emphasizing the inherent qualities of the material.

The use of ______ derived from plants, minerals, and insects to colour fabrics.

A style of _____ that seeks harmony between habitation and the natural world.

_____ that engage with natural settings, often with ephemeral or interactive element.

Enumerate the 11 different arts from nature

refers to the understanding of the universal and timeless elements that distinguish all great art.

Emotions can be expressed in various ways through art. As a result, people work in representation of their inner selves rather than what is observed based on the outside.

art works that are primarily visual in nature and appeal to the sense of sight. Artists create _____ because they want to recreate what they’ve seen in the same way they saw it.

is a skill of piecing together sequences of static images to create the appearance of movement. Intends to bring feelings, ideas, and beauty to its viewers, _____ stimulates or creates experiences that are beyond our imagination.

It is a live art in which the artist’s medium is primarily the human body, but he or she may also incorporate other forms of art.

A collection of coordinated sound/s. a process of putting together sounds and tones in an order, often combining them to create a unified composition.

is creating beautiful buildings, which art is the quest and creation of beautiful things.

A set of gestures that are choreographed to the beat of the music. It is a method of expression that enables individuals to express themselves freely.

Utilizes language to express themselves and communicate feelings to their audience.

Live performers offer tales or visuals of events in front of a live audience in _____.______ art is distinguished from literary art by the fact that it is usually performed according to a script.

The goal of _____ is to provide aesthetic value to ordinary objects by blending style and design.

Enumerate the different forms of art

refers to factual stories based on real people, information, or events.

refers to literature that is not grounded in real-life events but is made up or created from a writer's imagination.