▪Developed during the rebirth of classical art and learning in Europe. Initially characterized by the use of the classical orders, round arches, and symmetrical proportions.

▪ Period of learning designers were intent on the accurate Roman elements. ▪ Leading Architects were Brunelleschi, Michelozzo, and Alberti.

• Renaissance became an individual style in its own right • Mannerists used architectural elements in a free, decorative and illogical way, unsanctioned by antique precedent

▪ Architects worked with freedom knowledge. ▪ The true nature of Renaissance as a distinctive style began to emerge ▪ _______ saw architecture, painting, sculpture and the minor arts being used in harmony to produce the unified whole ▪ Churrigueresque refers to Spanish _____

▪ Style which is primarily French in origin ▪ Rock-like forms, fantastic scrolls, and crimped shells ▪ Profuse, often semi-abstract ornamentation ▪ Light in color and weight

• Use of Symmetry, Geometry and Proportion • Grandeur obtained through simplicity • Less or No use of Towers and more use of Domes • Interiors planned according to the principles of Roman ArchitectureGrandeur obtained through simplicity

• Constructed of Ashlar Masonry • Stucco or Plaster were often used as Facing Materials • Angles of Buildings were built in unsmoothed stone • Gable ends of Churches and Buildings were made as pediments with low pitch.

Door and Window openings are Semi Circular or Square headed. Constructed according to climate. Classic System of Molded Architrave as Revived.

Simple Roman Vaults without Ribs. The shafts of Columns were fluted spirally. Rusticated and Ornamented with Foliage and Fruits.

Architectural Character of renaissance.

His design was selected from several entries in a competition. He proposed a Greek cross plan and a dome similar to the Pantheon in Rome

A student of Bramante, designed the Pauline Chapel

Strengthening the foundation

Proposed a Latin cross plan

Reverted to Greek cross

Slightly altered plan – extended vestibule and campanile, and elaborated the central dome.

Undertook the project at 72 years old - present building owes most of its outstanding features to him. Greek-cross Plan and strengthen the Dome.

Designed the cupola

Completed the dome in 1590

Added sided cupolas or side domes

Lengthened nave to form Latin cross and built the gigantic façade

Added the Cathedra Petri, and the Bronze Baldaccino.

he turn it back to greek cross plan.

who proposed this latin cross plan?

who proposed this greek cross plan?

what is the style the church shown above?

what is the vertical bar between the tunnel of glass in the window usually found in gothic fenestration?

A reaction against the classical perfection of the High Renaissance; it either responded with a rigorous application of classical rules, or flaunted classical convention, in terms of scale and shape.

What type of style is this structure?

What type of style is this?

What type of style shown in the picture?

What type of style shown in the picture?

What type of style shown in the picture?

What type of style shown in the picture?

What type of style shown in the picture?

What type of style shown in the picture?

What type of style shown in the picture?

a singer’s gallery or “choir”.

a brown stone more suitable for exterior work.

several steps going up & 3 steps going down before the principal flooring o an Italian palace.

a blue grey stone of fine quality.

Italian name for internal court surrounded by an arcade.

a treatment of façade without column.

a lump or knob, projected ornament at the intersection of the ribs of a ceiling.

a method of forming a stone work w/ roughened surface & recessed joints.

vertical stripe of a rusticated masonry.

or Swag or Festoon, twisted band, garland or chaplet representing flowers, fruits, leaves for decoration.

contains spiral wind band or ― volutes’.

hard stone or brick used w/ similar ones to reinforce an external corner or edge of a wall.