問題一覧
1
The (コントラスト)between red green makes the logo stand out, but the (ハレーション) makes it kind of difficult to look at
contrast, halation
2
What about reducing the (彩度) to balance the colors?
saturation
3
Another opinion might be to (グラデーションをつける)
adjust the gradation
4
By reducing the (明度), it will (コントラストを強める) between the two colors, don't you think?
lightness, increase the contrast
5
The overall image is dominated by the (グレー) of the concretes.
gray
6
That could be because (無彩色) bring together the overall (色彩計画)
natural colors, color scheme
7
(色味を足すこと) might make it better, don't you think?
adding a little shade
8
now that you mention it, the area with (草木の緑) is small, but it (引き締める) the entire image
earth-green colors, tightens up
9
By using the campus colors for the sign, we will also be able to (アクセントをつける) the image
accentuate
10
() an exciting coming- of-age movie ()? ~はいかがですか、どう思いますか
how does sound
11
it thus () a poignant reminder for viewers ()[〜にさせてくれる] the trials the had endured in growing up, and the friendships which () them () so[人に〜することを可能にしてきた]
served as of had allowed to do
12
the movie () in 1959 () economic disparity and social stratification
was set ,when
13
Stand by Me's four protagonists grew up during this period of socioeconomic transformation,(分詞構文) their experiences very real for • • •
,making
14
"I never had () later on like () I had when I was twelve,"
any friends the ones
15
This simple (), charged with the bittersweet wisdom gained from "growing up", () deeply in the hearts of viewer.
statement resonated
16
(それは〜の時期である), despite our budding self-awareness, we're still unsure
It's a time when
17
The protagonists in Stand by Me • • • the hearts of several generations of viewers, () them ()where they started and what they may
reminding of
18
(切ないほどの懐かしさ) caused by this movie may actually come from the child in us.
The pang of nostalgia
19
The low-rise section of the roof has a (緩やかな曲線) with (滑らかなうねり) , giving an impression of suppleness.
gentle curve smooth undulation
20
Does the (うねり) affect the shape of the room?
undulation
21
The indoor ceiling is (曲線状) and the rooftop looks like (優しく打ち寄せる波) against a green hill
curved waves gently lapping
22
It must be a strange and mysterious feeling standing in a (傾斜した) garden in the sky.
sloping
23
The (でこぼこのない) shape of most high-rise buildings makes them appear (圧迫感のある)
smooth overpowering
24
I put in a (スリット) that separates it into two parts. The outer wall and balcony have extensions that (突き出る) .
slit protrude out
25
The (でこぼこさ) of the outer wall makes it look as if it were carefully pleated.
unevenness
26
By (わずかに傾けること) the outer wall, your line of sight is shifted off of the other buildings.
slightly tilting
27
"freedom" () its focus () rights for minorities () allowing all [を〜から~に焦点を移した] individuals to live and express
shifted from to
28
This trend has had many cultural implications: (= )the explosion of social networks, the "selfie", and •
such as
29
() by any larger social groups, he shifts freely between roles depending
Not restrained
30
He continuously defies the other characters' expectation of him to be "pirate-like"() them that he is not just anyone, he's Jack Sparrow.
,reminding
31
This was what (させた) the impressive variation in the movie scenes (機能する).
made work
32
(ある場面では)it feels like , (他の場面では) we get beautiful vistas
At some points at others
33
Instead, (*強調) his ship that drives his hunt.
it is
34
(どんなシーンに偶然出くわそうとも), he () all the scenes into (一つの物語).
And no matter what kind of scene he happens upon ,trying one narrative
35
This ties in perfectly with current social trends(関係代名詞の非制限用法) youth are taught that individually is our most important asset.
,where
36
The body is made of (プラスチック) , but I want to use (クロムメッキ加工) around the duct.
plastic chrome planting
37
Couldn't we give it more warmth by using different material? How about (木材)?
wood
38
That might burn. Besides, I kind of imagined a cool breeze, so I wanted to use a (光沢のある) or (透明感のある) material.
shiny transparent
39
How about the grip then? If the surface is too (滑らか), it might be (滑りやすい).
smooth slippery
40
I was planning to put (シボ加工) on the surface to avoid slipping.
graining
41
Using (集成材) for the material suggests a very casual type of furniture.
laminated wood
42
It's a lot cheaper compared to (無垢材).
solid wood
43
A: You use (アクリル) column to keep the spaces between the boards?
acrylic
44
Yes, I didn't want to draw any attention to anything but the boards themselves, to I used a material that was strong but (透明感がある).
transparent
45
Don't you think (アクリル) is a little expensive?
acrylic
46
Since the main part is made from inexpensive (集成材), I think the overall cost distribution is appropriate.
laminated wood
47
Have you ever wished you could (時間を遡る・過去に戻る) and fix something?
go back in time
48
Doc Brown (〜とあまり変わらない) Marty - his inventions never seem to work
isn't much better than
49
The introduction to the movie gives you information about the present(*非制限用法) we later discover is the outcome of the events we see in the past.
,which
50
When in the past, (〜の代償が大きくなる).
the stakes are high for every little action
51
(そうした視点から), viewers (〜に夢中になる) the plot (分詞構文「予測しながら」)what will happen next,
As such find themselves invested in ,predicting
52
However, (他の理由がある)this movies success.
there was more to
53
It used time travel to (検証する) how (タイムトラベルによって起きた問題) can be affected in the future (によって) one's actions.
examine these issues depending on
54
This process (可能にした) the movie to (〜だけでなく) just portray teen issues, (ことも) to address them.
allowed not but
55
It seamlessly(溶け込ませる) character growth into the story (もったいぶることなくなく).
wove without sounding pedantic
56
At the same time, it (〜から〜に焦点をシフトさせた)• • • (いうまでもなく) • • •
shifted its focus from to ~ not to mention
57
You never know what you'r(are going toの口語) get."
are gonna
58
(たとえどの〜であろうとも) "chocolates" we're dealt in life, (してさえすれば) we take them for what they are and work hard, things have a way of (うまくいく).
No matter which as long as working out
59
,was an underdog and the perfect (擁護者) for (現代の平等主義の理想).
champion modern egalitarian ideals
60
According to these, anyone (成功することができるはずだ) if they put in the effort.
should be able to succeed
61
Viewers (せざるを得なかった) wonder, "Was he really there?"
couldn't help but
62
his low IQ gave him a comically naive (に対する見方) the chaos around him.
take on
63
was present at (政治活動家の集まり) and mistook it for a "(政党)"depending on one's actions.
a political activist meeting party
64
The idea of one unknown individual (〜が〜した) so many important people may seem preposterous at first.
touching
65
Forrest came to us (過渡期に) after a half-century of (広いカテゴリー),including (公民権運動), (女性の権利闘争), (反戦講義運動)
at a transition point domestic conflict black rights struggles women's rights struggles antiwar protests
66
The (左右対称の) compositions are clear.
symmetrical
67
I think it might be better if it were (左右非対称の) .
asymmetrical
68
The composition and the chic colors (目立たせている) in black give it a real Japanese feel.
highlighted
69
those with the power to prevent it often (結局は〜になる) it.
end up abusing
70
However, (世紀の変わり目) has brought new challenges to national security and, (それに応じて), many governments have started to (の制限を解除する) of their power.
the turn of the century in response push the limits
71
This () the government (危険に晒す) becoming the abuser and threatens the ~
put ~ at risk of
72
This (難題) (登場させた) for Batman, the Dark Knight.
dilemma set the stage
73
(〜に対して) a (完全に阻止できない存在) like the Joker, must the police forces break their own rules In order to contend?
Against completely unchecked entity
74
many, including national governments, (戸惑っていた)what could possibly be done against an ~
were wondering
75
To () the government (〜が〜しないようにする) its people's trust, he (〜することを引き受ける) bend the law and bring down criminals, (and he is fully aware)
keep from losing takes it upon himself to fully aware
76
:His self-sacrifice () any feelings of suspicion (AをBで取り替える) a deep, but guilty, respect,
replace with
77
Whether big or small, they (それら全てが一緒になって未来へと導いていく) - but
all come together in steering our future
78
Good Will Hunting ()this theme (に真正面から取り組む).
takes head on
79
Lambeau decides he must () Will (引き入れる)the academic world(いかなる代償を払っも).
bring into at all costs
80
(を受けて) the (知性、頭の良さ), and the supports of a renowned professor,
with smarts
81
the academic world (であるかもしれない) an alien planet.
may as well be
82
when psychologist Maguire (呼び寄せられた) by Lambeau to convince Will to take
is called in
83
The three struggling characters (折り合いをつける) their doubts from
come to terms with
84
It may (とは関係がない) social class, genius, or ambition!
have nothing to do with
85
()on the big screen, on TV, (AでもBでもCでも) in books,
Be it or
86
When we () characters similar to ourselves (~が〜しているのを見る)something,
see doing
87
it often (肯定につながる) that we can do the same.
serve as affirmation
88
The Devil Wears Prada (登場させる) recent college graduate, Andy.
introduces
89
When Andy succeeded, it was (まるで〜のようだ) they had succeeded.
as if
90
In this way, The Devil Wears Prada (主役にした)women in positions of power,
featured