TOA - Part 1
問題一覧
1
Replacement of supporting walls by a grid of reinforced concrete columns that bears the structural load is the basis of the new aesthetic.
Pilotis
2
The absence of supporting walls- means the house is unrestrained in its internal use.
the free designing of the ground plan
3
Separating the exterior of the building from its structural function- sets the facade free from structural constraints.
the free design of the facade
4
is a long narrow window evident in Villa Savoye
Ribbon window
5
on a flat roof can serve a domestic purpose while providing essential protection to the concrete roof
Roof gardens
6
Thought the concept of “Ideal City”
Leonardo da Vinci
7
The dimension of a color that is correlated with luminance and by which visual stimula are ordered continuously from very dim to very bright. Pure white has the maximum brightness, and pure black the minimum brightness.
Brightness
8
The degree by which a color differs from a grat of the same lightness or brightness, corresponding to saturation of the perceived color.
Chroma
9
One of the three dimensions of color: the purity or vividness of a hue.
Saturation/ Intensity
10
Violet represents mourning or death in many cultures, what will you di to make it livelier?
Add brighter colors to contrast the sadness
11
Violet’s complementary color.
yellow
12
Color for optimism, friendliness and anxiety
yellow
13
Cheerfulness is implied by this color.
yellow (or red)
14
Color for intelligence and focus. Trust, serenity, logic, coldness, and unfriendliness.
blue
15
Color for strength, warmth, excitement, and stimulation.
red
16
Color for harmony, rest, reassurance, and boredom.
green
17
Color for trust, spiritual awareness, introversion, and inferiority.
violet
18
Color for food, sensuality, immature, fun, and frustration.
orange
19
Color which means love, sexually, nurture, and physical weakness.
pink
20
Color for warmth, reliability, and lack of humor.
brown
21
Color for neutrality and lack of energy.
gray
22
Color for purity, simplicity, elite, and cold.
white
23
Color for sophistication, oppression, and security.
black
24
Color that can be used to make the room or soace more spacious.
white
25
Color of master bedroom according to feng shui.
white
26
The visual and especially tactile quality of a surface apart from its color or form.
Texture
27
A condition of logical, harmonious, or comprehensible arrangement in which each element of a group is properly disposed with reference to other elements and to its purpose.
Order
28
Not a principle of design.
Direction
29
Characteristics of volume that pertains to the shape and structure of something as distinguished from its substance or material.
Form
30
A phenomenon of light and visual perception that may be described in terms of an individual’s perception of hue, saturation, and lightness for objects, and hue, saturation, and brightness for light sources?
Chroma
31
Destructive cycle of element in Feng Shui
Hierarchy
32
In color theory, the one or two or three closely related colors on a color wheel.
Analogous
33
In color theory, the one having only one color or exhibiting varying intensities and values of a single hue.
Monochromatic
34
without color; black, gray or neutral
Achromatic
35
also warm colors
Analogous
36
a combination of two analogous colors and their complimentary colors on a color wheel
Double Complimentary
37
Having or exhibiting a variety of colors.
Polychromatic
38
One of two or three closely related colors on a color wheel.
Analogous color
39
A combination of one color and the pair of colors adjoining its complimentary color on a color when.
Split Complimentary
40
A combination of three colors forming an equilateral triangle on a color wheel.
Triad
41
A doctor’s consultation room would normally require this type of privacy.
Intimacy
42
The Torre de Manila and Riza Monument controversy illustrates which design principle.
Contrast
43
Designing for the blind is in this level of architectural orders.
Perceptual
44
Feng Shui is basically…
Geomancy
45
The primary identifying characteristic of a volume.
Form
46
Opposition or juxtaposition of dissimilar elements in a work of art to intensify each element’s properties and produce a more dynamic expressiveness.
Contrast
47
If you remove the columns from the wall, what would be the result?
Free Facade
48
Movement characterized by a patterned repetition or alteration of formal elements or motifs in the same or modified form.
Rhythm
49
A method or manner of jointing that makes the hnited pats clear, distinct, and precise in relation to each other.
Articulation
50
An artistic or decorative design especially one having a characteristic arrangement and considered as a unit, of which an idea can be given by a fragment.
Pattern
51
A form position relative to the person viewing the form, to the compass point, and the ground plane.
Orientation
52
This structure represents a vertical linear form.
Cleopatra's Needle
53
This structure represents a cylindrical form.
Tempietto San Pedro
54
The arranging of parts or elements into proper proportion or relation so as to form a unified whole.
Composition
55
Unified composition of two-dimensional shapes or thee-dimensional volumes, especially one that has or gives impression of weight, density, and bulk.
Massing
56
Movement characterized by a patterned repetition or alternation of formal elements or motifs in the same or modified form.
Rhythm
57
The state or quality of being continuous, such as that exhibited by a line, edge, or direction.
Continuity
58
The state or quality of being combined into one, such as the ordering of elements in an artistic work that constitutes a harmonious whole or promotes a singleness effect.
Unity
59
A system of elements ranked, classified, and organized one above another, according to importance of significance.
Hierarchy
60
The edge or contour of shape that is a point extended having properties of length, direction, and position.
Line
61
The shape and structure of something as distinguished from its substance or material.
Form
62
The outline or surface configuration of a particular form or figure. It suggests an outline with some emphasis on the enclosed area or mass.
Shape
63
The extent of a three-dimensional object or the amount of space that it occupies.
Volume
64
A line extended with the properties of length, width, shape, surface, orientation, and position.
Plane
65
The exact correspondence in size, form, and arrangements of parts on opposite sides of a dividing line or plane, or about a center or axis.
Symmetry
66
Symmetry resulting from the arrangement of similar, radiating parts about a center point or central axis.
Radial Symmetry
67
The pleasing or harmonious arrangement or proportion of parts or elements in a design or composition.
Balance
68
A straight line to which elements in a composition are referred for measuremebt or symmetry.
Axis
69
The plan for a building organized around a large or dominant space, usually characterized by two axes crossing each other at right angles.
Central Plan
70
The parts of a building are organized longitudinally, or along a given axis.
Axial Plan
71
Using a downlight/pinlight in indirect lighting in a store.
Gives a dramatic effect
72
In this type of spatial relationship, the larger, enveloping space serves as a three-dimensional field for the smaller space contained within it.
Space within a space
73
Results from the overlapping of two spatial fields and the emergence of a zone of shared space.
Interlocking Spaces
74
Most commin type of relationship where it allows each space to be clearly defined and to respond, each in its own way, to specific functional or symbolic requirements.
Adjacent Spaces
75
Two spaces that are separated by distance can be linked or related to each other by a third, intermediate space.
Spaces linked by a common space
76
An organization that us stable, concentrated composition that consists of a number of secondary spaces grouped around a large, dominant, central space.
Centralized
77
An organization that consists of essentially of a series of spaces. These spaces can either be directly related to one another or be linked through a separate and distinct linear space.
Linear
78
An organization of space combines elements of both centralized and linear organizations. It consists of a dominant central space from which a number of linear organizations extend in a radial manner.
Radial
79
An organization that relies on physical proximity to relate its spaces to one another. It often consists of repetitive, cellular spaces that have similar functions and share a common visual trait such as shape or orientation.
Clustered
80
An organization that consists of forms and spaces whose positions in space and relationships with one another are regulated by a three-dimensional rid pattern or field.
Grid
81
The study of the symbolic and communicative role of the spatial separation individuals maintain a various social and interpersonal situations, and how the natute and degree of this spatial arrangement relates to environmental and cultural factors.
Proxemics
82
Proxemics of Public Distance
12 to 25ft
83
Proxemics of Social Distance
4 to 12ft
84
Proxemics of Personal Distance
1.5 to 4ft
85
Proxemics of Intimate Distance
Negative to 18in
HOA - International
HOA - International
Ara Angulo · 89問 · 1年前HOA - International
HOA - International
89問 • 1年前HOA - Local
HOA - Local
Ara Angulo · 51問 · 1年前HOA - Local
HOA - Local
51問 • 1年前HOA - Philippine Architects and Buildings
HOA - Philippine Architects and Buildings
Ara Angulo · 48問 · 1年前HOA - Philippine Architects and Buildings
HOA - Philippine Architects and Buildings
48問 • 1年前HOA - terms
HOA - terms
Ara Angulo · 87問 · 1年前HOA - terms
HOA - terms
87問 • 1年前HOA - Mock Exam (sir rino)
HOA - Mock Exam (sir rino)
Ara Angulo · 43問 · 1年前HOA - Mock Exam (sir rino)
HOA - Mock Exam (sir rino)
43問 • 1年前TOA - Color
TOA - Color
Ara Angulo · 40問 · 1年前TOA - Color
TOA - Color
40問 • 1年前TOA - Design
TOA - Design
Ara Angulo · 76問 · 1年前TOA - Design
TOA - Design
76問 • 1年前HOA - Church
HOA - Church
Ara Angulo · 30問 · 1年前HOA - Church
HOA - Church
30問 • 1年前ES
ES
Ara Angulo · 10問 · 1年前ES
ES
10問 • 1年前問題一覧
1
Replacement of supporting walls by a grid of reinforced concrete columns that bears the structural load is the basis of the new aesthetic.
Pilotis
2
The absence of supporting walls- means the house is unrestrained in its internal use.
the free designing of the ground plan
3
Separating the exterior of the building from its structural function- sets the facade free from structural constraints.
the free design of the facade
4
is a long narrow window evident in Villa Savoye
Ribbon window
5
on a flat roof can serve a domestic purpose while providing essential protection to the concrete roof
Roof gardens
6
Thought the concept of “Ideal City”
Leonardo da Vinci
7
The dimension of a color that is correlated with luminance and by which visual stimula are ordered continuously from very dim to very bright. Pure white has the maximum brightness, and pure black the minimum brightness.
Brightness
8
The degree by which a color differs from a grat of the same lightness or brightness, corresponding to saturation of the perceived color.
Chroma
9
One of the three dimensions of color: the purity or vividness of a hue.
Saturation/ Intensity
10
Violet represents mourning or death in many cultures, what will you di to make it livelier?
Add brighter colors to contrast the sadness
11
Violet’s complementary color.
yellow
12
Color for optimism, friendliness and anxiety
yellow
13
Cheerfulness is implied by this color.
yellow (or red)
14
Color for intelligence and focus. Trust, serenity, logic, coldness, and unfriendliness.
blue
15
Color for strength, warmth, excitement, and stimulation.
red
16
Color for harmony, rest, reassurance, and boredom.
green
17
Color for trust, spiritual awareness, introversion, and inferiority.
violet
18
Color for food, sensuality, immature, fun, and frustration.
orange
19
Color which means love, sexually, nurture, and physical weakness.
pink
20
Color for warmth, reliability, and lack of humor.
brown
21
Color for neutrality and lack of energy.
gray
22
Color for purity, simplicity, elite, and cold.
white
23
Color for sophistication, oppression, and security.
black
24
Color that can be used to make the room or soace more spacious.
white
25
Color of master bedroom according to feng shui.
white
26
The visual and especially tactile quality of a surface apart from its color or form.
Texture
27
A condition of logical, harmonious, or comprehensible arrangement in which each element of a group is properly disposed with reference to other elements and to its purpose.
Order
28
Not a principle of design.
Direction
29
Characteristics of volume that pertains to the shape and structure of something as distinguished from its substance or material.
Form
30
A phenomenon of light and visual perception that may be described in terms of an individual’s perception of hue, saturation, and lightness for objects, and hue, saturation, and brightness for light sources?
Chroma
31
Destructive cycle of element in Feng Shui
Hierarchy
32
In color theory, the one or two or three closely related colors on a color wheel.
Analogous
33
In color theory, the one having only one color or exhibiting varying intensities and values of a single hue.
Monochromatic
34
without color; black, gray or neutral
Achromatic
35
also warm colors
Analogous
36
a combination of two analogous colors and their complimentary colors on a color wheel
Double Complimentary
37
Having or exhibiting a variety of colors.
Polychromatic
38
One of two or three closely related colors on a color wheel.
Analogous color
39
A combination of one color and the pair of colors adjoining its complimentary color on a color when.
Split Complimentary
40
A combination of three colors forming an equilateral triangle on a color wheel.
Triad
41
A doctor’s consultation room would normally require this type of privacy.
Intimacy
42
The Torre de Manila and Riza Monument controversy illustrates which design principle.
Contrast
43
Designing for the blind is in this level of architectural orders.
Perceptual
44
Feng Shui is basically…
Geomancy
45
The primary identifying characteristic of a volume.
Form
46
Opposition or juxtaposition of dissimilar elements in a work of art to intensify each element’s properties and produce a more dynamic expressiveness.
Contrast
47
If you remove the columns from the wall, what would be the result?
Free Facade
48
Movement characterized by a patterned repetition or alteration of formal elements or motifs in the same or modified form.
Rhythm
49
A method or manner of jointing that makes the hnited pats clear, distinct, and precise in relation to each other.
Articulation
50
An artistic or decorative design especially one having a characteristic arrangement and considered as a unit, of which an idea can be given by a fragment.
Pattern
51
A form position relative to the person viewing the form, to the compass point, and the ground plane.
Orientation
52
This structure represents a vertical linear form.
Cleopatra's Needle
53
This structure represents a cylindrical form.
Tempietto San Pedro
54
The arranging of parts or elements into proper proportion or relation so as to form a unified whole.
Composition
55
Unified composition of two-dimensional shapes or thee-dimensional volumes, especially one that has or gives impression of weight, density, and bulk.
Massing
56
Movement characterized by a patterned repetition or alternation of formal elements or motifs in the same or modified form.
Rhythm
57
The state or quality of being continuous, such as that exhibited by a line, edge, or direction.
Continuity
58
The state or quality of being combined into one, such as the ordering of elements in an artistic work that constitutes a harmonious whole or promotes a singleness effect.
Unity
59
A system of elements ranked, classified, and organized one above another, according to importance of significance.
Hierarchy
60
The edge or contour of shape that is a point extended having properties of length, direction, and position.
Line
61
The shape and structure of something as distinguished from its substance or material.
Form
62
The outline or surface configuration of a particular form or figure. It suggests an outline with some emphasis on the enclosed area or mass.
Shape
63
The extent of a three-dimensional object or the amount of space that it occupies.
Volume
64
A line extended with the properties of length, width, shape, surface, orientation, and position.
Plane
65
The exact correspondence in size, form, and arrangements of parts on opposite sides of a dividing line or plane, or about a center or axis.
Symmetry
66
Symmetry resulting from the arrangement of similar, radiating parts about a center point or central axis.
Radial Symmetry
67
The pleasing or harmonious arrangement or proportion of parts or elements in a design or composition.
Balance
68
A straight line to which elements in a composition are referred for measuremebt or symmetry.
Axis
69
The plan for a building organized around a large or dominant space, usually characterized by two axes crossing each other at right angles.
Central Plan
70
The parts of a building are organized longitudinally, or along a given axis.
Axial Plan
71
Using a downlight/pinlight in indirect lighting in a store.
Gives a dramatic effect
72
In this type of spatial relationship, the larger, enveloping space serves as a three-dimensional field for the smaller space contained within it.
Space within a space
73
Results from the overlapping of two spatial fields and the emergence of a zone of shared space.
Interlocking Spaces
74
Most commin type of relationship where it allows each space to be clearly defined and to respond, each in its own way, to specific functional or symbolic requirements.
Adjacent Spaces
75
Two spaces that are separated by distance can be linked or related to each other by a third, intermediate space.
Spaces linked by a common space
76
An organization that us stable, concentrated composition that consists of a number of secondary spaces grouped around a large, dominant, central space.
Centralized
77
An organization that consists of essentially of a series of spaces. These spaces can either be directly related to one another or be linked through a separate and distinct linear space.
Linear
78
An organization of space combines elements of both centralized and linear organizations. It consists of a dominant central space from which a number of linear organizations extend in a radial manner.
Radial
79
An organization that relies on physical proximity to relate its spaces to one another. It often consists of repetitive, cellular spaces that have similar functions and share a common visual trait such as shape or orientation.
Clustered
80
An organization that consists of forms and spaces whose positions in space and relationships with one another are regulated by a three-dimensional rid pattern or field.
Grid
81
The study of the symbolic and communicative role of the spatial separation individuals maintain a various social and interpersonal situations, and how the natute and degree of this spatial arrangement relates to environmental and cultural factors.
Proxemics
82
Proxemics of Public Distance
12 to 25ft
83
Proxemics of Social Distance
4 to 12ft
84
Proxemics of Personal Distance
1.5 to 4ft
85
Proxemics of Intimate Distance
Negative to 18in