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1
weight on one foot, hit the floor with the ball or heel of the other foot (the free foot) after which that foot is lifted from the floor to any direction.
Brush
2
transfer of weight from ball of one foot to flat of other foot.
Ball Change
3
three changes of weight with a close on the second moving forward, backward, or sideward; also a series of sideward closes.
Chasse
4
to move free foot to supporting foot with one change of weight.
Close Step
5
to displace quickly one foot with other, thus completely taking off the weight of the body from the displaced foot. A basic foot movement in Samba. Step L (ct.1); bring R quickly up to L and step R displacing L (ct.2).
Cut
6
to slowly move free foot to supporting foot without change of weight.
Draw
7
a step side – cross behind – side – cross in front pattern. Bend knees, let hips turn naturally, and keep weight on balls of feet.
Grapevine
8
a spring on one foot, landing on the same foot in place or in any direction. The free foot may be raised in any direction (in front, in rear, sideward or across).
Hop
9
a spring on one foot or both feet, landing on both feet in any direction.
Jump
10
a spring on one foot, landing on the other foot in any direction (forward, sideward, backward, or oblique).
Leap
11
to turn with the ball, heel, or whole foot, on a fixed place or point while free foot is kept either in front or directly behind.
Pivot
12
to put foot in a certain or desired position without putting weight on it. The sole of the foot rests on the floor.
Place
13
to touch the floor lightly with toes of one foot, weight of the body on other foot.
Point
14
a change of weight from the supporting foot to the free foot usually in the same position.
Replace
15
two changes of weight, each in opposite directions that creates a rocking movement.
Rock
16
a step-close-step pattern to you R or L slide. To glide foot smoothly along the floor. It is heel movement and it may be finished with or without transfer of weight.
Side
17
step-hop pattern on the same foot.
Skip
18
to glide foot smoothly along the floor and it may be finished with or without transfer of weight.
Slide
19
a turn done in place on the ball of one foot.
Spin
20
to bring down the foot forcibly and noisily on the floor (like doing a heavy step) with or without transfer of weight.
Stamp
21
to advance or recede by raising or moving one foot to another resting place. There is a complete transfer of weight from one foot to another.
Step
22
the weight is place first on the toe before the entire sole of the foot.
Toe
23
the weight is place on the ball before the entire sole of the foot.
Ball
24
wherein, the weight is place on the entire sole of the foot.
Sole
25
wherein, the weight is place first on the heel before the entire sole of the foot.
Heel
26
a twisting motion on the ball or heel of one foot or both feet, or a turn on the ball of the supporting foot while the free foot is brought to a new position.
Swivel
27
knock slightly with the ball or toe of the free foot, flexing the ankle joint keeping weight of the body on the other foot. There is no change or transfer of weight.
Tap
28
a turning movement in which the feet alternate.
Turn
29
a turning movement in which the feet alternate.
Turn
30
Clockwise
R Turn or Natural Turn
31
Counterclockwise
L Turn or Reverse Turn
32
is a progressive full turning step done with three changes of weight/step in any desired direction.
3- Step turn
33
a change of places between partners usually done by a man on a lunge or second position leading the lady to a new spot by turning over in a one hand joined hold.
Over Turn
34
a turn to the right by the lady under a one-hand joined hold (woman’s right and man’s left hand).
Outside-Underarm Turn
35
a turn to the left by the lady under a one-hand joined hold. The opposite of the outside-underarm turn.
Inside-Underarm Turn
36
to make fast turns by executing small steps in place to right or left.
Whirl Turn
37
a step side – cross behind – side – cross in front pattern. Bend knees, let hips turn naturally, and keep weight on balls of feet.
Grapevine
38
– a step-hop pattern on the same foot.
Skip
39
a twisting motion on the ball or heel of one foot or both feet, or a turn on the ball of the supporting foot while the free foot is brought to a new position.
Swivel
40
to knock slightly with the ball or toe of the free foot, flexing the ankle joint keeping weight of the body on the other foot. There is no change or transfer of weight.
Tap
41
Types of Turn
1. R Turn or Natural Turn 2. L Turn or Reverse Turn 3. Whole Turn 4. Half Turn 3. Quarter Turn 4. Eight Turn 5. 3 Step Turn 6. Over turn 7. Outside Underarm Turn 8. Inside Underarm Turn
42
the stress placed on a beat that makes it stronger and louder than the others. The primary accent is on the first beat of the measure. Sometimes there is more than one accent per measure. Some dance steps have the accent on the off-beat, which makes the rhythm syncopated.
Accent
43
the regular occurrence of accented beats that shape the character of music and dance.
Rhythm
44
the first beat in a measure, corresponding to the downward movement of a conductor’s arm or baton.
Downbeat
45
the last beat of a measure, an opposite to downbeat.
Upbeat
46
rate of speed at which the music is played, or the speed of the dance.
Tempo
47
a rhythm cue
Wuick
48
like the direction of the hands of the clock as a dancer or a couple moves on the dance floor.
Clockwise
49
reverse direction of the clockwise as a dancer or a couple moves on the dance floor.
Counterclockwise
50
an imaginary line running counter-clockwise around the outside of the dance floor followed by dancers progressing around a room.
Clockwise
51
an imaginary line running counter-clockwise around the outside of the dance floor followed by dancers progressing around a room.
Line of Dance/ Line of Direction
52
opposite direction from the line of direction, which is clockwise.
Reverse of Line direction/line of dance
53
dance in which there is little or no movement along a Line of Direction, as opposed to progressive dance.
Spot dance
54
a dance in which couples move along Line of Direction around the dance floor, as opposed to spot dance.
Progressive dance