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1
to touch the floor lightly with toes of one foot, weight of the body on other foot.
Point
2
the regular occurrence of accented beats that shape the character of music and dance.
Rhythm
3
knock slightly with the ball or toe of the free foot, flexing the ankle joint keeping weight of the body on the other foot. There is no change or transfer of weight.
Tap
4
a turn to the left by the lady under a one-hand joined hold. The opposite of the outside-underarm turn.
Inside-Underarm Turn
5
transfer of weight from ball of one foot to flat of other foot.
Ball Change
6
to displace quickly one foot with other, thus completely taking off the weight of the body from the displaced foot. A basic foot movement in Samba. Step L (ct.1); bring R quickly up to L and step R displacing L (ct.2).
Cut
7
a step side – cross behind – side – cross in front pattern. Bend knees, let hips turn naturally, and keep weight on balls of feet.
Grapevine
8
to put foot in a certain or desired position without putting weight on it. The sole of the foot rests on the floor.
Place
9
like the direction of the hands of the clock as a dancer or a couple moves on the dance floor.
Clockwise
10
the stress placed on a beat that makes it stronger and louder than the others. The primary accent is on the first beat of the measure. Sometimes there is more than one accent per measure. Some dance steps have the accent on the off-beat, which makes the rhythm syncopated.
Accent
11
– a step-hop pattern on the same foot.
Skip
12
wherein, the weight is place first on the heel before the entire sole of the foot.
Heel
13
a turn done in place on the ball of one foot.
Spin
14
a change of places between partners usually done by a man on a lunge or second position leading the lady to a new spot by turning over in a one hand joined hold.
Over Turn
15
to make fast turns by executing small steps in place to right or left.
Whirl Turn
16
a spring on one foot or both feet, landing on both feet in any direction.
Jump
17
to turn with the ball, heel, or whole foot, on a fixed place or point while free foot is kept either in front or directly behind.
Pivot
18
to bring down the foot forcibly and noisily on the floor (like doing a heavy step) with or without transfer of weight.
Stamp
19
a twisting motion on the ball or heel of one foot or both feet, or a turn on the ball of the supporting foot while the free foot is brought to a new position.
Swivel
20
Clockwise
R Turn or Natural Turn
21
wherein, the weight is place on the entire sole of the foot.
Sole
22
a turning movement in which the feet alternate.
Turn
23
the last beat of a measure, an opposite to downbeat.
Upbeat
24
a turn to the right by the lady under a one-hand joined hold (woman’s right and man’s left hand).
Outside-Underarm Turn
25
step-hop pattern on the same foot.
Skip
26
dance in which there is little or no movement along a Line of Direction, as opposed to progressive dance.
Spot dance
27
a rhythm cue
Wuick
28
Types of Turn
1. R Turn or Natural Turn 2. L Turn or Reverse Turn 3. Whole Turn 4. Half Turn 3. Quarter Turn 4. Eight Turn 5. 3 Step Turn 6. Over turn 7. Outside Underarm Turn 8. Inside Underarm Turn
29
weight on one foot, hit the floor with the ball or heel of the other foot (the free foot) after which that foot is lifted from the floor to any direction.
Brush
30
an imaginary line running counter-clockwise around the outside of the dance floor followed by dancers progressing around a room.
Clockwise
31
a step side – cross behind – side – cross in front pattern. Bend knees, let hips turn naturally, and keep weight on balls of feet.
Grapevine
32
the weight is place first on the toe before the entire sole of the foot.
Toe
33
a dance in which couples move along Line of Direction around the dance floor, as opposed to spot dance.
Progressive dance
34
a change of weight from the supporting foot to the free foot usually in the same position.
Replace
35
Counterclockwise
L Turn or Reverse Turn
36
reverse direction of the clockwise as a dancer or a couple moves on the dance floor.
Counterclockwise
37
a turning movement in which the feet alternate.
Turn
38
a step-close-step pattern to you R or L slide. To glide foot smoothly along the floor. It is heel movement and it may be finished with or without transfer of weight.
Side
39
opposite direction from the line of direction, which is clockwise.
Reverse of Line direction/line of dance
40
the weight is place on the ball before the entire sole of the foot.
Ball
41
three changes of weight with a close on the second moving forward, backward, or sideward; also a series of sideward closes.
Chasse
42
to glide foot smoothly along the floor and it may be finished with or without transfer of weight.
Slide
43
a spring on one foot, landing on the same foot in place or in any direction. The free foot may be raised in any direction (in front, in rear, sideward or across).
Hop
44
two changes of weight, each in opposite directions that creates a rocking movement.
Rock
45
to slowly move free foot to supporting foot without change of weight.
Draw
46
an imaginary line running counter-clockwise around the outside of the dance floor followed by dancers progressing around a room.
Line of Dance/ Line of Direction
47
to move free foot to supporting foot with one change of weight.
Close Step
48
a spring on one foot, landing on the other foot in any direction (forward, sideward, backward, or oblique).
Leap
49
rate of speed at which the music is played, or the speed of the dance.
Tempo
50
to knock slightly with the ball or toe of the free foot, flexing the ankle joint keeping weight of the body on the other foot. There is no change or transfer of weight.
Tap
51
is a progressive full turning step done with three changes of weight/step in any desired direction.
3- Step turn
52
to advance or recede by raising or moving one foot to another resting place. There is a complete transfer of weight from one foot to another.
Step
53
the first beat in a measure, corresponding to the downward movement of a conductor’s arm or baton.
Downbeat
54
a twisting motion on the ball or heel of one foot or both feet, or a turn on the ball of the supporting foot while the free foot is brought to a new position.
Swivel