ART APPRECIATION II
問題一覧
1
_____is the creation of a two-dimensional visual language with certain aesthetic qualities, which expresses ideas and emotions.
Painting
2
This is done with the use of ground pigments (from minerals, coal tar, vegetable matter, etc.) ____ are long-lasting, slow in drying, easy to handle. ____ creates luminous colors and blends well with surrounding paints however it is hard to move to the next stage in painting because of slow drying.
Oil Painting
3
______A method of painting water-based pigments on freshly applied plaster, usually on wall surfaces. The colors, which are made by grinding dry-powder pigments in pure water, dry and set with the plaster to become a permanent part of the wall. The ____paintings are durable. It is quick to dry.
_____paintings are not movable because they are permanently attached to the walls; and ____ paintings are subject to loss in the event that the walls are destroyed.
Fresco
4
It is one of the most popular painting mediums for fine artwork.
_______ is done with the use of pigments mixed with water and applied to fine white paper. Liquid colors are more suitable for mixing larger amounts of paint. _____dry quickly which can be both an advantage and disadvantage.
Water Color
5
______Its name stems from the Latin word temperare, meaning to mix in proportion. A _____ painting is done with the use of ground pigments mixed with an albuminous or colloidal vehicle (egg yolk, gum, glue, or casein). Unlike oil paint, ____ cannot be applied to thickly, and thus lack the deep coloration of oil. _____ paintings are very long lasting and colors do not deteriorate overtime.
Tempera
6
_____ painting is done with the use of pastel colors closely resembling dry pigments bound to form crayons, which are directly applied to the surface. It brings vibrant and lively color. However, the color may get dirty sometimes and the work is fragile.
Pastel
7
_____painting is done with the use synthetic paints called ____ mixed with a vehicle capable of being thinned with water. Wet paint can be cleaned off using just soap and water. As compared to other synthetics, _____ are less strong and are not resistant to matting.
Acrylic
8
_____ painting is done with the use of hot wax as a vehicle to bind pigments to a wooden panel or a wall. It has a range of textural and color advantages that makes it an excellent alternative to oil painting. ____ painting needs to be kept in molten state to maintain its good quality.
Encaustic
9
It is the art of designing structures.
Architecture
10
____gives a definite definition of the role of the architect: construction, articulation, and aesthetics.
Fletcher
11
The theory of Architecture was the accepted translation of Latin term ratiocinatio as used by , a Roman architect-engineer of the 1st century CE. This was acknowledged to distinguish theoretical from practical knowledge in architectural education.
Vitruvius
12
____ (firmitas). It should stand up robustly and remain in good condition.
Durability
13
____(utilitas). It should be useful and function well for the people using it.
Utility
14
____(venustas). It should delight people, and raise their spirits.
Beauty
15
______Architectural structures during this period are best seen on a hill, the "Acropolis."
Greek Architecture
16
No base, simple capital and grooved shaft.
Doric
17
With base, scrolled capital and grooved shaft.
Ionic
18
With base, acanthus-leaf and fluted shaft.
Corinthian
19
First to use bricks and cement can be seen in their public buildings: Coliseum, basilicas (Pantheon), arches, aqueducts (Nimes), and amphitheaters.
Roman Architecture
20
Doric capital with base and plain shaft.
Tuscan
21
Combined Ionic-Corinthian capital with base and fluted shaft.
Composite
22
A typical feature found in practically all Byzantine churches was the iconostasis and floor plan was based on the Greek cross.
Byzantine Architecture
23
_____This is an architectural style of medieval Europe characterized by semi-circular arches.
Romanesque Architecture
24
_____ architectural style in Europe actually lasted from the mid-12th century to the 16th century. Its masonry building is characterized by huge spaces with overlaid tracery of broken walls.
Gothic Architecture
25
____ The European architecture of the period between the early 14th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture.
Renaissance Architecture
26
Use of new construction materials, hydraulic and steel cable elevators made higher structures possible, and concentration of business in urban areas resulted in higher coats.
19th Century’s Architecture
27
The control of the effects of sun, wind and rainfall.
Orientation
28
____The modification of the effects of the natural forces. For example, porches, eaves, roofs, etc.
Design
29
The control and distribution of windows for light, ventilation, and hearing
Fenestration
30
The insulation and heating control.
Walls
31
It should be chosen for the practical and expressive qualities: reflection and absorption of light.
Color
32
It depends on the nature of the materials used and the intention for them.
Material and Techniques
33
It provides shelter and security for the basic physical functions of life and at times also for commercial, industrial, or agricultural activities that involve the family unit rather than the community.
Domestic
34
Buildings used for sports, leisure activities, adventure and thrill activities.
Recreational
35
These include offices, retail outlets, and other facilities where commercial business is conducted.
Commercial
36
This is the construction of places of worship, such as churches, mosques, stupas, synagogues, and temples.
Religious
37
This is the art of fortifications.
Military or Defense
38
Manufacturing plant or production plants where workers manufacture goods or operate machine processing one product into another.
Factories
39
The artist uses chisels, hammers, and other tools, for example in stone sculpture.
Subtraction
40
The art of forming solid objects that represent a thing, person, idea, etc. out of a material such as wood, clay, metal, or stone, or an object made in this way.
Sculpture
41
The artist puts together bits of clay or by welding together the metal parts.
Addition
42
This is a sculpture in a restricted sense, which for its noblest and most excellent works made use of marble.
Stone Sculpture
43
This flourished in the middle ages. Encasing the carved work with cloth covered with chalk in order to facilitate polychromy.
Wood Sculpture
44
This is the most lasting work. The oldest metal sculpture pieces are made out of copper alloys and bronze. Other metals such as gold and silver are softer, enabling the artisan to shape the metal with tools by hammering.
Sculpture in Metal
45
It refers to metal working technique in which malleable metal is beaten into form by hammer and puncheon. This is used for smaller subjects only.
Repousse Sculpture
46
This is a sculpture produced by molding. A good example for this is Terracotta. The clay is molded in a soft substance and it hardens either by firing or drying.
Sculpture in Clay
47
This is the carving of ivory, generally by using sharp cutting tools. This is often used for small proportions and suitable for delicate and pathetic subjects.
Sculpture in Ivory
48
The art of cutting gems e.g. engraving of medals, coins, and seals which have a cultural importance rather than an artistic and esthetic.
Glyptic
49
He is considered to be the greatest Filipino sculptor of the 19th century. Isabelo's entry to the Exposición Regional de Filipinas (inaugurated in Manila in 1895) was a carving of an altar with a crucifix enclosed, used with native plant motifs manifesting art nouveau sensibilities. Frame designs of this sort were later known as "Tampinco frames."
Isabelo Tampico Y Lakandola
50
He represented the National Artist Awards for Sculpture in
1973. He is considered as the "Father of Philippine Arts" because of his great works like the famous "Bonifacio Monument" symbolizing Filipinos cry for freedom located in intersection of EDSA and Rizal Avenue and "The Oblation" in UP signifying academic freedom.
Guillermo Tolentino
51
He was an award-winning Filipino sculptor. He was among the youngest TOYM Awardees, having received the prestigious award at the age of 29. In the 1970, he was generally considered the most avant garde sculptor and was labeled by a publication as "the Phenomenon of Philippine Art". He was also a jewelry artist and designer. Some of his major works are People Power Monument (1993), The Redemption (1974), and Paghimud-os (1975).
Eduardo Castrillo
52
In 1976, he was proclaimed as National Artist of the Philippines for Visual Arts by then President Ferdinand Marcos. He was the youngest recipient of the title at age 46. Some of his major works include Kaganapan
(1953), Kiss of Judas (1955), Thirty Pieces of Silver, The Transfiguration, Eternal Gardens Memorial Park (1979), UP Gateway (1967), Nine Muses (1994), UP Faculty Center, Sunburst (1994)-Peninsula Manila Hotel. His Sandugo or Blood Compact shrine in Bohol, Tagbilaran City is a landmark at the site of the first international treaty of friendship between Spaniards and Filipinos.
Napolean Abueva
Abnormal Psychology
Abnormal Psychology
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Abnormal Psychology
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Experimental Psychology
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Experimental Psychology
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Industrial/Organizational Psychology
Industrial/Organizational Psychology
ユーザ名非公開 · 42問 · 2年前Industrial/Organizational Psychology
Industrial/Organizational Psychology
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ART APPRECIATION III
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ユーザ名非公開 · 26問 · 1年前ART APPRECIATION III
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26問 • 1年前ユーザ名非公開
問題一覧
1
_____is the creation of a two-dimensional visual language with certain aesthetic qualities, which expresses ideas and emotions.
Painting
2
This is done with the use of ground pigments (from minerals, coal tar, vegetable matter, etc.) ____ are long-lasting, slow in drying, easy to handle. ____ creates luminous colors and blends well with surrounding paints however it is hard to move to the next stage in painting because of slow drying.
Oil Painting
3
______A method of painting water-based pigments on freshly applied plaster, usually on wall surfaces. The colors, which are made by grinding dry-powder pigments in pure water, dry and set with the plaster to become a permanent part of the wall. The ____paintings are durable. It is quick to dry.
_____paintings are not movable because they are permanently attached to the walls; and ____ paintings are subject to loss in the event that the walls are destroyed.
Fresco
4
It is one of the most popular painting mediums for fine artwork.
_______ is done with the use of pigments mixed with water and applied to fine white paper. Liquid colors are more suitable for mixing larger amounts of paint. _____dry quickly which can be both an advantage and disadvantage.
Water Color
5
______Its name stems from the Latin word temperare, meaning to mix in proportion. A _____ painting is done with the use of ground pigments mixed with an albuminous or colloidal vehicle (egg yolk, gum, glue, or casein). Unlike oil paint, ____ cannot be applied to thickly, and thus lack the deep coloration of oil. _____ paintings are very long lasting and colors do not deteriorate overtime.
Tempera
6
_____ painting is done with the use of pastel colors closely resembling dry pigments bound to form crayons, which are directly applied to the surface. It brings vibrant and lively color. However, the color may get dirty sometimes and the work is fragile.
Pastel
7
_____painting is done with the use synthetic paints called ____ mixed with a vehicle capable of being thinned with water. Wet paint can be cleaned off using just soap and water. As compared to other synthetics, _____ are less strong and are not resistant to matting.
Acrylic
8
_____ painting is done with the use of hot wax as a vehicle to bind pigments to a wooden panel or a wall. It has a range of textural and color advantages that makes it an excellent alternative to oil painting. ____ painting needs to be kept in molten state to maintain its good quality.
Encaustic
9
It is the art of designing structures.
Architecture
10
____gives a definite definition of the role of the architect: construction, articulation, and aesthetics.
Fletcher
11
The theory of Architecture was the accepted translation of Latin term ratiocinatio as used by , a Roman architect-engineer of the 1st century CE. This was acknowledged to distinguish theoretical from practical knowledge in architectural education.
Vitruvius
12
____ (firmitas). It should stand up robustly and remain in good condition.
Durability
13
____(utilitas). It should be useful and function well for the people using it.
Utility
14
____(venustas). It should delight people, and raise their spirits.
Beauty
15
______Architectural structures during this period are best seen on a hill, the "Acropolis."
Greek Architecture
16
No base, simple capital and grooved shaft.
Doric
17
With base, scrolled capital and grooved shaft.
Ionic
18
With base, acanthus-leaf and fluted shaft.
Corinthian
19
First to use bricks and cement can be seen in their public buildings: Coliseum, basilicas (Pantheon), arches, aqueducts (Nimes), and amphitheaters.
Roman Architecture
20
Doric capital with base and plain shaft.
Tuscan
21
Combined Ionic-Corinthian capital with base and fluted shaft.
Composite
22
A typical feature found in practically all Byzantine churches was the iconostasis and floor plan was based on the Greek cross.
Byzantine Architecture
23
_____This is an architectural style of medieval Europe characterized by semi-circular arches.
Romanesque Architecture
24
_____ architectural style in Europe actually lasted from the mid-12th century to the 16th century. Its masonry building is characterized by huge spaces with overlaid tracery of broken walls.
Gothic Architecture
25
____ The European architecture of the period between the early 14th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture.
Renaissance Architecture
26
Use of new construction materials, hydraulic and steel cable elevators made higher structures possible, and concentration of business in urban areas resulted in higher coats.
19th Century’s Architecture
27
The control of the effects of sun, wind and rainfall.
Orientation
28
____The modification of the effects of the natural forces. For example, porches, eaves, roofs, etc.
Design
29
The control and distribution of windows for light, ventilation, and hearing
Fenestration
30
The insulation and heating control.
Walls
31
It should be chosen for the practical and expressive qualities: reflection and absorption of light.
Color
32
It depends on the nature of the materials used and the intention for them.
Material and Techniques
33
It provides shelter and security for the basic physical functions of life and at times also for commercial, industrial, or agricultural activities that involve the family unit rather than the community.
Domestic
34
Buildings used for sports, leisure activities, adventure and thrill activities.
Recreational
35
These include offices, retail outlets, and other facilities where commercial business is conducted.
Commercial
36
This is the construction of places of worship, such as churches, mosques, stupas, synagogues, and temples.
Religious
37
This is the art of fortifications.
Military or Defense
38
Manufacturing plant or production plants where workers manufacture goods or operate machine processing one product into another.
Factories
39
The artist uses chisels, hammers, and other tools, for example in stone sculpture.
Subtraction
40
The art of forming solid objects that represent a thing, person, idea, etc. out of a material such as wood, clay, metal, or stone, or an object made in this way.
Sculpture
41
The artist puts together bits of clay or by welding together the metal parts.
Addition
42
This is a sculpture in a restricted sense, which for its noblest and most excellent works made use of marble.
Stone Sculpture
43
This flourished in the middle ages. Encasing the carved work with cloth covered with chalk in order to facilitate polychromy.
Wood Sculpture
44
This is the most lasting work. The oldest metal sculpture pieces are made out of copper alloys and bronze. Other metals such as gold and silver are softer, enabling the artisan to shape the metal with tools by hammering.
Sculpture in Metal
45
It refers to metal working technique in which malleable metal is beaten into form by hammer and puncheon. This is used for smaller subjects only.
Repousse Sculpture
46
This is a sculpture produced by molding. A good example for this is Terracotta. The clay is molded in a soft substance and it hardens either by firing or drying.
Sculpture in Clay
47
This is the carving of ivory, generally by using sharp cutting tools. This is often used for small proportions and suitable for delicate and pathetic subjects.
Sculpture in Ivory
48
The art of cutting gems e.g. engraving of medals, coins, and seals which have a cultural importance rather than an artistic and esthetic.
Glyptic
49
He is considered to be the greatest Filipino sculptor of the 19th century. Isabelo's entry to the Exposición Regional de Filipinas (inaugurated in Manila in 1895) was a carving of an altar with a crucifix enclosed, used with native plant motifs manifesting art nouveau sensibilities. Frame designs of this sort were later known as "Tampinco frames."
Isabelo Tampico Y Lakandola
50
He represented the National Artist Awards for Sculpture in
1973. He is considered as the "Father of Philippine Arts" because of his great works like the famous "Bonifacio Monument" symbolizing Filipinos cry for freedom located in intersection of EDSA and Rizal Avenue and "The Oblation" in UP signifying academic freedom.
Guillermo Tolentino
51
He was an award-winning Filipino sculptor. He was among the youngest TOYM Awardees, having received the prestigious award at the age of 29. In the 1970, he was generally considered the most avant garde sculptor and was labeled by a publication as "the Phenomenon of Philippine Art". He was also a jewelry artist and designer. Some of his major works are People Power Monument (1993), The Redemption (1974), and Paghimud-os (1975).
Eduardo Castrillo
52
In 1976, he was proclaimed as National Artist of the Philippines for Visual Arts by then President Ferdinand Marcos. He was the youngest recipient of the title at age 46. Some of his major works include Kaganapan
(1953), Kiss of Judas (1955), Thirty Pieces of Silver, The Transfiguration, Eternal Gardens Memorial Park (1979), UP Gateway (1967), Nine Muses (1994), UP Faculty Center, Sunburst (1994)-Peninsula Manila Hotel. His Sandugo or Blood Compact shrine in Bohol, Tagbilaran City is a landmark at the site of the first international treaty of friendship between Spaniards and Filipinos.
Napolean Abueva