問題一覧
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State the meaning of GAMABA
GAWAD sa MANLILIKHA ng BAYAN
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Gawad sa manlilikha ng bayan or ?
National living treasures award
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It is Conferred on Filipinos who are at the forefront of the practice preservation, and promotion of the nation's traditional folk arts.
Gawad sa manlilikha ng bayan or national living treasures award
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To honor and support traditional folk artists and to see to it that their skills and crafts are preserve
Objectives of Gawad sa manlilikha ng bayan
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It is formalized in 1992, through Republic Act No. 7355, the Manlilikha ng Bayan Act
Gawad sa manlilikha ng bayan
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The _____ oversees the implementation of the gawad ng manlilikha sa bayan
National Commission for the Culture and the Arts
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It is tied with a program that ensures the transfer of their skills to new generations and the promotion of the craft both locally and intentionally
Gawad sa manlilikha ng bayan
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In 2014, the Senate of the Philippines adopted Senate Resolution _____ aimed at recognizing the accomplishments of the country's living treasures
No. (SRN)765
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The award logo is a representation of the human form used in traditional cloth. Below the logo is the phrase "Manlilikha ng Bayan" written in Baybayin, an ancient Filipino script used in the Philippines in the 16th century
Emblem
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Below the logo is the phrase _____
"Manlilikha ng Bayan"
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An ancient Filipino script used in the philippines in the 16th century
Baybayin
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It is the representation of the human form used intraditional cloth
Award logo
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Should be a Filipino citizen or a group of citizens belonging to an indigenous / traditional cultural community anywhere in the Philippines, engaged in Filipino traditional art
Criteria 1
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Filipino traditional art in the following categories
1. Folk architechture, 2. Maritime transport, 3. Weaving, 4. Carving, 5. Performing arts, 6. Literature, 7. Graphic and plastic arts, 8. Ornament, 9. Textile or fiber art, 10. Pottery
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Should have been engaged in the tradition and craft for a significant period of time with at least 50 years of existence and documentation
Criteria 2
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Should have produced and performed of artistic, distinctive, and superior quality
Criteria 3
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Should possess mastery of the tools and materials that are needed for the art and must have a reputation for being an art master and craft maker in the community where he / she belongs
Criteria 4
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Should have passed on and / or will pass on the traditional crafts and skills to other members of the community by virtue of teaching
Criteria 5
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In case when a Manlilikha ng Bayan canditate is incapable of teaching further his/her craft and skill due to age or infirmity
Criteria 6
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He / she should have created a significant body of work and has contributed to the development of the tradition and craft
Criteria 6A
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He / she should have played a role in the preservation and revitalization of the artistic tradition in the community
Criteria 6B
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He / she has been recognized as a master of his / her craft and admired for his character and intergrity in his / her community
Criteria 6C
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The rank and the title of Manlilikha ng Bayan, as proclaimed by the President of the Philippines in accordance with Executive order No. 236 or Honors Code of the Philippines
Individual awardee benefits
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The GAMABA gold plated medallion minted by the Bangko Sentral ng Pilipinas (BSP) and citation
Individual awardee benefits
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A lifetime emolument and materials and physical benefits comparable in value to those recieved by the highest officers of the land such as : 1. A minimum cash award of Two Hundred Thousand Pesos (Php 200,000), net of taxes 2. A minimum lifetime personal monthly stipend of Fifty Thousand Pesos (Php 50, 000) 3. Medical and hospitalization benefits not exceeding Php 750, 000 per year
Individual awardee benefits
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A state funeral, the arrangements for and the expenses of which shall be bome by the Government, upon death of the Manlilikha ng Bayan
Individual awardee benefits
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A place of honor, in line with protocol precedence, in state functions, national commemoration ceremonies and all other cultural presentations
Individual awardee benefits
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The rank ang title of Manlilikha ng Bayan, as proclaimed by the President of the Philippines in accordance with Executive Order No. 236 or Honors Code of the Philiplines
Group awardee benefits
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The GAMABA plaque for the group
Group awardee benefits
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The one time award of Two Hundred Thousand Pesos (Php 200,000), net of taxes a. The group shall designate its leader who will represent and attend events and functions on behalf of the group. The said representative will also have a plave of honor, in line with protocol precedence, in state functions, national commemoration ceremonies and all other cultural presentations
Group awardee benefits
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GAMABA AWARDEES
1. Ginaw Bilog, 2. Masino Intaray, 3. Samaon Sulaiman, 4. Lang Dulay, 5. Salinta Monon, 6. Alonzo Saclag, 7. Federico Caballero, 8. Uwang Ahadas, 9. Darhata Sawabi, 10. Eduardo Mutuc, 11. Haja Amina Appi, 12. Teofilo Garcia, 13. Magdalena Gamayo, 14. Ambalang Ausalin, 15. Estelita Bantilan, 16. Yabing Masalon Dulo
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It is a kind of poem consisting of seven syllable lines which most of the time contains messages of love and friendship
Ambahan
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Poet, Hanunuo Mangyan Panaytayan, Oriental Mindoro (1993) Ambahan
Ginaw Bilog
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Musician and Storyteller, Pala'wan Brookes Point, Palawan (1993)
Masino Intaray
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A musician and a poet whose Expertise were the Basal, Kulilal, and Bagit
Masino Intaray
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It is a kind of musical ensemble played during the tambilaw
Basal
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A ritual of rice sharing among the Palawan people as an offering to the lord of rice during the tinapay
Tambilaw
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A rice wine drinking
Tinapay
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Musician, Mamasa Pano, Magundanao (1993), Master in playing the kutyapi
Samaon Sulaiman
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It is a 2-stringed plucked lute, it is also the most difficult to master indigenous Filipino instrument
Kutyapi
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Textile weaver, T'boli, Lake Sebu, South Cotabato Tnalak
Lang Dulay
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It is a kind of fabric made up of fine abaca fibers weaved with different designs which reflect the traditions of the Tboli
Tnalak
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Textile Weaver, Tagabawa Bagobo, Bansalan, Davao del Sur Start weaving at the age of 12 through the guidance of her mother
Salinta Monon
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She used to wear the traditional hand Woven tube skirt of the Bagobo. (sinukla and bandura)
Salinta Monon
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Musician and Dancer, Lubungan, Kalinga A master of dance and performing arts. He has also mastered the dance patterns and movements associated with his people's ritual
Alonzo Saclag
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He is the founder of the Kalinga Budong Dance Troupe to ensure that the music and dance of his ancestor are passed to the younger generations
Alonzo Saclag
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Epic Chanter, Sulod Bukidnon, Calinog, Iloilo Work for the documentation of the oral literature, Particularly the epics of his People. Labaw Dunggon and Humadapnon
Federico Caballero
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Musician, Yakan Lamitan, Basailan Is a Yakan, a people to whom instrumental music is closely connected to the spiritual realm
Uwang Ahadas
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Consisting of five wooden logs Hung horizontally, from the shortest to the longest, Played to serenade the palay, as lover woos his beloved
Kwintangan kayu
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Textile Weaver, Tausug, Parang, Sulu Weaving the Pis Syabit
Darhata Sawabi
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The traditional cloth tapestry worn as head covering by the Tausug of Jolo
Pis Syabit
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Metal smith, Kapampangan, Apalit, Pampanga Creating religious and secular art in silver, bronze and wood
Eduardo Mutuc
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Mat Weaver, Sama Tandubas, Tawi Tawi
Haja Amina Appi
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It is one of the treasured traditions of the Sama People. Their mat is made up of Pandan Leaves w/c undergo tedious processes from Stripping to sun dying, to dyeing up to weaving
Mat weaving
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Casque maker, Ilokano, San Quintin, Abra He make to wear Tabungaw, the gourd hat he makes and wears, is uniquely distinct in craftmanship
Teofilo Garcia
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Textile weaver, Ilokano, Pinili, Ilocos Norte Abel
Magdalena Gamayo
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The textile weaving of Ulokano from local Cotton and other fibers
Abel
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Flowers
Sinan sabong
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Geometric design
Binakol and Unuritan
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Spiral forms similar to orange
Kusikos
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Known for ikat-dyed fabrics
Yabing Masalon Dulo
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She is a mat weaver. Her entire body is her "loom". The thin strips of the pandanus romblon emerge matrixed through left fingers performing a personal rhythm,vthe beat seemingly guided by her eyes
Estelita Bantilan
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She is called by her community of weavers, is highly esteemed in all of Lamitan
Ambalang Ausalin
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She is able to bring forth all designs and actualize all textile categories typical to the Yakan. She can execute the suwah bekkat and suwah pendan techniques of the bunga sa category
Ambalang Ausalin