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  • Gleizl Grace Badol

  • 問題数 75 • 8/10/2023

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    問題一覧

  • 1

    Indicates a position in space.

    Point

  • 2

    A point extended becomes a line. Conceptually , a line has length, but no width or depth. Whereas a point is by nature, static. A line can describe a path from a point in motion, it is capable of visually expressing direction, movement and growth.

    Line

  • 3

    Vertical, horizontal or diagonal lines has their own character or visual representation

    Straight Lines

  • 4

    Sawtooth, zig-zag, patterns, motifs of sharp corners and peaks of lines.

    Jagged Lines

  • 5

    From point to line, and lines to planes. An enclosed segments/ components of lines forms planes and shapes

    Closed Lines

  • 6

    Lines with a particular line weight/width of thick or thin. Mostly used for graphical representations.

    Line weight

  • 7

    Lines directed towards a vanishing point gives us visual sense of an illusion of depth.

    Depth

  • 8

    A system of rules and guidance for mixing various colors in order to: - create aesthetically Pleasing Blends - produce maximum readability and clarity - Draw on cultural association to effect meaning.

    Color Wheel

  • 9

    Color is...

    Light

  • 10

    Colors that cannot be created by mixing other colors. Building block for all the other colors.

    Primary Colors

  • 11

    Colors made by mixing primary colors

    Secondary colors

  • 12

    Colors that mix primary and secondary colors.

    Tertiary colors

  • 13

    Colors that are opposite from one another on the color wheel

    Complementary Colors

  • 14

    Noticeable level of difference between two colors.

    Contrast

  • 15

    Colors positioned next to each other on the color wheel.

    Analogous Colors

  • 16

    Light that occurs naturally without the involvement of humans. Direct or indirect illumination is provided but not limited to the sun or daylight.

    Natural Light Sources

  • 17

    These are man-made illuminants that harnesses its energy and light source from electricity, gas, or heat (luminescent, gas discharge, and incandescent).

    Artificial Light Sources

  • 18

    It is an electromagnetic range that is radiation (Non-visible/Visible Energy, Frequencies, .

    Electromagnetic spectrum

  • 19

    Energy that is transferred by electromagnetic radiation.

    Radiant energy

  • 20

    The human eye can only detect ________ spectrum or wavelengths from 380 to 700 (NASA, 2010).

    Visible Light

  • 21

    Power emitted, transmitted, or received in the form of radiation.

    Radiant Flux

  • 22

    Radiant flux falling on or striking a material.

    Incident Radiant Flux

  • 23

    The process whereby radiant energy passes through a material or object. When light can go through essentially unchanged that is also a process whereby radiant energy passes through a material bor object.

    Transmission

  • 24

    The ratio of the transmitted radiant flux to the incident radiant flux under specified geometric and spectral conditions.

    Transmittance

  • 25

    The transformation of radiant energy to a different form of energy by interaction with matter.

    Absorption

  • 26

    The ratio of the absorbed radiant flux to the incident radiant flux.

    Absorptance.

  • 27

    The process by which radiant energy is returned from a material or object.

    Reflection

  • 28

    Ratio of the reflected radiant flux to the incident radiant flux in the given conditions

    Reflectance

  • 29

    Ratio of the radiant flux reflected from the specimen to the radiant flux reflected from the perfect reflecting diffuser under the same geometric and spectral conditions of measurement.

    Reflectance factor

  • 30

    Reflection that excludes diffuse reflection, as in a mirror.

    Specular Reflection

  • 31

    Reflection that excludes specular (mirror) reflection.

    Diffuse Reflection

  • 32

    Emission of light ascribable to nonthermal excitation.

    Luminescence

  • 33

    Luminescence produced by the absorption of light (excitation); distinguished from ordinary reflection by a time delay and, usually, a shift toward longer wavelengths.

    Photoluminescence

  • 34

    Photoluminescence that continues after excitation ceases.

    Phosphorescence

  • 35

    Phosphorescence that ceases when excitation ceases.

    Fluorescence

  • 36

    Having an appearance that is independent of illuminating and viewing geometry.

    Isotropic

  • 37

    Having an appearance that is dependent on illuminating and viewing geometry.

    Anisotropic

  • 38

    A physical process that of applying dyes to textiles or incorporating, by dispersion, pigments into paintings, inks, and plastics, etc.

    Coloring

  • 39

    Dyes and pigments are used in the process of coloring materials.

    Colorants

  • 40

    It is the result of the physical modification of light by colorants as detected by the human eye and interpreted in the brain.

    Color

  • 41

    The radiant flux incident per unit area

    Irradiance

  • 42

    Radiant flux in a beam, emanating from a surface, or falling on a surface, in at a given direction, per unit of projected area of the surface as viewed from that direction, per unit of solid angle.

    Radiance

  • 43

    Greek word meaning light

    Photos

  • 44

    Greek word meaning write

    Graphien

  • 45

    One common hue not found in the color spectrum

    Magenta

  • 46

    When two spectra of monochromatic light look the same.

    Metamers

  • 47

    When light can go through, but the material color causes a change.

    Transparent

  • 48

    When light can go through, but the quality of light diffuses due to the surface or finish of the material.

    Translucent

  • 49

    Light may be scattered when it interacts with matter

    Internal Scattering

  • 50

    Surfaces will vary between mirrors and perfect reflecting diffusers where light is scattered in all direction equally.

    Surface scattering.

  • 51

    It is the bending of light as it passes from one transparent substance into another.

    Refraction

  • 52

    Color formula diagram groups:

    Triadic, tetradic, square/complementary, split complementary, analogous, monochromatic.

  • 53

    Ingredients of art or building blocks

    Elements of art

  • 54

    Building methods or procedures in art

    Principles of design

  • 55

    Based on the idea that the human brain will attempt to simplify and organize complex images or designs that consist of many elements, by subconsciously arranging the parts into an organized system that creates a whole, rather than just a series of disparate elements.

    Gestalt Principle

  • 56

    Gestalt Principles

    Similarity, continuation, proximity, closure, figure/ground, functions, symmetry and order.

  • 57

    Gestalt principle: It’s human nature to group like things together. In gestalt, similar elements are visually grouped, regardless of their proximity to each other. They can be grouped by color, shape, or size.

    Similarity

  • 58

    Gestalt Principle: Posits that the human eye will follow the smoothest path when viewing lines, regardless of how the lines were actually drawn.

    Continuation

  • 59

    Gestalt principle: It’s the idea that your brain will fill in the missing parts of a design or image to create a whole.

    Closure

  • 60

    Gestalt principle: Refers to how close elements are to one another.

    Proximity

  • 61

    Gestalt principle: similar to the closure principle in that it takes advantage of the way the brain processes negative space.

    Figure/ground

  • 62

    Gestalt principle: What this principle says is that your brain will perceive ambiguous shapes in as simple a manner as possible.

    Symmetry & order

  • 63

    Elements of art:

    Space Line Shape Color Value Texture Form

  • 64

    Principles of design:

    balance proportion pattern repetition movement rhythm emphasis hierarchy contrast unity

  • 65

    Stability, equal, organization of elements

    Balance

  • 66

    2 types of Balance:

    symmetrical and asymmetrical

  • 67

    Principles of design: Pattern Similar w/ quantity Ingoing sequence

    Repetition

  • 68

    Principles of design: Repetition with variation Sense of movement Flowing sequence

    Rhythm

  • 69

    Principles of design: Focal point, hierarchy

    Emphasis

  • 70

    Principles of design: Supporting elements

    Subordination

  • 71

    Principles of design: Comparison Numbers/amount Portioning elements

    Ratio

  • 72

    Principles of design: Determined by- positioning scale, light and shadow, overlaying of elements, texture, volume, orthographic presentation

    Depth Perception

  • 73

    Depth cues that require only one eye

    Monocular cues

  • 74

    Depth cues that requires both eyes

    Binoculars cues

  • 75

    Means "eye"

    Ocular