She is of Ungos Matata, Tawi-Tawi shows how pandan can be weaved into mats with vibrant colors, beautiful geometric designs and fine symmetry. These mats are usually used by their people for prayer or as a gift to the newly-weds

In Luzon, weaving is preserved through ____________________ who used traditional patterns. Her work is marked by her ability to replicate designs with excellence and consistency.

Another artwork of the same kind is t’nalak (a fine abaca cloth) by ________________ of Lake Sebu, South Cotabato. She worked on traditional designs like bulinglangit (clouds), kabangi (butterfly), crocodiles, and flowers.

The artwork of ____________ from Pampanga shows how his skills developed from being a farmer to one of the furniture carvers. To earn an income, he really practiced his skills and became one of the most respected creators of religious and secular arts today. He was awarded in 2004 for his detailed and lifelike pieces of varying sizes: altars, mirrors, retablos, and carosas made with wood, silver, and bronze.

He, on the other hand, shows his exemplary skill in music. At a young age, he learned to play music with his siblings. Though kwintangan was usually played by a woman, he mastered playing it. It is made of logs used to call abundant harvest of grains.

Another musician who has shown superb skills is musician _________________ who was a master of the kutyapi, a two-stringed lute. He was also proficient in playing other instruments such as the kulintang, agong (a suspended gong with a wide rim), gandingan (agong with a narrow rim), and tambul.

He is of Lubuagan, Kalinga mastered local musical instruments, along with dance patterns associated with rituals. These performances are performed during celebrations or communal agreement such as peace pacts. To pass this tradition, Saclag took a formal education reaching radio stations and creating Kalinga Budong Dance Troupe.

Hearing the tales as told by his mother, epic chanter ________________ of Calinog, Iloilo learned Suguidanon, a Central Panay epic.

The Mangyan script is one of the four remaining syllabic scripts in the country which was preserved through ___________ of Mansalay, Oriental Mindoro. He was most popular in writing ambahan (a metaphoric poem comprising seven-syllable lines) on traditionally used bamboo tubes.

In ______________, we can see the artists’ dedication to their work as they intricately put different elements of arts such as color, harmony and shape to create a distinct and vibrant 3 design.

Spirituality is also evident among Filipino artists as they use subjects related to their faith such as the textile designs by _____________ of Sulu and carvings by _____________.

He used the tabungaw (gourd) plant for useful protective hats to help the farmers overcome heat during farming. Because the hat was made creatively and finely, he joined a festival to show his artwork.

a respected textile weaver from Davao Del Sur, isolated herself from her family for months to finish her art. She once dreamt of establishing the art through teaching new would-be weavers.

It mark the turnings in and of Philippine contemporary art, to update its modernizing potential and to assess how artists today engage with other forces in the art world (Dumandan, 2019).

It is a unique cultural expression of Davao’s visual artists. The gallery showcases various works by Mindanao’s famed artist Kublai Ponce-Millan, as well as different artists from the city (Dumandan, 2019).

It is considered as a premier gallery institution in the Philippines. It showcased hundreds of exhibits by some of the most talented names in contemporary visual arts. It has successfully balanced the demands of a commercial establishment and an artistic venue. This gallery occasionally features experimental works that push artistic boundaries and challenge audience expectation (Dumandan, 2019)

It is the Philippines' premier international art fair. It showcases the best in contemporary visual arts for the development and promotion of Filipino art and culture locally and internationally.

It is the premier platform for exhibiting and selling the best in modern and contemporary Philippine visual art. The fair aims to mirror the vibrant local art scene and continue to generate support for Filipino art practitioners (Dumandan, 2019).

It houses the permanent collection of Philippine National Artist Benedicto Cabrera in several galleries, as well as venues for art shows and exhibitions.

It is one of the major museums in the Philippines. The museum was among the first to develop and extend its audience by embracing the philosophy of art for all, adopt a bilingual approach in exhibition texts, and implement a vigorous education and community outreach program. The museum seeks to amplify the Filipinos' sense of artistic and cultural heritage from the past and in contemporary global contexts and experiences (Dumandan, 2019).

It is an educational, scientific, and cultural institution that acquires, documents, preserves, exhibits, and fosters scholarly study and public appreciation of works of art, specimens, and cultural and historical artifacts representative of the unique cultural heritage of the Filipino people and the natural history of the Philippines (Dumandan, 2019).

It is the leading institution for the arts and culture in the Philippines by promoting artistic excellence and nurturing the broadest publics to participate in art making and appreciation (Dumandan, 2019).

It is the overall policy making body, coordinating, and grants giving agency for the preservation, development and promotion of Philippine arts and culture; and an executing agency for the policies it formulates (Dumandan, 2019).