記憶度
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1
It is the result of double refraction from inner lens surfaces. It exhibits itself as a misty, hazy, or cloudy semi-circular path of life.
Optical Flare
2
it is used effectively when photographing blood. When used outdoors, a blue filter will make the sky, or any blue object, appear white in the photograph.
Blue Filter
3
It refers to spots on the film caused by stray light worn on shiny parts of the lens, such as the spots on the shutter, lens mount, or from inside the camera itself.
Mechanical Flare
4
The taking of a photograph of an object in a very reduced size or tiny images of large object.
microphotography
5
lens with flat side and one concave side
Plano-Concave Lens
6
it is the focusing at different points of rays passing through different parts of a spherical lens.
Spherical Aberration
7
it is used to photograph white cars; the details of the car will stand out. It also cut through haze to a certain extent and can be used with good results to photograph an accident on a hazy day.
Yellow Filter
8
TYPES OF LENS
1. Simple Lens 2. Compound Lens
9
It is used in the focusing assembly of the camera
Convex Lens
10
Types of Zoom Lens
1. Wide Angle Lens 2. Telephoto Lens
11
a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed focal length (FFL) lens or prime lens.
Zoom Lens (Parfocal lens)
12
It is the light-transmitting power of the lens at its maximum aperture, or f-stop setting
Lens Speed
13
It can make the subject appears closer without changing the camera position
Zoom Lens
14
It occurs when light falling obliquely on the lens and passing through different circular zones
Coma
15
The eye of the camera is also the heart of the camera
Lens
16
a curved, concave, or saucer-shaped image of an object that has a flat surface.
Curvature of Field
17
a filter which screens out the violet end of the spectrum. It is placed in front of a lens and left there. It will not only improve most of the police photographer’s work, it will also prevent the lens from being scratched
Ultraviolet Filter
18
They are used to change the composition of available light before allowing it to strike the film.
Filters
19
a lens effect that causes images to be sphered or "inflated
Barrel distortion
20
they differ in the way they are curved and, therefore, in the manner in which they refract light
Simple Lens
21
a lens effect that causes images to pinched at their center.
Pincussion Distortion
22
the angle of view of the human eye which is _________
45 degrees
23
lens with both sides curving inward
Double Concave or Bi-concave Lens
24
lens with one flat side and convex side
Plano-Convex Lens
25
It controls (a) magnification (the size of the image formed by the lens) and (b) angle of view (the amount of the scene shown on a given size of film).
focal Length
26
Special Types of Lenses
1. Fisheye Lens 2. Macro Lens
27
is the closest distance at which the lens can be focused while keeping the object at infinity acceptably sharp, that is, the focus distance with the maximum depth of field
Hyperfocal Distance
28
it is the failure of different colored light rays to focus after passing through a lens
Chromatic Aberration
29
These are filters which do not affect the color or tonal quality of the scene except for the sky. They can be used both for color and black-and-white films.
Polarizing and Nuetral Density Filter
30
lens with both faces bulging outward
Double Convex Lens or Bi-Convex Lens
31
Is a disc of transparent glass generally bounded by two spherical surfaces capable of transforming an image
Lens
32
lens where the concave side is pronounced than the convex side.
Negative Meniscus or Diveging Meniscus
33
a lens with a focal length about equal to the diagonal size of the film or sensor format is considered to be a normal lens.
Normal or Standard Lens
34
simple lens generally produces aberrated images. It consists of two or more simple lens fitted together.
Compound Lens
35
A type of lens with at least one surface curving inward. It spreads out those light rays that have been refracted through it.
Concave Lens
36
a lens that is capable of producing a reproduction ration of 1:1. It is specifically designed for close-up work, with long barrel for close focusing and optimized for high reproduction ratios, and one of the most common tools of macrophotography.
Macro Lens
37
is used to cut down light transmission. It does not affect the tonal quality of the scene.
Nuetral Density Filters
38
This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior, and landscape photography where the photographer may not be able to move farther from the scene to photograph it.
Wide-angle Lens
39
the size of the image produced by a lens depends upon several factors like camerato-subject distance and focal length.
Image Size
40
Is a piece of transparent material made of glass or plastic with two (2) opposite symmetrical (proportional or well-balanced) surfaces or at least one curved surface
Lens
41
Are colored disks of glass or gelatin which when placed in front of a camera lens, stop one or another color of light from passing through and striking the film.
Filter
42
These are filters which do not affect the color or tonal quality of the scene except for the sky. They can be used both for color and black-and-white films.
Polarizing and Nuetral Density Filter
43
a lens with a maximum aperture of f/2.8 or larger is a ________ because it delivers more light intensity to the focal plane, allowing a faster shutter speed.
Fast Lens
44
A lens that is thicker at the edges than at the center
Concave Lens
45
It allows a quick adjustment to give a wider or narrower field of vision
Zoom Lens
46
ultra-wide-angle lens that does not produce a rectilinear image is called a ________
Fisheye Lens
47
It shows the subject in a way that is similar to the image seen by the naked eye
Normal or Standard Lens
48
It gathers light rays and refracts them to meet at a certain point.
Convex Lens
49
Police Filters For Police Photography
1. Blue Filter 2. Green Filter 3. Yellow Filter 4. Ultraviolet Filter
50
does not affect the transmitted colors in a way that will change its color temperature.
Polarizing Filter
51
a lens with a maximum aperture of f/3.5 or smaller is a _________ because it delivers less light intensity and requires a slower shutter speed.
Slow Lens
52
Types of Convex Lens
1. Double Convex Lens or Bi-Convex Lens 2. Plano-Convex Lens 3. Positive Meniscus or Converging Meniscus
53
a lens with longer focal lengths that constrict the field of view and decrease the depth of field while greatly magnifying the image
Telephoto Lens
54
Is the failure of light rays to focus properly after passing through a lens or being reflected from a mirror.
Aberration
55
Taking of photograph through a microscope
photomicrography
56
It is the largest opening of the diaphragm that the light can pass through
Lens Speed
57
it is the inability of the lens to bring horizontal and vertical lines in the subject to the same plane of focus in the image.
Astigmatism
58
A type of lens with at least one surface curving outward. It is thicker in the middle than at the ends.
Convex Lens or Converging/Positive Lens
59
lens where the concave side is less pronounced than the convex side.
Positive Meniscus or Converging Minescus
60
TYPE OF CONCAVE LENS
1. Double Concave or bi-concave lens 2. Plano-concave Lens 3. Negative Meniscus or Diverging Meniscus
61
when there is a different magnification for the ray's angle.
Distortion
62
The angle of view is 45 degrees to 60 degrees
Normal or Standard Lens
63
is an extreme close-up photography, usually of very small subjects, in which the size of the subject in the photograph is greater than life size.
Macrophotography