TOA - Design
問題一覧
1
The creation and organization of formal elements in a work of art.
Design
2
The shape and structure of something as distinguished from its substance or material.
Form
3
The outline or surface configuration of a particular form or figure. While form usually refers to the principle that gives unity to a whole and often includes a sense of mass or volume, shape suggests an outline with some emphasus on the enclosed area or mass.
Shape
4
The visual and esp. tactile quality of a surface, apart from its color or form.
Texture
5
Pertaining to shapes and forms having irregular contours that appear to resemble those of living plants or animals.
Organic
6
Pertaining to shapes and forms not representing natural or actual objects. Also, nonrepresentational.
Nonobjective
7
Pertaining to shapes and forms that resemble or employ the simple rectilinear or curvilinear elements of geometry.
Geometric
8
Pertaining to shapes and forms having an intellectual and affective content dependent solely on their intrinsic lines, colors, and relationship to one another.
Abstract
9
A unified composition of two-dimensional shapes or three-dimensional volumes, esp. one that gives the impression of weight, density, and bulk.
Massing
10
Characterized or produced by addition, accumulation, or uniting, often resulting in a new identity.
Additive
11
Characterized or produced by removal of a part or portion without destroying a sense of the whole.
Subtractive
12
The edge or contour of a shape.
Line
13
The apparent texture of a surface resulting from the combination and interrelation of colors and tonal values.
Visual Texture
14
The physical, dimensional structure of a surface, apart from its color or form.
Tactile Texture
15
Something that stands for or represents something else by association, resemblance, or convention, deriving its meaning chiefly from the structure in which it appears.
Symbol
16
A mark or figure havunv a conventional meaning and used in place of a word or phrase to express a complex notion.
Sign
17
A method or manner of jointing that makes the united parts clear, distinct, and precise in relation to each other.
Articulation
18
The significance or meanjng of an artistic work, as distinguished from its form.
Content
19
An individual, minute, or subordinate part of a whole.
Detail
20
The characteristic structure given to a surface or substance by the size, shape, arrangement, and proportions of the parts.
Texture
21
An underlying framework or structure of connected parts.
Fabric
22
An artistic or decorative design, esp. one having a characteristic arrangement and considered as a unit, of which an idea can be given by a fragment.
Pattern
23
A manner of arranging and coordination the parts of a composition so as to produce a coherent image.
Form
24
The systematic arrangung of interdependent or coordinated parts into a coherent unity or funtioning whole.
Organization
25
The organization of elements or parts in a complex system as dominated by the general character of the whole.
Structure
26
The basic scheme or concept for an architectural design, represented by a diagram.
Parti
27
A drawing, not necessarily representational, that outlines, explains, or clarifies the arrangement and relations of the parts of a whole.
Diagram
28
The arranging of parts or elements into proper proportion or relation so as to form a unified whole.
Composition
29
A fundamental and comprehensive concept of visual perception for structuring an arsthetuc composition.
Design Principle
30
The state or quality of being combined into one, such as the ordering of elements in an artistic work that constitutes a harmonious whole or promotes a singleness of effect.
Unity
31
A condition of logical, harmonious, or comprehensible arrangement in which each element of a group is properly disposed with reference to other elements and to its purpose.
Order
32
The state or quality of being identical, homogeneous, or regular.
Uniformity
33
Uniform in structure throughout or composed of parts that are all of the same nature or kind.
Homogeneous
34
Uniformly or evenly formed or arranged.
Regular
35
The state or quality of lacking variety.
Monotony
36
The state or quality of having varied or diverse forms, types, or characteristics.
Variety
37
Stress or prominence given to an element of a composition by means of contrast, anomaly, or counterpoint.
Emphasis
38
Opposition or juxtaposition of dissimilar elements in a work of art to intensify each element’s properties and produce a more dynamic expressiveness.
Contrast
39
A deviation from the normal or expected form, order, or arrangement.
Anomaly
40
The major idea, essential part, or salient feature of a narrative or concept.
Point
41
Prominent or conspicuous.
Salient
42
A parallel but contrasting element or theme in a narrative or concept.
Counterpoint
43
The state or quality of being a whole composed of complicated, intricate, or interconnected parts.
Complexity
44
An artistic composition of often diverse elements in unlikely or unexpected juxtaposition.
Collage
45
A system of elements ranked, classified, and organized one above another, according to importance or significance.
Hierarchy
46
The state or position of being placed opposite another, or of lying in corresponding positions from an intervening space or object.
Opposition
47
The state or position of being placed close together or side by side, so as to permit comparison or contrast.
Juxtaposition
48
A tenuous balance maintained in an artistic work between opposing forces or elements, often causing anxiety or excitement.
Tension
49
The state or condition of being opposed inconsistent, or logically incongruous.
Contradiction
50
A state of utter disorder or confusion.
Chaos
51
The orderly, pleasing, or congruent arrangement of the elements or parts in an artistic whole.
Harmony
52
Harmony in the arrangement of parts or colors that is restful to the eye.
Repose
53
Logically or aesthetically ordered or integrated to afford comprehension or recognition.
Coherent
54
Correspondence in size, shape, or color among the elements in a work or art.
Agreement
55
The state or quality of being alike in substance, essentials, or characteristics.
Similarity
56
Nearness in place, order, or relation.
Proximity
57
The state or quality being continuous, such as thar exhibited by a line, edge, or direction.
Continuity
58
Arrangement in or adjustment according to a straight line.
Alignment
59
A state of rest or balance between contrasting elements or opposing forces.
Equilibrium
60
An equal distribution of weight, relationship, or forces.
Equipoise
61
A counterbalance weight or force.
Counterpoise
62
A symmetrical condition occurring in one part of a design, often serving to center an irregular pattern.
Local Symmetry
63
The rhythmic quality of a composition suggesting motion by represented gestures or by the relationship of structural elements.
Movement
64
The line along which something is moving, pointing, or facing, with reference to the point toward which it is directed.
Direction
65
A process or change taking place by degrees or through a series of gradual, successive stages.
Gradation
66
A straight line to which elements in a composition are referred for measurement or symmetry.
Axis
67
The pleasing harmonious arrangement or proportion of parts or elements in a design or composition.
Balance
68
The exact correspondence in size, form, and arrangement of parts on opposite sides of a dividing line or plane, or about a center or axis.
Symmetry
69
Symmetry resulting from the arrangement of similar parts on opposite sides of a median axis.
Bilateral Symmetry
70
Symmetry resulting from the arrangement of similar, radiating parts about a center point or central axis.
Radial Symmetry
71
An imaginary line about which a figure, body, or composition is symmetrical.
Axis of symmetry
72
The plan for a building organized around a large or dominant space, usually characterized by two axes crossing each other at right angles.
Central Plan
73
Movement characterized by a patterned repetition or alternation of formal elements or motifs in the same or a modified form.
Rhythm
74
The act or process of repeating formal elements or motifs in a design.
Repetition
75
A space between two objects, points, or states.
Interval
76
A series of linked or interconnected things or events.
Concatenation
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10問 • 1年前問題一覧
1
The creation and organization of formal elements in a work of art.
Design
2
The shape and structure of something as distinguished from its substance or material.
Form
3
The outline or surface configuration of a particular form or figure. While form usually refers to the principle that gives unity to a whole and often includes a sense of mass or volume, shape suggests an outline with some emphasus on the enclosed area or mass.
Shape
4
The visual and esp. tactile quality of a surface, apart from its color or form.
Texture
5
Pertaining to shapes and forms having irregular contours that appear to resemble those of living plants or animals.
Organic
6
Pertaining to shapes and forms not representing natural or actual objects. Also, nonrepresentational.
Nonobjective
7
Pertaining to shapes and forms that resemble or employ the simple rectilinear or curvilinear elements of geometry.
Geometric
8
Pertaining to shapes and forms having an intellectual and affective content dependent solely on their intrinsic lines, colors, and relationship to one another.
Abstract
9
A unified composition of two-dimensional shapes or three-dimensional volumes, esp. one that gives the impression of weight, density, and bulk.
Massing
10
Characterized or produced by addition, accumulation, or uniting, often resulting in a new identity.
Additive
11
Characterized or produced by removal of a part or portion without destroying a sense of the whole.
Subtractive
12
The edge or contour of a shape.
Line
13
The apparent texture of a surface resulting from the combination and interrelation of colors and tonal values.
Visual Texture
14
The physical, dimensional structure of a surface, apart from its color or form.
Tactile Texture
15
Something that stands for or represents something else by association, resemblance, or convention, deriving its meaning chiefly from the structure in which it appears.
Symbol
16
A mark or figure havunv a conventional meaning and used in place of a word or phrase to express a complex notion.
Sign
17
A method or manner of jointing that makes the united parts clear, distinct, and precise in relation to each other.
Articulation
18
The significance or meanjng of an artistic work, as distinguished from its form.
Content
19
An individual, minute, or subordinate part of a whole.
Detail
20
The characteristic structure given to a surface or substance by the size, shape, arrangement, and proportions of the parts.
Texture
21
An underlying framework or structure of connected parts.
Fabric
22
An artistic or decorative design, esp. one having a characteristic arrangement and considered as a unit, of which an idea can be given by a fragment.
Pattern
23
A manner of arranging and coordination the parts of a composition so as to produce a coherent image.
Form
24
The systematic arrangung of interdependent or coordinated parts into a coherent unity or funtioning whole.
Organization
25
The organization of elements or parts in a complex system as dominated by the general character of the whole.
Structure
26
The basic scheme or concept for an architectural design, represented by a diagram.
Parti
27
A drawing, not necessarily representational, that outlines, explains, or clarifies the arrangement and relations of the parts of a whole.
Diagram
28
The arranging of parts or elements into proper proportion or relation so as to form a unified whole.
Composition
29
A fundamental and comprehensive concept of visual perception for structuring an arsthetuc composition.
Design Principle
30
The state or quality of being combined into one, such as the ordering of elements in an artistic work that constitutes a harmonious whole or promotes a singleness of effect.
Unity
31
A condition of logical, harmonious, or comprehensible arrangement in which each element of a group is properly disposed with reference to other elements and to its purpose.
Order
32
The state or quality of being identical, homogeneous, or regular.
Uniformity
33
Uniform in structure throughout or composed of parts that are all of the same nature or kind.
Homogeneous
34
Uniformly or evenly formed or arranged.
Regular
35
The state or quality of lacking variety.
Monotony
36
The state or quality of having varied or diverse forms, types, or characteristics.
Variety
37
Stress or prominence given to an element of a composition by means of contrast, anomaly, or counterpoint.
Emphasis
38
Opposition or juxtaposition of dissimilar elements in a work of art to intensify each element’s properties and produce a more dynamic expressiveness.
Contrast
39
A deviation from the normal or expected form, order, or arrangement.
Anomaly
40
The major idea, essential part, or salient feature of a narrative or concept.
Point
41
Prominent or conspicuous.
Salient
42
A parallel but contrasting element or theme in a narrative or concept.
Counterpoint
43
The state or quality of being a whole composed of complicated, intricate, or interconnected parts.
Complexity
44
An artistic composition of often diverse elements in unlikely or unexpected juxtaposition.
Collage
45
A system of elements ranked, classified, and organized one above another, according to importance or significance.
Hierarchy
46
The state or position of being placed opposite another, or of lying in corresponding positions from an intervening space or object.
Opposition
47
The state or position of being placed close together or side by side, so as to permit comparison or contrast.
Juxtaposition
48
A tenuous balance maintained in an artistic work between opposing forces or elements, often causing anxiety or excitement.
Tension
49
The state or condition of being opposed inconsistent, or logically incongruous.
Contradiction
50
A state of utter disorder or confusion.
Chaos
51
The orderly, pleasing, or congruent arrangement of the elements or parts in an artistic whole.
Harmony
52
Harmony in the arrangement of parts or colors that is restful to the eye.
Repose
53
Logically or aesthetically ordered or integrated to afford comprehension or recognition.
Coherent
54
Correspondence in size, shape, or color among the elements in a work or art.
Agreement
55
The state or quality of being alike in substance, essentials, or characteristics.
Similarity
56
Nearness in place, order, or relation.
Proximity
57
The state or quality being continuous, such as thar exhibited by a line, edge, or direction.
Continuity
58
Arrangement in or adjustment according to a straight line.
Alignment
59
A state of rest or balance between contrasting elements or opposing forces.
Equilibrium
60
An equal distribution of weight, relationship, or forces.
Equipoise
61
A counterbalance weight or force.
Counterpoise
62
A symmetrical condition occurring in one part of a design, often serving to center an irregular pattern.
Local Symmetry
63
The rhythmic quality of a composition suggesting motion by represented gestures or by the relationship of structural elements.
Movement
64
The line along which something is moving, pointing, or facing, with reference to the point toward which it is directed.
Direction
65
A process or change taking place by degrees or through a series of gradual, successive stages.
Gradation
66
A straight line to which elements in a composition are referred for measurement or symmetry.
Axis
67
The pleasing harmonious arrangement or proportion of parts or elements in a design or composition.
Balance
68
The exact correspondence in size, form, and arrangement of parts on opposite sides of a dividing line or plane, or about a center or axis.
Symmetry
69
Symmetry resulting from the arrangement of similar parts on opposite sides of a median axis.
Bilateral Symmetry
70
Symmetry resulting from the arrangement of similar, radiating parts about a center point or central axis.
Radial Symmetry
71
An imaginary line about which a figure, body, or composition is symmetrical.
Axis of symmetry
72
The plan for a building organized around a large or dominant space, usually characterized by two axes crossing each other at right angles.
Central Plan
73
Movement characterized by a patterned repetition or alternation of formal elements or motifs in the same or a modified form.
Rhythm
74
The act or process of repeating formal elements or motifs in a design.
Repetition
75
A space between two objects, points, or states.
Interval
76
A series of linked or interconnected things or events.
Concatenation