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  • Jessa Trocio

  • 問題数 84 • 5/18/2024

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    問題一覧

  • 1

    Is the relation of parts of the whole of writing alignment or line of individual letters in words to the baseline.

    ALIGNMENT

  • 2

    Sharp, straight strokes that are made by stopping the pen and changing direction before continuing

    ANGULAR FORMS

  • 3

    Forms that look like arches rounded or curve line above

    ARCADE FORMS

  • 4

    Is any property or mark which distinguishes, and in document examination commonly called to as the identifying details

    CHARACTERISTICS

  • 5

    Side by side comparison; collation as used in the text means the critical comparison on side by side examination

    COLLATION

  • 6

    A writer may deliberately try to alter his usual writing habits in hopes of hiding his identity.

    DISGUISED WRTING

  • 7

    The movement of the pen toward the writer.

    DOWNSTROKE

  • 8

    The writer's chosen writing style

    FORM

  • 9

    A connected or rounded form as curve line at the bottom.

    GARLAND FORMS

  • 10

    A "complete" or "whole" handwriting feature as correctly executed.

    GESTALT

  • 11

    the study of handwriting based on the two fundamental strokes, the curve and the straight strokes.

    GRAPHOANALYSIS

  • 12

    Analysis by comparison and measurement of handwriting

    GRAPHOMETRY

  • 13

    the art of determining character disposition and amplitude of a person from the staly of handwriting It also means the scientific study and analysis of handwriting, especially with reference t Forgeries and questioned documents

    GRAPHOLOGY

  • 14

    Any disconnected style of writing in which each letter is written separately, also called handprinting.

    HANDLETTERING

  • 15

    The degree of space left between letters

    LETTERSPACE

  • 16

    Movement of the baseline along slant up, down, or straight acms the page

    LINE DIRECTION

  • 17

    the overall character of the ink lines from the beginning to the ending strokes derived from a combination of factors including skill, speed rhythm, freedom of movements, shading and pen position.

    LINE QUALITY

  • 18

    The degree of space left between lines

    LINE SPACE

  • 19

    disconnected form of script or semi-script writing as the first step in learning to write

    MANUSCRIPT WRITING

  • 20

    degree of space left around the writing on all four sides

    MARGINS

  • 21

    The manner in which the writing pen instrument is mobilized by finger, hand, forearm or whole arm

    MOVEMENT

  • 22

    Any writing executed normally without any attempt to control or by disguise

    NATURAL WRITING

  • 23

    These are normal or usual deviations found between repeated specimens of any individual handwriting

    NATURAL VARIATION

  • 24

    The act of intermittently forcing the pen against the paper surface with increase in writing pressure

    PEN EMPHASIS

  • 25

    The place where the writer grasps the barrel of the pen and the angle at which he holds it.

    PEN HOLD

  • 26

    Relationship between the pen point and the paper.

    PEN POSITION

  • 27

    the average force with which the pen contacts on the surface paper.

    PEN PRESSURE

  • 28

    creative and individualize combination of printing and cursive writing

    PRINTSCRIPT

  • 29

    the size relation between the tall and the short letter is referred as to the G ratio of writing

    PROPORTION OF RATIO

  • 30

    A distinct or peculiar character along the related to the writing movement itself.

    QUALITY

  • 31

    -The element of the writing movement which is marked by regular or periodic recurrences of spontaneity.

    RHYTHM

  • 32

    the widening of the ink strokes due to the added pressure on a flexible pen point or to the use of a stub pen.

    SHADING

  • 33

    characteristic of handwriting that is sufficiently uncommon and well-fixed to serve as a fundamental point in the identification.

    SIGNIFICANT WRTING HABIT

  • 34

    Eliminating extra or superfluous strokes from the copy book model,

    SIMPLIFICATION

  • 35

    May refer to the overall dimension of the writing or the proportions between zones

    SIZE

  • 36

    the angle or inclination of the axis of the letters relative to the baseline.

    SLOPE/SLANT

  • 37

    The rate or velocity in the execution of writing

    SPEED OF WRITING

  • 38

    An execution of writing being interpreted as slow, moderate, or rapid

    SPEED(SPEEDY) WRITING

  • 39

    The combination of the basic design of letters and the writing movement as taught in school

    SYSTEM (OF WRITING)

  • 40

    degree of force exerted on the pen compared to the degree of relaxation

    TENSION

  • 41

    An indefinite connective form that looks flat and wavy.

    THREADY FORM

  • 42

    The degree to which the writing changes from modification of copybook model

    VARIABILITY

  • 43

    The result of changes

    VARIATION

  • 44

    The amount of space left between words

    WORD SPACE

  • 45

    Physical and Mental state capacity of the writer to enable execute handwriting

    WRITING CONDITION

  • 46

    Any writing executed with the opposite hand that normally used,

    WRONG-HANDED WRITING

  • 47

    The result of the pen touching down on the paper and moving across the page, until it is raised from the paper.

    WRITING IMPULSE

  • 48

    Writing by all its thousands of peculiarities in combination is the most personal and individuals thing that a man does that leaves a record which can be seen and studies. This is what constitutes individuality in handwriting.

    WRITING HABITS

  • 49

    These characteristics refer to those habits are part of basic writing system or which are modifications of the system of writing found among so large a group of writes that have only slight identification value.

    GENERAL CLASS CHARACTERISTICS

  • 50

    They are characteristics which are the result of the writer's muscular control, coordination, age, health, and nervous temperament, frequency of writing, personality and character

    INDIVIDUAL CHARACTERISTICS

  • 51

    EXAMPLES OF COMMON CHARACTERISTICS:

    Ordinary copy-book form Usual systematic slant Ordinary scale of proportion or ratio Conventional spacing

  • 52

    found always in his handwriting

    PERMANENT

  • 53

    found in a group of writers who studied the same system of wring

    COMMON OR USUAL

  • 54

    found occasionally in his handwriting.

    OCCASIONAL

  • 55

    special to the writer and perhaps found only in one or two persons in a poup of one hundred individuals.

    RARE

  • 56

    Does the questioned writing have smooth, rhythmic and free-flowing appearance"

    UNIFORMITY

  • 57

    Does the questioned writing appear awkward, ill-formed slowly drawn

    IRREGULARITIES

  • 58

    Determine the height of the over-all writing as well as the height of the individual strokes in proportion to each other

    SIZE AND PROPORTION

  • 59

    Are they horizontally aligned, or curving, uphill or downhill

    ALIGNMENT

  • 60

    Determine the general spacing between letters, spacing between words. Width of the Left and right margins, paragraph indentations.

    SPACING

  • 61

    Are they uniform or not

    DEGREE OF SLANT

  • 62

    "t" (-) bars. "" dots, loops, circle formation.

    FORMULATION AND DESIGN OF THE LETTERS

  • 63

    CLASSIFICATION OF INDIVIDUAL CHARACTERISTICS

    Permanent characteristics Common or usual Occasional Rare

  • 64

    POINTS TO CONSIDER IN EXAMINING EXTENDED WRITING (Anonymous, threat, poison letters):

    Uniformity Irregularities Size & Proportion Alignment Spacing Degree of Slant Formation and Design of the letters-. Initial, connecting and final strokes.

  • 65

    are known and admitted writing or specimen which indicate how a preson writes

    STANDARD

  • 66

    Specimen of the writing of suspects

    EXEMPLARS

  • 67

    selected representative portion of the whole is known as a sample in this test, the tem sample follows closely the statistical usage.

    SAMPLE

  • 68

    are KNOWN (genuine) handwriting of an individual such as signature and endorsements on canceled checks, legal papers letters, commercial, official, public and private document and other handwriting such as letters, memoranda, etc.

    COLLECTED STANDARDS

  • 69

    are signature or other handwritings (or hand printings) written by an upon request for the purpose of comparison with other handwriting or for specimen purposes

    REQUEST STANDARD

  • 70

    writings produced by the subject after evidential writings have come into dispute and solely for the purpose of establishing his contentions.

    POST LITEM MOTAN EXEMPLARS

  • 71

    What are common disguise

    Abnormally large writing Abnormally small writing Alteration in slant (usually backhand) Usually, variation in slant within a single unit of writing (with in a single signature). Printed forms instead of cursive forms Diminution in the usual speed of writing Unusual widening or restriction of lateral spacing.

  • 72

    Kinds of disguises

    Change of letter, either from cursivet to block style or vice-versa. Change from cursive (conventional style) to block form or vice-versa Change of style from small to big or vice versa. Deteriorating one's handwriting Using the wrong hand (AMBIDEXTROUS).

  • 73

    complete correct signature for an important document such as will

    FORMAL(CONVENTIONAL OR COPYBOOK FORM)

  • 74

    usually for routine documerits and personal correspondence

    INFORMAL OR CURSORY

  • 75

    for the mail carrier, delivery boy or the autograph collector

    CARELESS SCRIBBLE

  • 76

    specimen of writing executed while the writer's hand is directed to writing movement. Usually employed by beginners in writing

    GUIDED/ASSISTED SIGNATURE

  • 77

    Historically, many who could not write signed with a cros mark or crude X.

    CROSS MARK SIGNATURE

  • 78

    It is a signature, signed at a particular time and place, under particular conditions

    EVIDENTIAL SIGNATURE

  • 79

    A fraudulent signature that was executed purely by simulation rather than by tracing the outline of a genuine signature.

    FREEHAND SIGNATURE/IMMITED SIGNATURE

  • 80

    A forged signature

    FRAUDULENT SIGNATURE

  • 81

    A genuine signature that has been used to prepare an imitated or traced forgery

    MODEL SIGNATURE

  • 82

    An act of counterfeiting, falsifying, imitating, and other forms of crafting fake documents resulting to crime against public interest

    FORGERY

  • 83

    executed purely by simulation and memory by writing execution. SIMULATED WITH THE MODEL BEFORE THE FORGER

    SIMULATED OR FREEHAND IMITATION FORGERY

  • 84

    CLASSES OF FORGED SIGNATURES (CATEGORIES OF FORGERY OF SIGNATURES)

    A. DIRECT TECHNIQUE B. INDIRECT C. SIMULATED FREE HAND FORGERY (TECHNIQUE)