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62問 • 1年前
  • Trix Soriano
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  • 1

    , also known as — , is the national martial art and sport of the Philippines.

    Arnis Eskrima or Kali

  • 2

    It is a traditional combat system that emphasizes the use of sticks, bladed weapons, and empty-hand techniques.

    Arnis

  • 3

    Dates back before the colonization of the —, during those periods it was called — and the techniques of the art is focuses on bladed weapons fighting.

    Spaniards Kali

  • 4

    It was widely practiced throughout the archipelago; both nobleman and commoners were enthusiast and practitioners of the aid art. It was also taught in a SCHOOL LIKE TRAINING GROUNDS, which was called — along with military tactics

    Bothoan

  • 5

    Historical Background of Arnis Pre-Colonial Roots Arnis traces its origins to pre-colonial times when ancient Filipinos used weapons like —3 for hunting and combat. Techniques were passed down orally and practiced during tribal conflicts.

    spears, bows, and bolos

  • 6

    Colonial Era During the Spanish colonization (1521–1898), native fighting systems were suppressed, but Filipinos discreetly preserved these techniques through

    cultural dances and mock battles, such as the moro-moro.

  • 7

    Historical Background of Arnis Modern Era Arnis gained formal recognition as the national martial art and sport of the Philippines in —. Today, it is practiced globally, not only for self-defense but also as a competitive sport and cultural art form.

    2009 through Republic Act No. 9850

  • 8

    (December 19, 1936 – August 28, 2001) was the founder of Modern Arnis, a popular Filipino martial art.

    Remy Amador Presas

  • 9

    He published several books and videos on Modern Arnis and is recognized as the "Father of Modern Arnis".

    Remy Amador Presas

  • 10

    Fundamental Techniques in Arnis

    Weaponry Basic Strikes Defensive Techniques Empty-hand Combat

  • 11

    Weaponry: Single Stick (Solo Baston): A single — Double Stick (Doble Baston): Two sticks for — Bladed Weapons: — for traditional applications.

    rattan stick, typically 28 inches long. advanced techniques. Bolo or dagger

  • 12

    Basic Strikes Arnis has — fundamental strikes, targeting different parts of the opponent’s body, such as the —4

    12 temple, shoulder, knees, and stomach.

  • 13

    Defensive Techniques Includes —3

    blocking, deflecting, and disarming maneuvers.

  • 14

    Empty-Hand Combat Arnis practitioners also learn —3 for situations where weapons are unavailable.

    grappling, joint locks, and hand-to-hand strikes

  • 15

    Cultural Significance Arnis is a symbol of — reflecting centuries of evolution in martial arts. Arnis is often showcased in cultural festivals, where techniques are stylized into — performances. It is part of the — in many Philippine schools and is a popular competitive sport in tournaments worldwide.

    Filipino ingenuity and adaptability, choreographed physical education curriculum

  • 16

    Key Values Promoted by Arnis

    Discipline Respect Resilience

  • 17

    : Regular practice builds focus and commitment.

    Discipline

  • 18

    : Practitioners honor their instructors, partners, and opponents.

    Respect

  • 19

    : Training instills the ability to adapt and overcome challenges.

    Resilience

  • 20

    Modern Applications

    Self-Defense: Sports Competitions: Military and Law Enforcement:

  • 21

    Practical techniques for real-world scenarios, including disarming an attacker.

    Self-Defense:

  • 22

    Governed by organizations like the National Arnis Association of the Philippines (NARAPHIL), with competitions involving sparring, forms (anyo), and weapon demonstration.

    Sports Competitions:

  • 23

    Some Arnis techniques are integrated into training programs for soldiers and police officers.

    Military and Law Enforcement:

  • 24

    Variations of Arnis

    Balintawak Arnis Modern Arnis

  • 25

    : Focuses on close-range combat.

    Balintawak Arnis

  • 26

    : Developed by Remy Presas, it combines traditional techniques with modern innovations.

    Modern Arnis

  • 27

    The 12 Fundamental Strikes of Arnis

    FBLR - TT - LRLR - VT 1. Forehand strike of the temple 2. Backhand strike to the other temple 3. Left Shoulder Strike 4. Right Shoulder Strike 5. Thrust to the Stomach 6. Thrust to the Solar Plexus/Chest 7. Left Knee Strike 8. Right Knee Strike 9. Left Side Strike 10. Right Side Strike 11. Vertical Strike 12. Thrust to the Head

  • 28

    Target: . A diagonal downward strike designed to INCAPACITATE by targeting the opponent's upper body.

    1. Forehand strike of the temple Left temple or side of the head

  • 29

    Target: —. Mirrors the first strike but targets the opposite side for balance and versatility.

    2. Backhand strike to the other temple Right temple or side of the head

  • 30

    Target: — Aimed to weaken the opponent's upper arm or disrupt their balance.

    3. Left Shoulder Strike Left shoulder or collarbone

  • 31

    Target: Similar to the third strike but attacks the opposite side, preventing PREDICTABILITY.

    4. Right Shoulder Strike Right shoulder or collarbone.

  • 32

    Target: . A direct thrust intended to DISRUPT BREATHING or unbalance the opponent.

    5. Thrust to the Stomach Midsection or solar plexus

  • 33

    Target: . A powerful forward strike aimed to PUSH the opponent BACK or IMMOBILIZE them.

    6. Thrust to the Solar Plexus/Chest Center of the chest

  • 34

    Target: . A low strike intended to immobilize or RESTRICT MOVEMENT by targeting the LOWER EXTREMITIES.

    7. Left Knee Strike Left knee

  • 35

    Target: Complements the seventh strike, targeting the opposite leg for versatility in disabling the opponent.

    8. Right Knee Strike Right knee

  • 36

    Target: Similar to the ninth strike but focuses on the opposite side, ensuring thorough coverage of attack zones.

    9. Left Side Strike Left side of the body (waist or ribs)

  • 37

    Target: Similar to the ninth strike but focuses on the opposite side, ensuring thorough coverage of attack zones.

    10. Right Side Strike Right side of the body

  • 38

    Target: . A DOWNWARD strike aimed to incapacitate or DISORIENT the opponent by targeting the crown of the head.

    11. Vertical Strike Top of the head

  • 39

    Target: A PRECISE AND POWERFUL thrust aimed at NEUTRALIZING the opponent swiftly

    12. Thrust to the Head Face or throat

  • 40

    Proper Stance and Stick Position Stick Angle Hold the stick — across your body when in a guard position. This allows quick transition between —2.

    diagonally offense and defense

  • 41

    Hand Positioning — grips the stick. — stays free and ready for other actions, like trapping or controlling the opponent

    Dominant hand Non-dominant hand

  • 42

    To defend against strikes aimed at the left temple. Raise the weapon or arm diagonally across your body with the stick (baston) — to intercept the attack.

    Left Temple Block angled

  • 43

    To protect the right temple from strikes. Raise the weapon or arm diagonally across to the —, positioning the stick to block.

    2. Right Temple Block right side

  • 44

    To defend the left shoulder area. Angle the stick or arm to block an attack targeting the left shoulder.

    3. Left Shoulder Block -

  • 45

    To guard the right shoulder Position the stick or arm to intercept an attack coming towards the right shoulder

    4. Right Shoulder Block

  • 46

    To block thrusting attacks aimed at the stomach or midsection. Place the stick horizontally or diagonally in front of your body to deflect the strike.

    5. Stomach Thrust Block

  • 47

    To protect the left chest area. Move the stick or arm to deflect an attack directed at the left chest.

    6. Left Chest Thrust Block

  • 48

    - To defend the right chest area. - Use the same principle as the left chest block, but on the right side.

    7. Right Chest Thrust Block

  • 49

    - To defend against strikes targeting the right knee. Lower the stick diagonally to intercept the attack.

    8. Right Knee Block

  • 50

    To guard the left knee from strikes. - Mirror the movement of the right knee block on the left side.

    9. Left Knee Block -

  • 51

    To intercept strikes aimed at the left eye. - Position the stick or arm upward at an angle to deflect the strike.

    10. Left Eye Thrust Block -

  • 52

    - To protect the right eye from attacks. - Use the same principle as the left eye block but on the right side.

    Right Eye Thrust Block

  • 53

    - A versatile block to defend against downward or overhead strikes. Raise the stick diagonally upward like opening an umbrella, deflecting the attack away.

    Rising/Umbrella Block

  • 54

    BLOCKS

    LRLR - S - LRLRLR - R Left temple block Right temple block Left shoulder block Right shoulder block Stomach Thrust Block Left Chest Thrust Block Right Chest Thrust Block Left Eye Thrust Block Right Eye Thrust Block Left Knee Block Right Knee Block Rising/Umbrella Block

  • 55

    Arnis Stances

    NRFB - SSC 1. Natural Stance (Basic Stance 2. Ready Stance - 3. Forward Stance (Lunge Stance) - 4. Back Stance 5. Straddle Stance (Horse Stance) 6. Side Stance 7. Cat Stance

  • 56

    A RELAXED stance used as a neutral starting position.

    1. Natural Stance (Basic Stance)

  • 57

    A PREPARATORY stance for immediate movement.

    2. Ready Stance -

  • 58

    A stance used for offensive strikes or advancing.

    3. Forward Stance (Lunge Stance) -

  • 59

    A defensive stance used for retreating or evading attacks.

    4. Back Stance

  • 60

    A WIDE STANCE used for STRONG defensive blocks and strikes.

    5. Straddle Stance (Horse Stance)

  • 61

    A stance used to SHIFT WEIGHT LATERALLY for strikes or evasions

    Side stance

  • 62

    A light stance used for quick movements or deception.

    7. Cat Stance

  • ALERTNESS

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    MM

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    VEGETABLES

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    問題一覧

  • 1

    , also known as — , is the national martial art and sport of the Philippines.

    Arnis Eskrima or Kali

  • 2

    It is a traditional combat system that emphasizes the use of sticks, bladed weapons, and empty-hand techniques.

    Arnis

  • 3

    Dates back before the colonization of the —, during those periods it was called — and the techniques of the art is focuses on bladed weapons fighting.

    Spaniards Kali

  • 4

    It was widely practiced throughout the archipelago; both nobleman and commoners were enthusiast and practitioners of the aid art. It was also taught in a SCHOOL LIKE TRAINING GROUNDS, which was called — along with military tactics

    Bothoan

  • 5

    Historical Background of Arnis Pre-Colonial Roots Arnis traces its origins to pre-colonial times when ancient Filipinos used weapons like —3 for hunting and combat. Techniques were passed down orally and practiced during tribal conflicts.

    spears, bows, and bolos

  • 6

    Colonial Era During the Spanish colonization (1521–1898), native fighting systems were suppressed, but Filipinos discreetly preserved these techniques through

    cultural dances and mock battles, such as the moro-moro.

  • 7

    Historical Background of Arnis Modern Era Arnis gained formal recognition as the national martial art and sport of the Philippines in —. Today, it is practiced globally, not only for self-defense but also as a competitive sport and cultural art form.

    2009 through Republic Act No. 9850

  • 8

    (December 19, 1936 – August 28, 2001) was the founder of Modern Arnis, a popular Filipino martial art.

    Remy Amador Presas

  • 9

    He published several books and videos on Modern Arnis and is recognized as the "Father of Modern Arnis".

    Remy Amador Presas

  • 10

    Fundamental Techniques in Arnis

    Weaponry Basic Strikes Defensive Techniques Empty-hand Combat

  • 11

    Weaponry: Single Stick (Solo Baston): A single — Double Stick (Doble Baston): Two sticks for — Bladed Weapons: — for traditional applications.

    rattan stick, typically 28 inches long. advanced techniques. Bolo or dagger

  • 12

    Basic Strikes Arnis has — fundamental strikes, targeting different parts of the opponent’s body, such as the —4

    12 temple, shoulder, knees, and stomach.

  • 13

    Defensive Techniques Includes —3

    blocking, deflecting, and disarming maneuvers.

  • 14

    Empty-Hand Combat Arnis practitioners also learn —3 for situations where weapons are unavailable.

    grappling, joint locks, and hand-to-hand strikes

  • 15

    Cultural Significance Arnis is a symbol of — reflecting centuries of evolution in martial arts. Arnis is often showcased in cultural festivals, where techniques are stylized into — performances. It is part of the — in many Philippine schools and is a popular competitive sport in tournaments worldwide.

    Filipino ingenuity and adaptability, choreographed physical education curriculum

  • 16

    Key Values Promoted by Arnis

    Discipline Respect Resilience

  • 17

    : Regular practice builds focus and commitment.

    Discipline

  • 18

    : Practitioners honor their instructors, partners, and opponents.

    Respect

  • 19

    : Training instills the ability to adapt and overcome challenges.

    Resilience

  • 20

    Modern Applications

    Self-Defense: Sports Competitions: Military and Law Enforcement:

  • 21

    Practical techniques for real-world scenarios, including disarming an attacker.

    Self-Defense:

  • 22

    Governed by organizations like the National Arnis Association of the Philippines (NARAPHIL), with competitions involving sparring, forms (anyo), and weapon demonstration.

    Sports Competitions:

  • 23

    Some Arnis techniques are integrated into training programs for soldiers and police officers.

    Military and Law Enforcement:

  • 24

    Variations of Arnis

    Balintawak Arnis Modern Arnis

  • 25

    : Focuses on close-range combat.

    Balintawak Arnis

  • 26

    : Developed by Remy Presas, it combines traditional techniques with modern innovations.

    Modern Arnis

  • 27

    The 12 Fundamental Strikes of Arnis

    FBLR - TT - LRLR - VT 1. Forehand strike of the temple 2. Backhand strike to the other temple 3. Left Shoulder Strike 4. Right Shoulder Strike 5. Thrust to the Stomach 6. Thrust to the Solar Plexus/Chest 7. Left Knee Strike 8. Right Knee Strike 9. Left Side Strike 10. Right Side Strike 11. Vertical Strike 12. Thrust to the Head

  • 28

    Target: . A diagonal downward strike designed to INCAPACITATE by targeting the opponent's upper body.

    1. Forehand strike of the temple Left temple or side of the head

  • 29

    Target: —. Mirrors the first strike but targets the opposite side for balance and versatility.

    2. Backhand strike to the other temple Right temple or side of the head

  • 30

    Target: — Aimed to weaken the opponent's upper arm or disrupt their balance.

    3. Left Shoulder Strike Left shoulder or collarbone

  • 31

    Target: Similar to the third strike but attacks the opposite side, preventing PREDICTABILITY.

    4. Right Shoulder Strike Right shoulder or collarbone.

  • 32

    Target: . A direct thrust intended to DISRUPT BREATHING or unbalance the opponent.

    5. Thrust to the Stomach Midsection or solar plexus

  • 33

    Target: . A powerful forward strike aimed to PUSH the opponent BACK or IMMOBILIZE them.

    6. Thrust to the Solar Plexus/Chest Center of the chest

  • 34

    Target: . A low strike intended to immobilize or RESTRICT MOVEMENT by targeting the LOWER EXTREMITIES.

    7. Left Knee Strike Left knee

  • 35

    Target: Complements the seventh strike, targeting the opposite leg for versatility in disabling the opponent.

    8. Right Knee Strike Right knee

  • 36

    Target: Similar to the ninth strike but focuses on the opposite side, ensuring thorough coverage of attack zones.

    9. Left Side Strike Left side of the body (waist or ribs)

  • 37

    Target: Similar to the ninth strike but focuses on the opposite side, ensuring thorough coverage of attack zones.

    10. Right Side Strike Right side of the body

  • 38

    Target: . A DOWNWARD strike aimed to incapacitate or DISORIENT the opponent by targeting the crown of the head.

    11. Vertical Strike Top of the head

  • 39

    Target: A PRECISE AND POWERFUL thrust aimed at NEUTRALIZING the opponent swiftly

    12. Thrust to the Head Face or throat

  • 40

    Proper Stance and Stick Position Stick Angle Hold the stick — across your body when in a guard position. This allows quick transition between —2.

    diagonally offense and defense

  • 41

    Hand Positioning — grips the stick. — stays free and ready for other actions, like trapping or controlling the opponent

    Dominant hand Non-dominant hand

  • 42

    To defend against strikes aimed at the left temple. Raise the weapon or arm diagonally across your body with the stick (baston) — to intercept the attack.

    Left Temple Block angled

  • 43

    To protect the right temple from strikes. Raise the weapon or arm diagonally across to the —, positioning the stick to block.

    2. Right Temple Block right side

  • 44

    To defend the left shoulder area. Angle the stick or arm to block an attack targeting the left shoulder.

    3. Left Shoulder Block -

  • 45

    To guard the right shoulder Position the stick or arm to intercept an attack coming towards the right shoulder

    4. Right Shoulder Block

  • 46

    To block thrusting attacks aimed at the stomach or midsection. Place the stick horizontally or diagonally in front of your body to deflect the strike.

    5. Stomach Thrust Block

  • 47

    To protect the left chest area. Move the stick or arm to deflect an attack directed at the left chest.

    6. Left Chest Thrust Block

  • 48

    - To defend the right chest area. - Use the same principle as the left chest block, but on the right side.

    7. Right Chest Thrust Block

  • 49

    - To defend against strikes targeting the right knee. Lower the stick diagonally to intercept the attack.

    8. Right Knee Block

  • 50

    To guard the left knee from strikes. - Mirror the movement of the right knee block on the left side.

    9. Left Knee Block -

  • 51

    To intercept strikes aimed at the left eye. - Position the stick or arm upward at an angle to deflect the strike.

    10. Left Eye Thrust Block -

  • 52

    - To protect the right eye from attacks. - Use the same principle as the left eye block but on the right side.

    Right Eye Thrust Block

  • 53

    - A versatile block to defend against downward or overhead strikes. Raise the stick diagonally upward like opening an umbrella, deflecting the attack away.

    Rising/Umbrella Block

  • 54

    BLOCKS

    LRLR - S - LRLRLR - R Left temple block Right temple block Left shoulder block Right shoulder block Stomach Thrust Block Left Chest Thrust Block Right Chest Thrust Block Left Eye Thrust Block Right Eye Thrust Block Left Knee Block Right Knee Block Rising/Umbrella Block

  • 55

    Arnis Stances

    NRFB - SSC 1. Natural Stance (Basic Stance 2. Ready Stance - 3. Forward Stance (Lunge Stance) - 4. Back Stance 5. Straddle Stance (Horse Stance) 6. Side Stance 7. Cat Stance

  • 56

    A RELAXED stance used as a neutral starting position.

    1. Natural Stance (Basic Stance)

  • 57

    A PREPARATORY stance for immediate movement.

    2. Ready Stance -

  • 58

    A stance used for offensive strikes or advancing.

    3. Forward Stance (Lunge Stance) -

  • 59

    A defensive stance used for retreating or evading attacks.

    4. Back Stance

  • 60

    A WIDE STANCE used for STRONG defensive blocks and strikes.

    5. Straddle Stance (Horse Stance)

  • 61

    A stance used to SHIFT WEIGHT LATERALLY for strikes or evasions

    Side stance

  • 62

    A light stance used for quick movements or deception.

    7. Cat Stance